House between partition walls, with a ground floor and two landings. The building is divided into two bodies: an access one that protrudes from the plane of the façade and ends in a pediment with a geometric structure, and a lower one that is crowned by a large cornice supported by panels. It must be said that the windows are of different typology.

The façade, especially regarding the entrance, has been renovated in recent years by the architect J. Valls. It belongs to the Noucentista and academic stage of M.J. Raspall.

It is located in the old part of the city, in the urban centre of the Middle Ages.

Building between partitions, ground floor, three landings, and an attic. Two bodies are marked on the façade: the narrow one following one axis and the wider one following three axes. The one on the east protrudes from the plan of the façade, is made of squared stone, with voids of vertical proportions with a flat arch and framed, ending with a worked pediment with a pentagonal perimeter void framed by a band of exposed ceramic work. Its crown connects with the two pilasters - medallions that limit the body. The western body, which is lower, has a squared stone finish on the façade and on the ground and first floors, highlighting a large gap between the two floors, interrupted by a lintel at ground floor level with a large gabled arch from billet to book fold with stone cushion. The second floor has a balcony run of stone slab supported on corbels which collects the voids of the floor, with a round pointed arch in the centre and flat on the sides. An elaborate iron railing, made in accordance with Raspall's nineteenth-century language, closes the balcony, while emphasising the great void of the ground floor. The rest of the façade is of exposed ceramic work and is crowned by a powerful cornice supported by panels joined by a fine impost and a balustrade with three gaps, below which there are three windows with a basket-handle arch. In the composition of this body, we can see the intentionality of the progressive reduction of the façade voids, from the ground floor to the roof (CUSPINERA et alíí, 2001; PATRIMONI, 1985).

The language used is framed in the Noucentisme style of M. Raspall. On the pediment and on the iron railings you can read the incipient Raspallian Decó language (CUSPINERA et alíí, 2001). The name of Can Biel comes from the fact that the downstairs was occupied by a grocery store, so the women of the house were known by the nickname “Les Bieles” (GARCIA PEY, 1990).

Protected in the 1985 PEPHA and proposed protection in the new PEPHA File. No. R-105