- 
                                       
                                        
                                                1897
- 
                                       
                                        Viladomiu Nou Colony All the industrial colonies in the upper Llobregat are similar: a tower, the church, the school and the workers' housing in three-storey blocks organised in parallel streets close to the factory. The factory was founded in 1870 and the Viladomiu Nou colony in 1874 by Tomàs Viladomiu i Bertran, who also owned the neighbouring industrial complex Viladomiu Vell. He had acquired the land of ‘Grau de Sant Marc’ and began work on a new factory and its annexed services, which, together with Viladomiu Vell, obtained the status of Agricultural and Industrial Colony in 1882. In 1907, the two companies were separated: the new production centre was given to Jacint Viladomiu and the old one to his heir, Josep Viladomiu. In 1929, the family bought the neighbouring Guixaró Colony and began a period of expansion that continued until the 1980s, when the textile crisis forced the company to close its doors. All the industrial colonies in the upper Llobregat are similar: a tower, the church, the school and the workers' housing in three-storey blocks organised in parallel streets close to the factory. The factory was founded in 1870 and the Viladomiu Nou colony in 1874 by Tomàs Viladomiu i Bertran, who also owned the neighbouring industrial complex Viladomiu Vell. He had acquired the land of ‘Grau de Sant Marc’ and began work on a new factory and its annexed services, which, together with Viladomiu Vell, obtained the status of Agricultural and Industrial Colony in 1882. In 1907, the two companies were separated: the new production centre was given to Jacint Viladomiu and the old one to his heir, Josep Viladomiu. In 1929, the family bought the neighbouring Guixaró Colony and began a period of expansion that continued until the 1980s, when the textile crisis forced the company to close its doors.1880 - 1902
- 
                                       
                                        
                                                1899 - 1902
- 
                                       
                                        
                                                1903
- 
                                       
                                        Torre de l'Amo de Can Bassacs It is a large four-sided building made up of various structures that form a monumental architecture; a synthesis, stylistically speaking, of historicist and Catalan Art Nouveau architecture. It is structured in elevation, mainly on the ground floor and three floors, with a monumental two-coloured roof with several slopes made up of green and red ceramic tiles. With a square floor plan, it incorporates an atrium on one of the façades on the ground floor and over a tribune, a structure that is reproduced in the rest of the elevations, giving the complex the appearance of an attached tower, which enhances the castle-like appearance of the complex. In addition, in the central part of the building there is a rectangular-shaped building with a tile-covered lantern, of which the crenellated structure and the decoration with arcatures imitating Lombard Romanesque style stand out, decoration that is also found in the friezes of the roofs and in the attached tower. In short, the use of structural elements associated with medieval architecture is a constant throughout the building. An example of this medievalism are the groups of trigeminate windows topped with semicircular arches and separated by columns that are located throughout the top floor, or the decorations on the imposts of the opening sills, which in some cases reproduce floral motifs. In terms of Catalan Art Nouveau decoration, the roof of the building is decorated with a number of chimneys covered with coloured ceramic tiles forming a mosaic or frieze which, together with other decorative motifs, reinforces the Catalan Art Nouveau character of the building. Also noteworthy are the decorations on the fronts of the balcony slabs, made with glazed ceramic tiles that reproduce floral motifs. Above the main doorway there is a balcony with a unique railing made up of quadrilobed oculi with a slab made of iron beams and flat brick vaults covered and painted with geometric motifs. On this same main façade, at the height of the lintel of the first floor, there is a coat of arms with the letter B, the initial letter of the original owner of the tower. The entire work is covered with a rendering that imitates irregular rows of stone ashlars. In short, a monumental building that reproduces the character of a medieval castle with decorations that recall the Art Nouveau style. The country house of the owners of Cal Bassacs, as in most of the textile colonies, was built as a home for the owners, generally temporary; it is a large stately building that also serves as a place of dominion. Its monumentality favours the symbolism of the building, showing that the entrepreneur is the master and externalising his social and economic status. The founding owners of the Cal Bassacs factory and colony were the married couple Joan Teixidor i Ballús and Raimunda Bassacs i Fornell, from Berga and Gironella respectively. Both families were linked to the spinning and/or textile industry prior to the construction of the Cal Bassacs factory, at least since the 18th century. The first news related to the factory begins at the beginning of the sixties of the 19th century, first with the purchase of the land and then with the beginning of the works of the factory, which would finally end up with the construction of two factories. The Teixidor-Bassacs family also had a workshop in their usual residence, located in what is now the Plaça de la Vila de Gironella. The business with the Cal Bassacs factories was basically to rent them, although some of the successors also founded a company dedicated to spinning and weaving. The tower was built around 1900, in the area of the garden that was used as the factory's warehouse. The tower had a chapel located at ground floor level, on the east side of the main entrance door, and which had direct access – this was used for some years to celebrate masses until the parish church of Santa Maria de Cal Bassacs was built. In the last years of the textile factory, part of the tower was also used as a factory warehouse. It is a large