L'edifici es troba situat al carrer de la Cort i fa cantonada amb el carrer d'en Coll. És una casa entre mitgeres formada per soterrani, planta baixa i tres pisos, l'últim pis és de construcció recent. Hi ha una gran tribuna al xamfrà. Cal destacar la disposició de les obertures, el cornisament ondulant, la façana esgrafiada i l'abundant ornamentació floral, que combina estilitzades flors amb espigues de palma. Les característiques d'aquesta obra la insereixen en l'estil modernista. Cal Jané, també anomenada Casa Guardiet-Berrozque, és un dels edificis que conformen la imatge del carrer de la Cort, un dels més representatius de Vilafranca dins del recinte antigament emmurallat. Sembla que va ser construïda a principis del segle XX (informació no confirmada la classifica com a obra de 1910) i que l'arquitecte responsable de l'obra fou Eugeni Campllonch i Parés (atribució feta per la revista "Tothom" en l'article esmentat a la bibliografia).

The building is located in the centre of the town, in the most tertiaryized area. It has a notable architectural and representational value. It is a construction between partitions of Gothic origin, with a ground floor and two floors. It corners with Santa Maria Street. The main façade is of an academic modernism. The side façade has windows and gargoyles, of a Gothic character. There is an inner courtyard currently covered, with steps and galleries with semicircular arches. Gargoyles: Located on the side façade, between the windows on the upper floor, sculpted in the form of eagles with folded wings and open beaks, through which rainwater flows. The eagle has a multiple symbology and appears in profusion from the beginning of art to the present day, having an important place in Gothic decoration and iconography. Paintings from the Sala de Sant Ramon or Sala dels Canaris: Polychrome and sgraffito painting depicting a bunch of subjects related to Vila and Penedès. Firstly, the Vilafranca market with the farmers at the pottery, poultry and clothing stalls; buyers and shops (patisseries and wineries). Secondly, the field, with the harvest, the harvesters, the vines and the horse-drawn cart, a girl with flowers and fruit, and a reaper taking a nap surrounded by ears of grain. Thirdly, the representation of the town, with walls, surrounded by symbolic elements of the nearest towns: Martorell, Barà, Montserrat. Finally, the compass rose, with a sample of good weather and rain. Made by Pau Boada i Mercader. The Casa de la Vila building is of Gothic origin. In the 14th century it was probably Bernat Pellicer's palace, which is mentioned in the chronicles of the chancellery of Jaume II. In 1559 the City Council acquired the building from a certain Pubill Jaunot Caldés, for the price of 280 Barcelona pounds. The first reforms were carried out in 1604, and from that date it has been the subject of several expansion and conditioning works. In 1912, the current façade was built, according to the project of the architect Eugeni Campllonch. In 1965, the side façade was restored, and interesting Gothic elements were discovered (window and arches on the ground floor).

Building between ground floor partitions, three floors and an attic. The gable roof is of Arabic tile on both sides. In terms of style, it responds to the characteristics of the modernist language, present in openings, railings and the barbican. The house is located in the Eixample area of the second half of the 19th century, in the extension of the Rambla de Nostra Senyora.