Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

Arquitecte graduat a l’ETSAB, 2000.
Estudis a la FAUTL, Lisboa, 1996.

Soci co-fundador de vora des de l’any 2000.

És professor de projectes a l’ETSAV (UPC, Sant Cugat del Vallès). Ha sigut professor de projectes (2010-2014) i responsable del departament de cultura (2015) a l’ETSALS (URL, Barcelona). Ha sigut professor en el workshop “Taller Vertical” de l’ESARQ (UIC, Barcelona) 2010 i 2012, i professor assistent en el programa de Master del Biarch (Barcelona) 2010-11. Ha participat en varis juries acadèmics en universitats catalanes i a l’estranger. Ha estat jurat en premis d’arquitectura d’àmbit català i internacional.

Formà part del col·lectiu “aproximacions” que edità un fanzine de propostes d’intervenció urbana entre 2012 i 2015. Ha impulsat i co-comissariat la plataforma de debat “Estacions Transformadores” entre 2008-10 i la mostra “Matèria Sensible: joves arquitectes catalans”, que s’exposà a Lisboa, Coruña, Berlín i Barcelona entre 2010-12.

Forma part com a convidat extern de la comissió d’Arquitectura de Barcelona des de 2018. Ha format part de la Comissió de Prospectiva del Pla Estratègic Metrpolità de Barcelona (subcomissió arquitectures de transferència), 2009-10.

Works (5)

On the Map

Awarded
Cataloged
Disappeared
All works

Constellation

Chronology (10)

  1. Premis Bonaplata

    Award-Winner / Winner. Category: Béns Immobles
    Can Ricart Sports Centre

  2. Can Ricart Sports Centre

    Vora Arquitectura, Pere Buil Castells, Jordi Fornells, Antoni Riba Galí

    Can Ricart Sports Centre

    The Can Ricart municipal sports complex is a building located in the heart of the south of the Raval district, an area where important activities have been carried out in recent years. The equipment is significant for the revitalisation of the neighbourhood in its traditionally more degraded sector, and must contribute to the integration of all the social sectors that live in the area through its use in sports and wellness activities. The building completes the block between the Rambla del Raval and the Els Horts de Sant Pau Gardens. Architecturally, the project's strategy was based on pre-existing conditions that made it particularly complex, as it had to integrate two big enough buildings, such as the Raval pavilion by the architect Jordi Farrando (from 1989) and the industrial 19th century building of Can Ricart, presumably by the master builder Josep Fontserè. The main effort of the architects has been to make it a functionally compact and functionally coherent set, which volumetrically maintains the reading of the three diverse bodies that make it up: the two existing buildings and the new construction that contains the swimming pool, formally autonomous. The Can Ricart building, which was in a rather bad state, has been rehabilitated in the spirit of the original in its most defining characteristics. The façade by Josep Fontserè has been rehabilitated, recovering the stucco’s original colours, and a double-height central space where the Ricart family used to have their contracting room has been exposed. This space has been rehabilitated with sensitivity and a certain discretion. A skylight that had been over the central space has been recovered. On the rest of the façades, more abused by the multiple interventions carried out over the years to annex and demolish buildings around them, the work consisted of recovering the original order of holes and giving a unifying patina that allows you to subtly see the wounds of history on its walls. The new building is austere in materials and formally contained. The façade is made of exposed concrete, which has been given a texture that wants to be a tribute to the beginnings of the textile industry in Catalonia in this area of the city.
  3. Rambla de Sant Francesc

    Vora Arquitectura, Pere Buil Castells, Antoni Riba Galí

    Rambla de Sant Francesc

    La Rambla de Sant Francesc és el gran espai cívic del centre de Vilafranca. El projecte cobreix una obra traumàtica per a la ciutat, la construcció d'un aparcament soterrani que implicà la tala de tot l'arbrat, que donava una forta identitat a l'espai. Simbologia, centralitat, memòria i funcionalitat són estratègies complementàries aplicades al disseny urbà per establir complicitats de la ciutadania amb aquest espai públic. Simbologia i centralitat. Evocar un retall del paisatge de vinya en un exercici d'abstracció que potencia la vocació de Vilafranca com a capital del vi. La singularització a nivell compositiu refor?a la centralitat en la percepció ciutadana. Memòria i funcionalitat. Reurbanitzar un lloc on l'imaginari col?lectiu s'ha sedimentat al llarg dels temps i ha patit una desfiguració traumàtica, establint una continu?tat perceptiva, dotant-lo de part de la seva memòria, l'arbrat. Potenciar la permeabilitat per convertir-lo en un espai de màxima polivalència i intensitat d'usos.
  4. Urban Development of the Environs of El Born Market