four-sided building made up of various structures that form a monumental architecture; a synthesis, stylistically speaking, of historicist and Catalan Art Nouveau architecture. It is structured in elevation, mainly on the ground floor and three floors, with a monumental two-coloured roof with several slopes made up of green and red ceramic tiles. With a square floor plan, it incorporates an atrium on one of the façades on the ground floor and over a tribune, a structure that is reproduced in the rest of the elevations, giving the complex the appearance of an attached tower, which enhances the castle-like appearance of the complex. In addition, in the central part of the building there is a rectangular-shaped building with a tile-covered lantern, of which the crenellated structure and the decoration with arcatures imitating Lombard Romanesque style stand out, decoration that is also found in the friezes of the roofs and in the attached tower. In short, the use of structural elements associated with medieval architecture is a constant throughout the building. An example of this medievalism are the groups of trigeminate windows topped with semicircular arches and separated by columns that are located throughout the top floor, or the decorations on the imposts of the opening sills, which in some cases reproduce floral motifs. In terms of Catalan Art Nouveau decoration, the roof of the building is decorated with a number of chimneys covered with coloured ceramic tiles forming a mosaic or frieze which, together with other decorative motifs, reinforces the Catalan Art Nouveau character of the building. Also noteworthy are the decorations on the fronts of the balcony slabs, made with glazed ceramic tiles that reproduce floral motifs. Above the main doorway there is a balcony with a unique railing made up of quadrilobed oculi with a slab made of iron beams and flat brick vaults covered and painted with geometric motifs. On this same main façade, at the height of the lintel of the first floor, there is a coat of arms with the letter B, the initial letter of the original owner of the tower. The entire work is covered with a rendering that imitates irregular rows of stone ashlars. In short, a monumental building that reproduces the character of a medieval castle with decorations that recall the Art Nouveau style. The country house of the owners of Cal Bassacs, as in most of the textile colonies, was built as a home for the owners, generally temporary; it is a large stately building that also serves as a place of dominion. Its monumentality favours the symbolism of the building, showing that the entrepreneur is the master and externalising his social and economic status. The founding owners of the Cal Bassacs factory and colony were the married couple Joan Teixidor i Ballús and Raimunda Bassacs i Fornell, from Berga and Gironella respectively. Both families were linked to the spinning and/or textile industry prior to the construction of the Cal Bassacs factory, at least since the 18th century. The first news related to the factory begins at the beginning of the sixties of the 19th century, first with the purchase of the land and then with the beginning of the works of the factory, which would finally end up with the construction of two factories. The Teixidor-Bassacs family also had a workshop in their usual residence, located in what is now the Plaça de la Vila de Gironella. The business with the Cal Bassacs factories was basically to rent them, although some of the successors also founded a company dedicated to spinning and weaving. The tower was built around 1900, in the area of the garden that was used as the factory's warehouse. The tower had a chapel located at ground floor level, on the east side of the main entrance door, and which had direct access – this was used for some years to celebrate masses until the parish church of Santa Maria de Cal Bassacs was built. In the last years of the textile factory, part of the tower was also used as a factory warehouse.1900 - 1905
- 
                                       
                                        
                                                1908
- 
                                       
                                        Torre de l'Amo de Viladomiu Vellautoria desconeguda  It is an isolated stately tower, with a rectangular floor plan made up of four bodies distributed in such a way as to form an interior courtyard, the four of them organised in elevation on the ground floor, two floors and attic, and with tile roofs forming two slopes with the ridges running parallel to each of the four sides. In the body of the building facing Carrer de Puig Llançada, there is a tower that stands out from the rest of the constructions, covered with hip tile roofs, which gives the complex the character of a stately tower. Each façade has a different treatment in terms of the typology and layout of the openings; however, all of them are framed by exposed brickwork that stands out from the white walls made with a common wall covered with a simple plaster, except for the ground floor where the cladding imitates a masonry of large ashlars arranged in an irregular manner. Attached to the tower there is a single flight of external stairs, with a brick railing, which leads to the first floor, where there is a unique brickwork belvedere with a hexagonal base, with four green ceramic columns and green ceramic floral capitals supporting false stepped arches on which is a second uncovered belvedere with an exposed brickwork cantilevered railing supported by corbels, also in exposed brickwork. On each side of the main entrance we see the atriums formed by three pointed corner arches, above which is a small flat roof terrace with simple balustraded balustrades of exposed brickwork. Two of the lower arches start from an exposed brick pillar built according to a helical structure. The cladding of the whole is in rather poor condition, with undercuts that reveal the common masonry work of the walls. The cladding of all the corner pieces imitates large squared ashlars that give the whole a medieval castle character. The tower of the owner of Viladomiu Vell is recorded as having been built in 1910 (CASALS:2002, 49). As is the case in all the colonies, the tower was built as a residence for the owners of the factory and the colony for the owners. These were usually monumental buildings, in historicist or Catalan Art Nouveau styles, which became a symbol of the social