Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2025 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2025 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2025 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2025 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

The building has three open façades (main and side) and a partially attached rear façade. The floor plan of the church consists of a single main nave divided into five sections with side chapels, a transept and a pentagonal apse with the bell tower attached to its eastern side. The nave is covered with a ribbed vault. The choir is located above the first section. The baldachin of the main altar is the work of Bonaventura Bassegoda, dating from 1943.

The baptistery and the staircase leading to the choir complete the overall layout. The side façade on Carrer de Sant Vicenç contains the bell tower, which is about 30 metres high and has three square sections with a pyramidal top, a walled-up side entrance and three of the six ogival openings framed by stained glass windows installed in 1907 and made in Barcelona in the workshop of Mr and Mrs Giralt and Granell.

The main façade reproduces a traditional composition in neo-Gothic architecture with a symmetrical arrangement of its elements: the plinth and main staircase in natural stone, the main doorway with an archivolt with natural stone columns, a tympanum with a sculptural ensemble (1927), a natural stone lintel and main door with applications (1895), the pilasters and symmetrical pinnacles on either side of the door, the brick finials and cornices for cladding, and the natural stone cross that crowns the building (1895).

The side façade on Trinitat Street, apart from the ogival windows, has an opening topped with a semicircular arch that corresponds to the interior space of the baptistery and a side entrance with a wrought-iron door, currently in disuse. Partially attached to this elevation is the general entrance and main vestibule of the parish building designed in 1992.

The history of the church of La Soledat is linked to the evolution of the street of the same name. It originated as a chapel documented in the 17th century, built at the foot of the Camí Ral and consecrated in 1666. Construction outside the city walls had intensified considerably, so much so that in the 1765 land registry we find that approximately half of the houses in the town of Igualada were built outside the walls; the latter would form the current 18th-century neighbourhood of La Soledat. It was mainly due to this economic and demographic expansion that the original chapel of the Virgin of Solitude was enlarged between 1786 and 1788. During this period, urban expansion had given rise to the new streets of Sant Isidre, Sant Pere Màrtir, Sant Agustí and Soledat, which accentuated the elongated shape typical of Igualada's urban layout, in keeping with the characteristic alignment of the buildings on both sides of the old royal road that ran through the town. The church of La Soledat became a parish church in 1877. During the Spanish Civil War, the temple was looted and abandoned and turned into a garage. After the conflict, reconstruction began under the architect Bonaventura Bassegoda, and it reopened in 1944. In 1992, a new parish building was constructed adjacent to the parish church.

Source: Inventari del Patrimoni Arquitectònic de Catalunya (IPAC)

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