    Vora Arquitectura, Pere Buil Castells, Antoni Riba Galí

    Urban Development of the Environs of El Born Market

    The development of the streets around the old Mercat del Born aims to respond to the needs and potential that the activation of the renovated building as a Born Cultural Centre will generate in the public space. Connectivity and permeability. The traffic on Comerç Street in its section in front of the Mercat has been eliminated. A pedestrian space is set up in continuity with the rest of the neighbourhood to the limits of the Ciutadella Park. Centrality and identity. A gap has been created around the building to respond to its monumentality. The pavement is the connecting element with the history and memory of the place. Flexibility and functionality. The project has been defined with the intention of promoting the maximum diversity of uses. With the launch of BornCC, existing uses will intensify, and new ones will emerge. The open space, the unique platform and the square’s character enhance this diversity.
  5. Reorganization of the Domus Avinyó Roman Site for the MUHBA

    Vora Arquitectura, Pere Buil Castells, Antoni Riba Galí

    Reorganization of the Domus Avinyó Roman Site for the MUHBA

    The discovery of a Roman site at the bottom of a municipal building, a Domus on the edge of the wall, has made this adaptation project necessary to make it open to visitors simultaneously with the normal use of the building. The space containing the site has been turned into a museum, and the ground floor has been redistributed to configure the spaces for approaching the site from the building's lobby. Spaces that have a dual use: circulation and building services during the week, and vestibule of the site when it is open to the public. The approach takes place through a sequence of vestibules that refers to the system of articulation of the main spaces of the domus and villas. The halls, with sensibly square proportions and varying heights, are connected by thick, low doorways that refer to the massiveness of Roman architecture. This sequence of spaces defines a circular route, with a strong theatric character, which incorporates elements of anticipation of the site's content. Each hall is located on a different stratum (outside the wall-wall-intervallum) which is manifested in different pavements and in bas-reliefs of Roman characters on the walls, accompanying the visitor. Through stairs in the dark, like a tunnel, you can access a longitudinal loft like a lookout, raised above the site. The entire space disappears, painted black, revealing the archaeological remains and a large mural that had been on the ceiling of one of the rooms. The loft is an enclosure with glass facings on the walls, floor and ceiling, which multiply the perception and expand the space. The walls and floor hide parts of the site and interpretive elements on display that appear behind the glass in a game of illusionism when the lighting is turned on.
  6. Premi Europeu d'Intervenció en el Patrimoni Arquitectònic AADIPA

    Finalist. Category: Outdoor Spaces
    Urban Development of the Environs of El Born Market

  7. Ramón i Mar Pavilion

    Vora Arquitectura, Pere Buil Castells, Antoni Riba Galí

    Ramón i Mar Pavilion

    A pavilion on a terrace to complement the uses of a small apartment. A second room and a chamber-studio. The pavilion is placed transversally on the terrace, with elongated proportions, and segments it, generating a sequence of interior and exterior spaces that redefines the way of living. The alignment of the openings generates a direct visual relationship between spaces. The enclosed terrace between the apartment and the pavilion works as an interior courtyard. A controlled, private, intimate space. The form and materiality are determined by the condition of ephemeral and removable construction and by the limitations of transport and assembly. The construction is in wood, a system of portals and panels, all forming an autonomous and overlapping volume. The compositional relationship maintains the coherence between structure and closure. Inside, the low stripe has a continuous, functional and domestic finish. Above this, there is the prominence of wood, that is, the apparent structure as the essence of the pavilion.
  8. Mostres d'Arquitectura (Barcelona)

    Award-Winner / Winner. Category: Intervencions Parcials. Inclou Intervencions Interiors i Exteriors, Efímeres o Permanents
    Ramón i Mar Pavilion

  9. Transformació de la Rambla del Raval i Entorns

    Vora Arquitectura, Pere Buil Castells, Antoni Riba Galí

  10. Mostres d'Arquitectura (Alt Penedès i Garraf)

    Award-Winner / Winner. Category: Intervencions Paisatgístiques i Ordenació d’Espais Urbans
    Rambla de Sant Francesc

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