and economic power of the lords. The first steps for the construction of the Viladomiu Vell factory were taken on 2 May 1868, when Tomàs Viladomiu i Bertran and his sons, Josep, Jacint and Marc Viladomiu i Montañà, bought a piece of land, called la Plana de Sant Marc, from Josep Feliu i Subirà and Martí Feliu Farriols, father and son. In 1871, the factory was already registered. Initially, housing was built on the first floor of the factory for the workers and also for Mr. Viladomiu, who lived there until 1878. This was the year when the owners' residence tower began to be built – it is recorded that the factory's carpentry shop was located on the ground floor. It is an isolated stately tower, with a rectangular floor plan made up of four bodies distributed in such a way as to form an interior courtyard, the four of them organised in elevation on the ground floor, two floors and attic, and with tile roofs forming two slopes with the ridges running parallel to each of the four sides. In the body of the building facing Carrer de Puig Llançada, there is a tower that stands out from the rest of the constructions, covered with hip tile roofs, which gives the complex the character of a stately tower. Each façade has a different treatment in terms of the typology and layout of the openings; however, all of them are framed by exposed brickwork that stands out from the white walls made with a common wall covered with a simple plaster, except for the ground floor where the cladding imitates a masonry of large ashlars arranged in an irregular manner. Attached to the tower there is a single flight of external stairs, with a brick railing, which leads to the first floor, where there is a unique brickwork belvedere with a hexagonal base, with four green ceramic columns and green ceramic floral capitals supporting false stepped arches on which is a second uncovered belvedere with an exposed brickwork cantilevered railing supported by corbels, also in exposed brickwork. On each side of the main entrance we see the atriums formed by three pointed corner arches, above which is a small flat roof terrace with simple balustraded balustrades of exposed brickwork. Two of the lower arches start from an exposed brick pillar built according to a helical structure. The cladding of the whole is in rather poor condition, with undercuts that reveal the common masonry work of the walls. The cladding of all the corner pieces imitates large squared ashlars that give the whole a medieval castle character. The tower of the owner of Viladomiu Vell is recorded as having been built in 1910 (CASALS:2002, 49). As is the case in all the colonies, the tower was built as a residence for the owners of the factory and the colony for the owners. These were usually monumental buildings, in historicist or Catalan Art Nouveau styles, which became a symbol of the social and economic power of the lords. The first steps for the construction of the Viladomiu Vell factory were taken on 2 May 1868, when Tomàs Viladomiu i Bertran and his sons, Josep, Jacint and Marc Viladomiu i Montañà, bought a piece of land, called la Plana de Sant Marc, from Josep Feliu i Subirà and Martí Feliu Farriols, father and son. In 1871, the factory was already registered. Initially, housing was built on the first floor of the factory for the workers and also for Mr. Viladomiu, who lived there until 1878. This was the year when the owners' residence tower began to be built – it is recorded that the factory's carpentry shop was located on the ground floor.1910
- 
                                       
                                        Cal Bassacs Colonyautoria desconeguda  The Cal Bassacs textile colony is composed of the industrial complex — the group of various factory buildings arranged in alignment, one after the other — together with warehouses, spaces intended for offices, and, opposite the factory, the buildings constructed to house the workers. Within a large plot enclosed by a wall stands a small chapel; around the tower there are gardens and also a more modern structure. The majesty of the tower, besides presiding over the entire complex, also stands out for its size, its constructional characteristics, and the ornamental detailing of its finishes. As for the workers’ housing, these are located opposite the factory on the western side, forming a street known as Carrer Indústria. The group is made up of buildings with a ground floor and two upper storeys, covered with gabled roofs whose ridge runs parallel to the axis of the street. They display a total of four doorways giving access to the respective internal staircases. It appears that the buildings were constructed in different phases; broadly speaking, the façades — except for the northernmost building — have openings on the ground floor framed in solid brick (door to the staircase, entrance to the ground floor and some windows) with straight lintels. It is worth noting that the building adjoining the one at the northern end has openings with projecting balconies. Regarding the building at the northern end of the group, this one stands out for the regular arrangement of its openings, all framed in solid brick, among which the central first-floor window is distinguished by a differentiated brick pattern. In the building at the southernmost end, it can be seen that it is constructed partly with stone walls and partly with rendered sections, with well-cut ashlar cornerstones alternating with rendered surfaces. At the rear, there are various types of openings: in one case, the southernmost building has only simple windows; the next two have galleries on each floor, with straight lines, while the remaining ones have galleries with openings formed by semi-circular arches, though with differing finishes and combined with windows. The couple Raimunda Bassacs and Joan Teixidor i Ballús were the founders of the Cal Bassacs factory. The Bassacs family came originally from Prats de Lluçanès, where they worked as wool carders, later moving to Gironella, where records show their presence as early as 1717. By the late eighteenth and early nineteenth centuries, they were involved in several companies devoted to cotton spinning and weaving. The Teixidor family, originally from Berga, were also documented as being engaged for many years in the production of wire and cotton fabrics; their participation in a company from Berga is recorded as early as the seventeenth century. In 1861, the couple were living in