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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
Aureli Mora i Omar Ornaque Directors arquitecturacatalana.cat
credits
About us
Project by:
Created by:
Directors:
2019-2025Aureli Mora i Omar Ornaque
Documental Commission:
2019-2025 Ramon FauraCarolina B. GarciaEduard CallísFrancesc RafatPau Albert Antoni López DaufíJoan FalguerasMercè BoschJaume FarrenyAnton PàmiesJuan Manuel ZaguirreJosep FerrandoFernando MarzáMoisés PuenteAureli MoraOmar Ornaque
Collaborators:
2019-2025Lluis AndreuSergi BallesterMaria Jesús QuinteroLucía M. VillodresMontse Viu
External Collaborators:
2019-2025Helena CepedaInès Martinel
With the support of:
Generalitat de Catalunya. Departament de Cultura
Collaborating Entities:
ArquinFAD
Fundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data.
Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture.
By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain.
Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
Located in the building of the Vic Seminary, listed as an Asset of Local Interest, the austere and monumental spaces of the building are transformed into more flexible and domestic teaching spaces. The classrooms communicate physically and visually with each other and also open onto the corridors, allowing them to be used as new learning spaces. The sequence of visuals, the natural light, the use of natural materials such as wood or ceramics and the acoustic improvement of the spaces help to achieve the desired feeling of comfort. The renaturalisation of the inner courtyard of the building is achieved by removing part of the old concrete sports court to introduce draining paving and vegetation. The waste from the demolition of the court is used as a base for the new draining paving, making the proposal more sustainable. The conserved part of the track is used as a square and the traces of the painted lines are preserved. Organic benches arrange in a sinuous way the boundary between the square and the new recreational areas while trees and shrub species allow to enjoy the passing of the seasons and nourish the visual landscape from inside the classrooms.
Religious building. Seminary with an almost cross-shaped ground plan with thinner arms. The façade faces south and has a kind of atrium formed by semicircular arched arches in the form of a porch and is crowned by a triangular pediment with a cross above it. It consists of a ground floor and two storeys - which are marked horizontally by imposts - and the openings are rectangular except for the first floor of the façade, which has a semicircular arch. It is covered with Arabic tiles on several slopes.
The square towers that rise above the wide arms of the building, which are lanterns in the stairwells, symmetrical and with semicircular arcades on the upper floor, and are covered with pyramidal roofs, are noteworthy. It is surrounded by sports areas and is reached through a large garden area. It is in a good state of conservation.
The seminary was built between 1944 and 1947 with the church inaugurated in 1963. This seminary replaced the one in Carrer Sant Just, which had become too small. It was built in the expansion of the city that took place at the beginning of the century, extending towards Santa Clara de la Vella up to the Seminary hill.
Nowadays, with a weakened ecclesiastical vocation, the same building is used as a public school and is an extension of the Sant Miquel dels Sants school.
Located in the building of the Vic Seminary, listed as an Asset of Local Interest, the austere and monumental spaces of the building are transformed into more flexible and domestic teaching spaces. The classrooms communicate physically and visually with each other and also open onto the corridors, allowing them to be used as new learning spaces. The sequence of visuals, the natural light, the use of natural materials such as wood or ceramics and the acoustic improvement of the spaces help to achieve the desired feeling of comfort. The renaturalisation of the inner courtyard of the building is achieved by removing part of the old concrete sports court to introduce draining paving and vegetation. The waste from the demolition of the court is used as a base for the new draining paving, making the proposal more sustainable. The conserved part of the track is used as a square and the traces of the painted lines are preserved. Organic benches arrange in a sinuous way the boundary between the square and the new recreational areas while trees and shrub species allow to enjoy the passing of the seasons and nourish the visual landscape from inside the classrooms.
Mostres d'Arquitectura (Comarques Centrals)
Shortlisted. Category: Intervencions de Rehabilitació, tant de Promoció Pública com Privada
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