The municipal cemetery of Sant Martí Sarroca is located near the city centre, on a level at the foot of La Roca. It is rectangular in plan, enclosed by walls with attached niches. In the centre there is a walk flanked by cypress trees that leads to the chapel. At the ends there are towers. The sculptural elements of the interior should be noted. The complex shows the characteristics of the neoclassical style. The cemetery was built according to the project carried out by the architect Modest Fossas in 1868. The documentation relating to the work is preserved in the Municipal Archive of Sant Martí Sarroca.

Large neoclassical quadrangular manor house with a central courtyard. Ground floor and three upper floors on Via de Sant Ignasi and on Calle Vidal i Barraquer, and ground floor and one upper floor on Calle Viladordis. The façades are flat, with a rhythm of openings that are different on each one, irregular, standing out for their sobriety and simplicity. There is a baroque sandstone doorway with mouldings on Carrer Viladordis. The interior has a staircase leading to the rooms, which are arranged around the porticoed cloister with arches on the ground floor. The decorative elements are of a constructive nature, both the doorway on Carrer Viladordis and the gallery of windows on the upper floor on Via de Sant Ignasi. In 1892 it ceased to be a Jesuit school. It was declared a historical and artistic monument in 1962, for being a museum and for as long as it remains one.

The building has three open façades (main and side) and a partially attached rear façade. The floor plan of the church consists of a single main nave divided into five sections with side chapels, a transept and a pentagonal apse with the bell tower attached to its eastern side. The nave is covered with a ribbed vault. The choir is located above the first section. The baldachin of the main altar is the work of Bonaventura Bassegoda, dating from 1943. The baptistery and the staircase leading to the choir complete the overall layout. The side façade on Carrer de Sant Vicenç contains the bell tower, which is about 30 metres high and has three square sections with a pyramidal top, a walled-up side entrance and three of the six ogival openings framed by stained glass windows installed in 1907 and made in Barcelona in the workshop of Mr and Mrs Giralt and Granell. The main façade reproduces a traditional composition in neo-Gothic architecture with a symmetrical arrangement of its elements: the plinth and main staircase in natural stone, the main doorway with an archivolt with natural stone columns, a tympanum with a sculptural ensemble (1927), a natural stone lintel and main door with applications (1895), the pilasters and symmetrical pinnacles on either side of the door, the brick finials and cornices for cladding, and the natural stone cross that crowns the building (1895). The side façade on Trinitat Street, apart from the ogival windows, has an opening topped with a semicircular arch that corresponds to the interior space of the baptistery and a side entrance with a wrought-iron door, currently in disuse. Partially attached to this elevation is the general entrance and main vestibule of the parish building designed in 1992. The history of the church of La Soledat is linked to the evolution of the street of the same name. It originated as a chapel documented in the 17th century, built at the foot of the Camí Ral and consecrated in 1666. Construction outside the city walls had intensified considerably, so much so that in the 1765 land registry we find that approximately half of the houses in the town of Igualada were built outside the walls; the latter would form the current 18th-century neighbourhood of La Soledat. It was mainly due to this economic and demographic expansion that the original chapel of the Virgin of Solitude was enlarged between 1786 and 1788. During this period, urban expansion had given rise to the new streets of Sant Isidre, Sant Pere Màrtir, Sant Agustí and Soledat, which accentuated the elongated shape typical of Igualada's urban layout, in keeping with the characteristic alignment of the buildings on both sides of the old royal road that ran through the town. The church of La Soledat became a parish church in 1877. During the Spanish Civil War, the temple was looted and abandoned and turned into a garage. After the conflict, reconstruction began under the architect Bonaventura Bassegoda, and it reopened in 1944. In 1992, a new parish building was constructed adjacent to the parish church.