Gironella, specifically in what is now Plaça de la Vila (then Plaça de l’Església), where they operated a workshop equipped with ten hand looms, a warping machine, and a bobbin winder. Records show that this workshop was still active in 1896. In April 1861, the couple purchased a piece of land from Maria and Ramon Fígols of Gironella, at the foot of the river Llobregat, next to the Sant Marc bridge, and thus alongside the road. On 30 May 1862, Joan Teixidor applied to the Gironella Town Council for permission to build a flour mill with two millstones and a factory on the land they had acquired. Construction began in 1869, with works on the weir and the obtaining of permission to build a mill with two millstones and one waterwheel. The initial plan seems to have been modified, since the mill was not built and two waterwheels were instead constructed. In 1871, they purchased another parcel of land; by then, records show that the factory already measured 158 palms in length and 14 in width. In 1872, they received permission to extract stone from the riverbed, provided that the remains of the Sant Marc bridge were not affected. To meet the capital requirements of the Cal Bassacs factory, the couple also purchased a house in Avià containing eleven looms, a bobbin machine, and a warping machine. Another source of financing came externally, through a mortgage with Antoni Manent Llonch, who was also the founder of the Colònia Manent in Puig-reig, among other enterprises; this debt was settled in 1884. Records show that, as new factory buildings were completed, they were rented to small entrepreneurs. In 1880, Miquel and Josep Santesteban operated twelve and ten looms, respectively. By 1884, one of the two factories must have been fully completed, as it was rented to the Manresa company “Antoni Torra e Hijos y Cía”, which installed over 4,000 spindles and 94 mechanical looms. Another section was leased to Estapé Camps, who installed twelve mechanical looms. One of the waterwheels was donated during his lifetime to their son Antoni, who put it into operation; the donation was confirmed in the will of Joan Teixidor Ballús, who died in 1891. At the time of his death, records indicate that both factories, as well as the warehouses and workers’ houses, were already completed. His heirs were his daughter Concepció Teixidor Bassacs and her husband Josep Fusté Teixidor. Their descendants continued the business along different lines. Antoni, who was in poor health, ended up renting the factory to other industrialists; upon his death, the property was divided between his wife Carme Vila Marces and his daughter and heiress Carme Teixidor Vila. The heiress continued leasing the factory, one of her tenants being Josep Sanglàs i Alsina of Manlleu, who was engaged in the manufacture of machinery for cotton spinning. His company became the first Catalan firm of this kind, employing some 300 workersin the 1920s. Following the early death of the heiress, her mother Carme Vila inherited the factory and rented it to the company “Josep Fusté y Cía.”, whose relatives managed the other part of the Cal Bassacs factory — the section inherited by Concepció Teixidor (wife of Josep Fusté). (continues in Observations) It should be noted that on the main façade of the workers’ dwellings, one building stands out for having two projecting balconies, one above the other. The ground-floor balcony has a wooden platform supported by timber brackets, while the upper balcony rests on metal joists with wooden slats, exposed wooden beam ends shaped as corbels, and an iron tie-rod. The balustrades on both balconies are simple wrought-iron designs with scrollwork decorations on the base and beneath the handrail. Cal Bassacs is included in the “Master Plan for the Industrial Colonies of the River Llobregat”; the municipality of Gironella is part of this plan along with Avià, Balsareny, Berga, Casserres, Gaià, Navàs, Olvan, and Puig-reig (DOGC no. 4940, published on 3 August 2007). (continued from History): Upon the death of Carme Vila, her share of the factory passed to Ricard Teixidor Masjuan, who in 1946 founded the company “Hilados y Tejidos Fusté, S.A.”. The factory inherited by Concepció Teixidor continued to be used directly by the family firm, “Josep Fusté Teixidor y Cía.” On 31 May 1914, the factory burned down; Concepció, then widowed, received assistance from the director Esteve Esparbé Garriga. Despite the disruption caused by the fire, production resumed, and in 1919 she leased the neighbouring factory from her relatives. For several years, the two companies operated separately within the Cal Bassacs complex. Salvador Fusté, son of Concepció Teixidor, married Bernada de Martín i Llobet of Berga in 1920. Salvador died young, naming his nephew Josep M. Minoves Fusté as heir, who became the principal shareholder of “Hilados y Tejidos Fusté, S.A.”. It was not until the late twentieth century that the two families who had inherited the Cal Bassacs factories united them into a single company, merging both plants under the same joint-stock enterprise. The Cal Bassacs textile colony is composed of the industrial complex — the group of various factory buildings arranged in alignment, one after the other — together with warehouses, spaces intended for offices, and, opposite the factory, the buildings constructed to house the workers. Within a large plot enclosed by a wall stands a small chapel; around the tower there are gardens and also a more modern structure. The majesty of the tower, besides presiding over the entire complex, also stands out for its size, its constructional characteristics, and the ornamental detailing of its finishes. As for the workers’ housing, these are located opposite the factory on the western side, forming a street known as Carrer Indústria. The group is made up of buildings with a ground floor and two upper storeys, covered with gabled roofs whose ridge runs parallel to the axis of the street. They display a total of four doorways giving access to the respective internal staircases. It appears that the buildings were constructed in different phases; broadly speaking, the façades — except for the northernmost building — have openings on the ground floor framed in solid brick (door to the staircase, entrance to the ground floor and some windows) with straight lintels. It is worth noting that the building adjoining the one at the northern end has openings with projecting balconies. Regarding the building at the northern end