Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres

External Collaborators:

2019-2024 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Works

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Awarded
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Constellation

Chronology

  1. Font Rodona House

    Antoni Serrallach Fernández-Periñán

    Font Rodona House

    Building between partitions forming a corner, with a rectangular plan, consisting of a ground floor, main floor and attic with a gable roof of Arabic tiles and a ridge parallel to the main façade. Ground floor with three portals, two of them with trilobed arches and two arched windows. Floor plan five single-opening balconies indented with cone-shaped arch breakwaters crowned by a flower and a porthole, except for the balcony on the right end which is larger and has a lowered arch. Coronation with a great barbican. The iron work on the balcony railings stands out.
  2. Can Buxeres Palace

    Manuel Joaquim Raspall i Mayol, Antoni Serrallach Fernández-Periñán

    Can Buxeres Palace

    The Can Boixeres complex, which is now a municipal park, was originally the garden of a manor house, which is still preserved within the park. Inside the park there is a great variation of elements such as trees, flower plantations, sculptures, fountains... Two sculptures worth noting are "The Family", by Héctor Cesena, and "The Girl with the Pigeon", a nude by Rafael Solanic. "The Family" is a sculpture in white marble, about two metres high including the pedestal, which represents a man holding a woman by the shoulder who is carrying a child in her arms. The figures are life-size. The style is realistic but schematic, hinting at the lines of the composition and the figures but avoiding detail, except for the faces. "The Girl with the Dove" is a sculpture in white marble, about 80 cm high plus a 20 cm pedestal, representing a life-size nude girl in a crouching position holding a dove in her hands. The style is clearly Noucentista, reflecting the influences of Arístides Mallol and, above all, Esteve Monegal, the sculptor’s main teacher. The concrete base is a later addition. There is a modernist pavilion with a circular floor plan, covered with a dome supported by six columns. The drum-shaped dome is decorated with glazed ceramic mosaic. The columns are made of concrete, have small capitals and are decorated with white mosaic on the upper part and dark mosaic on the lower part. A wrought-iron gate encloses the pavilion. There are steps leading up to the building. Inside the park, apart from the manor house, there is also the land. It is a building with a ground floor, a first floor and an attic, with a gable roof and the ridge perpendicular to the main façade. The entrance doorway is paved, with an elliptical arch, and the rest of the openings are rectangular, with rounded lintels, while the jambs alternate stuccoed and smooth voussoirs. The façade has a corrugated roof that hides the roof. On both sides there are two single-storey additions, which on the first floor form a balcony enclosed by a balustrade. A wall over which the railway passes surrounds the garden. The facing is made of stone for the load-bearing structures (the lower parts of the gates, the pilasters that divide the sections, the triangular buttresses...) and of brick for the semicircular arches of the gates. On the road to Esplugues there is a large stone and iron gateway in the Classicist style, with Corinthian pilasters and the date 1911 can be read at the top of the gate. Can Buxeres is the former Can Alemany, owned by the Counts of Alemany, which already existed in 1770. Between 1877 and 1906, the building, owned by Lluís Buixeres, was converted into a mansion. In the following years, the garden surrounding the house, which is now a municipal park, was created. The garden was developed in 1906-1911 and underwent radical transformations when it was declared a public park on the 8th of November 1972.

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