In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
An isolated building in the middle of the courtyards, its architectural layout consists of a rectangular nave divided into three symmetrically arranged sections: in the centre, an entrance set back from the façade, like a covered portico or gate, with cloakrooms on either side; next, the hall; and on either side, a classroom. At the back of the vestibule was a shorter section with a portico connected to the rear courtyard, with a large central classroom (assembly hall) surrounded by small rooms, an office and toilets. It has a ground floor and first floor, with an Arabic tile roof and ornamental balls at the corners. A stone plinth forms the base of the upper walls, which are smoothly plastered; the openings on the ground floor are round arches, while those on the upper floor form a series of vertical rectangular windows on each side of the portico, with sills and cornices highlighted with mouldings. This is a feature that Pericas used extensively in many of his works. The portico is finished with stuccoed walls and sgraffito in ochre, mangra and white.
This work was built at a time when the southern part of the city was growing towards the Barcelona road and the Remei neighbourhood.
A new bridge was built over the Gurri (1916), replacing the 15th-century bridge.
Pericas had already experimented with the model for the Jaume Balmes School complex in the Sant Miquel dels Sants school complex, also in Vic, a year earlier, in 1932, using very similar functional, compositional and decorative features. Both schools responded perfectly to the pedagogical renewal process implemented by the Mancomunitat de Catalunya, which took special care to achieve optimal hygienic conditions in terms of orientation, ventilation and natural lighting.