of the group, this one stands out for the regular arrangement of its openings, all framed in solid brick, among which the central first-floor window is distinguished by a differentiated brick pattern. In the building at the southernmost end, it can be seen that it is constructed partly with stone walls and partly with rendered sections, with well-cut ashlar cornerstones alternating with rendered surfaces. At the rear, there are various types of openings: in one case, the southernmost building has only simple windows; the next two have galleries on each floor, with straight lines, while the remaining ones have galleries with openings formed by semi-circular arches, though with differing finishes and combined with windows. The couple Raimunda Bassacs and Joan Teixidor i Ballús were the founders of the Cal Bassacs factory. The Bassacs family came originally from Prats de Lluçanès, where they worked as wool carders, later moving to Gironella, where records show their presence as early as 1717. By the late eighteenth and early nineteenth centuries, they were involved in several companies devoted to cotton spinning and weaving. The Teixidor family, originally from Berga, were also documented as being engaged for many years in the production of wire and cotton fabrics; their participation in a company from Berga is recorded as early as the seventeenth century. In 1861, the couple were living in Gironella, specifically in what is now Plaça de la Vila (then Plaça de l’Església), where they operated a workshop equipped with ten hand looms, a warping machine, and a bobbin winder. Records show that this workshop was still active in 1896. In April 1861, the couple purchased a piece of land from Maria and Ramon Fígols of Gironella, at the foot of the river Llobregat, next to the Sant Marc bridge, and thus alongside the road. On 30 May 1862, Joan Teixidor applied to the Gironella Town Council for permission to build a flour mill with two millstones and a factory on the land they had acquired. Construction began in 1869, with works on the weir and the obtaining of permission to build a mill with two millstones and one waterwheel. The initial plan seems to have been modified, since the mill was not built and two waterwheels were instead constructed. In 1871, they purchased another parcel of land; by then, records show that the factory already measured 158 palms in length and 14 in width. In 1872, they received permission to extract stone from the riverbed, provided that the remains of the Sant Marc bridge were not affected. To meet the capital requirements of the Cal Bassacs factory, the couple also purchased a house in Avià containing eleven looms, a bobbin machine, and a warping machine. Another source of financing came externally, through a mortgage with Antoni Manent Llonch, who was also the founder of the Colònia Manent in Puig-reig, among other enterprises; this debt was settled in 1884. Records show that, as new factory buildings were completed, they were rented to small entrepreneurs. In 1880, Miquel and Josep Santesteban operated twelve and ten looms, respectively. By 1884, one of the two factories must have been fully completed, as it was rented to the Manresa company “Antoni Torra e Hijos y Cía”, which installed over 4,000 spindles and 94 mechanical looms. Another section was leased to Estapé Camps, who installed twelve mechanical looms. One of the waterwheels was donated during his lifetime to their son Antoni, who put it into operation; the donation was confirmed in the will of Joan Teixidor Ballús, who died in 1891. At the time of his death, records indicate that both factories, as well as the warehouses and workers’ houses, were already completed. His heirs were his daughter Concepció Teixidor Bassacs and her husband Josep Fusté Teixidor. Their descendants continued the business along different lines. Antoni, who was in poor health, ended up renting the factory to other industrialists; upon his death, the property was divided between his wife Carme Vila Marces and his daughter and heiress Carme Teixidor Vila. The heiress continued leasing the factory, one of her tenants being Josep Sanglàs i Alsina of Manlleu, who was engaged in the manufacture of machinery for cotton spinning. His company became the first Catalan firm of this kind, employing some 300 workersin the 1920s. Following the early death of the heiress, her mother Carme Vila inherited the factory and rented it to the company “Josep Fusté y Cía.”, whose relatives managed the other part of the Cal Bassacs factory — the section inherited by Concepció Teixidor (wife of Josep Fusté). (continues in Observations) It should be noted that on the main façade of the workers’ dwellings, one building stands out for having two projecting balconies, one above the other. The ground-floor balcony has a wooden platform supported by timber brackets, while the upper balcony rests on metal joists with wooden slats, exposed wooden beam ends shaped as corbels, and an iron tie-rod. The balustrades on both balconies are simple wrought-iron designs with scrollwork decorations on the base and beneath the handrail. Cal Bassacs is included in the “Master Plan for the Industrial Colonies of the River Llobregat”; the municipality of Gironella is part of this plan along with Avià, Balsareny, Berga, Casserres, Gaià, Navàs, Olvan, and Puig-reig (DOGC no. 4940, published on 3 August 2007). (continued from History): Upon the death of Carme Vila, her share of the factory passed to Ricard Teixidor Masjuan, who in 1946 founded the company “Hilados y Tejidos Fusté, S.A.”. The factory inherited by Concepció Teixidor continued to be used directly by the family firm, “Josep Fusté Teixidor y Cía.” On 31 May 1914, the factory burned down; Concepció, then widowed, received assistance from the director Esteve Esparbé Garriga. Despite the disruption caused by the fire, production resumed, and in 1919 she leased the neighbouring factory from her relatives. For several years, the two companies operated separately within the Cal Bassacs complex. Salvador Fusté, son of Concepció Teixidor, married Bernada de Martín i Llobet of Berga in 1920. Salvador died young, naming his nephew Josep M. Minoves Fusté as heir, who became the principal shareholder of “Hilados y Tejidos Fusté, S.A.”. It was not until the late twentieth century that the two families who had inherited the Cal Bassacs factories united them into a single company, merging both plants under the same joint-stock enterprise.
