In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque


About us

Project by:

Created by:


2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Francesc Rafat Antoni López Daufí Joan Falgueras Anton Pàmies Mercè Bosch Josep Ferrando Fernando Marzá Aureli Mora Omar Ornaque

External Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Helena Cepeda Inès Martinel Maria Jesús Quintero

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:



Fundació Mies van der Rohe


Fundación DOCOMOMO Ibérico


Arxiu Mas


Basílica de la Sagrada Família


Museu del Disseny de Barcelona


EINA Centre Universitari de Disseny i Art de Barcelona

Design & Development:

edittio Nubilum

Suggestion box

Request the image

We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.


* If the memory has known authorship or rights, cite them in the field above 'Comments' .

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On the Map

All works



  1. Born Market

    Josep Maria Cornet i Mas, Josep Fontserè i Mestre

    Born Market

    El Born Market is a key part of the urbanisation plan that gave rise to Ciutadella Park when it was demolished in the mid-19th century. A series of long and narrow islands are arranged parallel to the direction of the park and deliver it against the Ribera district. The heart of the intervention is a public square flanked by Mercat del Born (Barcelona's wholesale market). The original market was conceived as a covered square with a very light roof, the work of Josep Maria Cornet i Mas. This roof has the shape of a cross inscribed on the perimeter of the market, formed by asymmetrical gabled arms with skylights on the ridge, raised in relation to other groups of identical roofs. There is an octagonal dome with a lantern in the cross. The enclosures of the market are opaque up to half height and remain covered (as are the jumps between roofs) by a metal blind, almost a mesh, which introduces a nuanced, almost religious light. The market was abandoned in 1971 and survives abandoned during the Olympic Games. When, finally, it was intended to house the Provincial Library of Barcelona, its architects, Enric Sòria and Rafael de Cáceres, found the remains of the old neighbourhood of La Ribera in an optimal state of conservation. Currently, the building is still under construction to house part of the Museum of the History of the City which will deal with the preservation of these ruins under the structure of the archaeologically restored market. The new intervention has perimeter platforms that will allow a view of the ruins while keeping the space of the roundabout intact. The museum programme will be housed in cubicles arranged in the square. The entire intervention will be public and will restore the character of a square that Mediterranean markets have.
  2. Sant Antoni Market

    Josep Maria Cornet i Mas, Antoni Rovira i Trias

    The Sant Antoni market is located outside the gate of the wall that bore its name, on a spontaneous market that exists outside the walls and adjacent to what used to be the Madrid road (now Mistral Avenue). Rovira i Trias, who lost the competition for the Eixample district in Barcelona, takes over Ildefons Cerdà’s winning proposal by arranging, in the middle of the whole square that the market occupies, a dome in the form of a covered square, designed in collaboration with Josep M. Cornet i Mas and with analogous dimensions to those of a junction of the Eixample. Four symmetrical pavilions face the chamfers, as arranging them turned ninety degrees from the direction of the streets (i.e., diagonally) allows them to reach the maximum inscribable length on a square. The perimeter of the square is closed and the spaces between the fence and the façades of the market are treated as yards for unloading goods. Leaning on this perimeter fence, a perimeter canopy is set up where a well-known foreign market takes place. There you can find everything on Sunday mornings, and it is a sight to behold and a place to take in the city. The refurbishment has two underground floors under the archeologically restored market, with the refurbished stalls. Excavations for the site have uncovered remains of the bastion of the wall, which have been incorporated into the project. It demolishes the perimeter fence, preserving the canopy to open the old courtyards of goods and turn them into public squares. One of these depresses an entire floor to allow access to the remains of the bastion and becomes an access to a new commercial plinth. The refurbishment will show the whole of the perfectly restored old market and will value its side façades, which were initially closed, a service architecture that has been dignified over the years. The new architecture will strengthen the civic character and, at the same time, enhance the historical memory of the place.

Bústia suggeriments

Et convidem a ajudar-nos a millorar la difusió de l'arquitectura catalana mitjançant aquest espai, on podràs proposar-nos obres, aportar o esmenar informació sobre obres, autors i fotògrafs, a més de fer-nos tots aquells comentaris que consideris.