- 
                                       
                                        Viladomiu Vell Colonyautoria desconeguda  The Viladomiu Vell settlement is located about one kilometre south of Cal Bassacs. It is a colony built parallel to the river, from north to south, and at the entrance to the colony we find the church on one side (together with some annexe buildings) and on the other side, the owners' tower, while a little further up is the director's chalet. Thus, firstly, the most emblematic spaces of symbolic power, the church and the tower, then the central part destined for the workers' dwellings, and in the final part, the industrial zone, the factory. The dwellings are distributed in three rows of parallel blocks that make up the urban space, streets and squares; thus, in the upper street, the westernmost one, there are two blocks arranged in a row, one next to the other. Broadly speaking, these are buildings with an elongated rectangular ground plan, consisting of three storeys (ground floor and two upper floors) and a semi-basement floor accessible from the street below, as the ground is slightly uneven, and these are basically used as garages. The main façade that opens onto calle de Puig Sacalm is the characteristic gallery façade, made up of three rows or open gallery streets with openings of segmental arches supported on pillars. On this façade we find the entrances to the ground floors and the stairwells leading to the upper floors. Three of the lateral façades of these blocks remain without cladding, allowing us to see the stone walls with solid brick reinforcement in the corners and in the framing of the openings, in the case of the northernmost block, which also forms a decorative plasterwork. In this same block, we can see the openings of the southern lateral façade at ground floor level, with the openings framed in stone ashlars. The other blocks, one on the central street or row and two on the street below, also placed one next to the other, are also elongated rectangular in plan, with three storeys (ground floor and two storeys) and a gable roof of Arabic tile with an eave decorated with a geometric combination made of solid brick. The walls show the ground floor made of stone ashlars and the rest with the surface rendered and painted. The openings in the main and side façades are straight-cut and regularly distributed; the access portals to the interior staircases all open onto Puig Llançada street; the rear façades (in the westernmost block on the west and the easternmost blocks open onto the river to the east) have openings leading to balcony galleries, most of which have now been modified and closed off. The block of flats on the east side facing the church has an inverted L-shaped plan, with a volume facing the church that housed the schools and community spaces. Between the two we find the main square of the colony, the church square. Delimited between the three rows of blocks and at the southern end by the access to the factory, there is another square - Puig Sacalm street, the street above, which is like a promenade, with benches and plane trees. The Viladomiu Vell colony was founded by Tomàs Viladomiu Bertran, a member of a lineage linked to the spinning and weaving industry since ancient times. The origins of the family are documented from the beginning of the 16th century in Vilada, from where they moved to Berga. Over the years, there are numerous reports documenting the Viladomiu family's relationship with textile manufacturing, showing the evolution and growth of their business by adapting to the new demands and needs of each period. Tomàs Viladomiu's father moved to Sallent when he married Antònia Bertran, from the Cal Rei house, a town where he would continue to work in the wire and fabric business, and where the founder of the Viladomiu colonies was born, who would continue the family's business trajectory. Tomàs Viladomiu Bertran decided to set up a factory and colony up the Llobregat river, seeing the possibilities offered by the area, which was still scarcely industrialised. The chosen location was the land at Plana de Santa Marc, which he bought from the Feliu brothers. The history of the colony of Viladomiu began in 1868 with the application for the use of water to build a factory. Work began with the construction of the first building, the lock and canal, and the first buildings to house the workers. Subsequently, the colony would grow and incorporate elements, the church (1885), the wall, the tower (1910), the schools, extending the blocks of flats, enlarging the factory, etc. Once production had started (1871), the company ‘Viladomiu e Hijos’ bought and began the process of building a new colony on land further south of Viladomiu Vell. In this case, the land was bought from the same family, the plot where the new project was to be built was called the Llave de San Marcos, the names of the land would be used while both colonies were under the same company. From 1896, Tomàs Viladomiu's sons split the inheritance and each colony, Viladomiu Vell and Viladomiu Nou, were managed by different companies. In 1882 the company obtained the status of agricultural and industrial colony, which allowed it to benefit from certain tax exemptions. From the foundation of the Viladomiu Nou colony until 1989 it was managed by different companies linked to the Viladomiu family. The management of the colony and factory of Viladomiu Nou was done through different companies, as they changed over the years - 1869-1887: Viladomiu and Sons, 1888-1896: Viladomiu Sons, from this point onwards each Viladomiu colony undertook its own business path, 1896-1906: José Viladomiu Montañá, 1907-1927: José and Jacinto Viladomiu; 1928-1934: José Viladomiu Senmartí; 1934-1989: Manufacturas Viladomiu S. A. The Colonia Viladomiu Vell is included in the ‘Plan director urbanístico de las colonias industriales del Llobregat’; the municipality of Gironella is included in the Pla together with the municipalities of Avià, Balsareny, Berga, Casserres, Gaià, Navàs, Olvan and Puig-reig (DOGC no. 4940 published on 03/08/2007). At the southern end of the complex is the industrial area, the factory, with access through a large open doorway in the perimeter wall delimiting the factory space; in the access area there are some buildings built in the 20th century, including offices, the weighbridge, etc. The main feature of the production complex is the large central nave with an elongated rectangular floor plan, three levels of openings and a gable roof made of Arabic tile. Surrounding it are other halls and buildings, several of the structures attached to the central nave, with different volumes and finishes, being buildings of different functionalities and chronologies. On the north side of the complex there was the chimney of the steam engine, which no longer exists. Parallel to the river and the colony runs the canal that carries the water from the lock, located a few metres upstream, to the factory. The orchard area around the canal is also worth mentioning. A few metres from the owner's tower there is also the director's chalet – a four-storey house attached to the land on the west side, with a ground floor, first floor and ground floor-roof. On the first floor, there is a balcony-like gallery that continues on the roof and a ground floor level that develops on the roof itself, showing only lateral façades between the different roof planes. The roof is made of flat ceramic tiles with eaves supported by wooden beam heads. The Viladomiu Vell settlement is located about one kilometre south of Cal Bassacs. It is a colony built parallel to the river, from north to south, and at the entrance to the colony we find the church on one side (together with some annexe buildings) and on the other side, the owners' tower, while a little further up is the director's chalet. Thus, firstly, the most emblematic spaces of symbolic power, the church and the tower, then the central part destined for the workers' dwellings, and in the final part, the industrial zone, the factory. The dwellings are distributed in three rows of parallel blocks that make up the urban space, streets and squares; thus, in the upper street, the westernmost one, there are two blocks arranged in a row, one next to the other. Broadly speaking, these are buildings with an elongated rectangular ground plan, consisting of three storeys (ground floor and two upper floors) and a semi-basement floor accessible from the street below, as the ground is slightly uneven, and these are basically used as garages. The main façade that opens onto calle de Puig Sacalm is the characteristic gallery façade, made up of three rows or open gallery streets with openings of segmental arches supported on pillars. On this façade we find the entrances to the ground floors and the stairwells leading to the upper floors. Three of the lateral façades of these blocks remain without cladding, allowing us to see the stone walls with solid brick reinforcement in the corners and in the framing of the openings, in the case of the northernmost block, which also forms a decorative plasterwork. In this same block, we can see the openings of the southern lateral façade at ground floor level, with the openings framed in stone ashlars. The other blocks, one on the central street or row and two on the street below, also placed one next to the other, are also elongated rectangular in plan, with three storeys (ground floor and two storeys) and a gable roof of Arabic tile with an eave decorated with a geometric combination made of solid brick. The walls show the ground floor made of stone ashlars and the rest with the surface rendered and painted. The openings in the main and side façades are straight-cut and regularly distributed; the access portals to the interior staircases all open onto Puig Llançada street; the rear façades (in the westernmost block on the west and the easternmost blocks open onto the river to the east) have openings leading to balcony galleries, most of which have now been modified and closed off. The block of flats on the east side facing the church has an inverted L-shaped plan, with a volume facing the church that housed the schools and community spaces. Between the two we find the main square of the colony, the church square. Delimited between the three rows of blocks and at the southern end by the access to the factory, there is another square - Puig Sacalm street, the street above, which is like a promenade, with benches and plane trees. The Viladomiu Vell colony was founded by Tomàs Viladomiu Bertran, a member of a lineage linked to the spinning and weaving industry since ancient times. The origins of the family are documented from the beginning of the 16th century in Vilada, from where they moved to Berga. Over the years, there are numerous reports documenting the Viladomiu family's relationship with textile manufacturing, showing the evolution and growth of their business by adapting to the new demands and needs of each period. Tomàs Viladomiu's father moved to Sallent when he married Antònia Bertran, from the Cal Rei house, a town where he would continue to work in the wire and fabric business, and where the founder of the Viladomiu colonies was born, who would continue the family's business trajectory. Tomàs Viladomiu Bertran decided to set up a factory and colony up the Llobregat river, seeing the possibilities offered by the area, which was still scarcely industrialised. The chosen location was the land at Plana de Santa Marc, which he bought from the Feliu brothers. The history of the colony of Viladomiu began in 1868 with the application for the use of water to build a factory. Work began with the construction of the first building, the lock and canal, and the first buildings to house the workers. Subsequently, the colony would grow and incorporate elements, the church (1885), the wall, the tower (1910), the schools, extending the blocks of flats, enlarging the factory, etc. Once production had started (1871), the company ‘Viladomiu e Hijos’ bought and began the process of building a new colony on land further south of Viladomiu Vell. In this case, the land was bought from the same family, the plot where the new project was to be built was called the Llave de San Marcos, the names of the land would be used while both colonies were under the same company. From 1896, Tomàs Viladomiu's sons split the inheritance and each colony, Viladomiu Vell and Viladomiu Nou, were managed by different companies. In 1882 the company obtained the status of agricultural and industrial colony, which allowed it to benefit from certain tax exemptions. From the foundation of the Viladomiu Nou colony until 1989 it was managed by different companies linked to the Viladomiu family. The management of the colony and factory of Viladomiu Nou was done through different companies, as they changed over the years - 1869-1887: Viladomiu and Sons, 1888-1896: Viladomiu Sons, from this point onwards each Viladomiu colony undertook its own business path, 1896-1906: José Viladomiu Montañá, 1907-1927: José and Jacinto Viladomiu; 1928-1934: José Viladomiu Senmartí; 1934-1989: Manufacturas Viladomiu S. A. The Colonia Viladomiu Vell is included in the ‘Plan director urbanístico de las colonias industriales del Llobregat’; the municipality of Gironella is included in the Pla together with the municipalities of Avià, Balsareny, Berga, Casserres, Gaià, Navàs, Olvan and Puig-reig (DOGC no. 4940 published on 03/08/2007). At the southern end of the complex is the industrial area, the factory, with access through a large open doorway in the perimeter wall delimiting the factory space; in the access area there are some buildings built in the 20th century, including offices, the weighbridge, etc. The main feature of the production complex is the large central nave with an elongated rectangular floor plan, three levels of openings and a gable roof made of Arabic tile. Surrounding it are other halls and buildings, several of the structures attached to the central nave, with different volumes and finishes, being buildings of different functionalities and chronologies. On the north side of the complex there was the chimney of the steam engine, which no longer exists. Parallel to the river and the colony runs the canal that carries the water from the lock, located a few metres upstream, to the factory. The orchard area around the canal is also worth mentioning. A few metres from the owner's tower there is also the director's chalet – a four-storey house attached to the land on the west side, with a ground floor, first floor and ground floor-roof. On the first floor, there is a balcony-like gallery that continues on the roof and a ground floor level that develops on the roof itself, showing only lateral façades between the different roof planes. The roof is made of flat ceramic tiles with eaves supported by wooden beam heads.
- 
                                       
                                        
                                                1988 - 1991
- 
                                       
                                        New Access to the Historical Centre of GironellaCarles Enrich Studio, Carles Enrich Giménez  The historic centre of Gironella is located on the east bank of the Llobregat River, 20 metres above the modern part, which has grown on the other side of the river. Difficulties of accessibility have led to the depopulation of the old town and we therefore propose to insert a new access that enhances connectivity between the two parts. Seeking to establish a dialogue with the pre-existence, we located the lift at a strategic point on the Cal Metre road, the old access to the textile colonies. We recognise the vegetal stratum of the promenade as an element of relationship with the public space and seek material continuity with the industries. The structure is made up of pillars and tubular rings. The lower 8 metres of the lift shaft are resolved with a glass enclosure, the transparency of which guarantees integration with the Cal Metre promenade. The upper 16 metres are covered by a ceramic lattice, leaving the inner face open to maintain visual contact with the vestiges of the medieval wall during the journey. The historic centre of Gironella is located on the east bank of the Llobregat River, 20 metres above the modern part, which has grown on the other side of the river. Difficulties of accessibility have led to the depopulation of the old town and we therefore propose to insert a new access that enhances connectivity between the two parts. Seeking to establish a dialogue with the pre-existence, we located the lift at a strategic point on the Cal Metre road, the old access to the textile colonies. We recognise the vegetal stratum of the promenade as an element of relationship with the public space and seek material continuity with the industries. The structure is made up of pillars and tubular rings. The lower 8 metres of the lift shaft are resolved with a glass enclosure, the transparency of which guarantees integration with the Cal Metre promenade. The upper 16 metres are covered by a ceramic lattice, leaving the inner face open to maintain visual contact with the vestiges of the medieval wall during the journey.2015
- 
                                       
                                        
                                                2015 - 2017
- 
                                       
                                        Espai Santa EulàliaCarles Enrich Studio, Carles Enrich Giménez L'antiga església de Santa Eulàlia de Gironella té el seu origen a mitjans del segle XIV i al llarg dels sis segles d'història ha sofert innumerables canvis d'ús. El 1971 l'Ajuntament de Gironella recupera l'edifici en un estat precari de conservació després de la cessió de l'antic propietari ja que no podia assumir-ne el manteniment. L'any 2016, degut al mal estat de l'edifici i a la falta d'instal·lacions i serveis, es requereix una reformulació de l'espai per a desenvolupar activitats culturals vinculades a les arts escèniques, especialment la dansa, música i poesia. Aquesta actuació forma part d'un programa de recuperació d'edificis existents impulsats per l'Ajuntament de Gironella. El projecte consisteix en la lectura dels moments històrics que han sedimentat a Santa Eulàlia amb una clara voluntat de realçar les virtuts de cadascuna i entendre-les com una seqüència de capes. En primer lloc es recupera la nau central per ampliar l'espai útil disponible i destinant les capelles tancades a magatzem. En segon lloc s'introdueix una peça de serveis que s'ubica en una de les capelles garantint l'accessibilitat. Finalment s'intervé en la façana reforçant l'estructura metàl.lica existent i substituïnt el tancament translúcid per un vidre transparent que permet ampliar el camp visual, aportació de llum natural tot el dia, incorporar el carrer com a segona façana i permetre contemplar l'església des de l'exterior. La permeabilitat d'aquest tancament potencia el caràcter públic de Santa Eulàlia entesa com una extensió del paisatge urbà.2018 - 2020




