Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Architects' Association of Catalonia:

Àrea de Cultura

Directors:

2019-2022 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2022 Ramon Faura Carolina B. Garcia Francesc Rafat Antoni López Daufí Joan Falgueras Anton Pàmies Mercè Bosch Josep Ferrando Fernando Marzá Aureli Mora Omar Ornaque

External Collaborators:

2019-2022 Lluis Andreu Sergi Ballester Maria Jesús Quintero

With the support of:

Generalitat de Catalunya Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

Design & Development:

Nubilum Edittio
Suggestions

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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Works

On the Map

Constellation

Cronology

  1. L'Escorxador Park / Joan Miró Park

    Andreu Arriola Madorell, Elisabeth Galí i Camprubí, Màrius Quintana i Creus, Antoni Solanas

    L'Escorxador Park / Joan Miró Park

    El Parc de l’Escorxador és conseqüència d’un concurs d’idees convocat a l’any 1981 per l’Ajuntament de Barcelona, per a urbanitzar el solar alliberat de l’antic escorxador general de Barcelona. Traslladat a mitjans dels anys 60 fora de la ciutat. Està situat en el límit occidental del Eixample Cerdà i ocupa una superfície de sis hectàrees, equivalent a quatre illes de la trama Cerdà. La consideració de “l’espai lliure con espai fonamentalment urbà”, definit per una envoltant construïda, exerceix tensions diferents sobre cadascun dels límits que formen el solar ocupat per el nou parc. Aquesta envoltant construïda, formada per la trama de l’antic nucli suburbà de Sants i les tres façanes incompletes de l’Eixample Cerdà, si bé la seva ocupació està perfectament planificada, no passa així en la definició de la façana arquitectònica enfront del parc. La renúncia a oferir una façana des del parc, motiva un enfonsament del nivell interior d’aquests, dos metres per sota de la rasant dels carrers. Només el llarg del carrer Vilamarí i enfront a l’eix del carrer Consell de Cent, apareix un edifici de planta baixa, disposat en forma de pavellons amb coberta a diferents nivells i porxos que s’obren al parc. Aquest edifici està en mig d’un llac d’aigua lineal entre el bosc i la vorera del carrer Vilamarí. El parc, com a metafora de ciutat també ofereix una lectura a través dels seus canvis en secció, que s’adapten a la topografia del solar, organitzant-se en terrasses: la més alta, acull l’escultura monumental de Miró. Al les intermitges, una sèrie d’espais per esport i activitats socials es van desplegant acompanyats per una malla regular de palmeres. A la part més baixa, una sèrie de pins plantats de forma irregular creen una successió d’espais tranquils i íntims.
  2. Fossar de la Pedrera

    Elisabeth Galí i Camprubí, Màrius Quintana i Creus

    Fossar de la Pedrera

    The Fossar de la Pedrera is a strong depression of the Montjuïc Mountain that results from the exploitation of an old stone extraction. The depression was used as a mass grave, and the bodies of those who died in circumstances of imprisonment and persecution were buried there. It is, therefore, where the bodies of many immolated rest for defending Catalunya’s freedom. Access to the site is done through the end of one of the old paths in the cemetery. From there, the walker passes through an intermediate area that acts as a filter between the outer space and the most intimate space, and in a way sacralised enclosure of the ditch, between a series of existing cypresses and stone pillars where the names of those who have been buried in the shootings since 1939 have been engraved. From this filter the whole space of the burial is extended, which is framed by the great escarpments of the old quarry, and which give a dramatic tone to the landscape. The East side of the Fossar is the monumental part that constitutes an architectural background and a point of view on the continuous and homogeneous plan of the collective burials. A stone wall supports the two sloping planes that form the monumental axis. This is confirmed by an access staircase that leads us, finally, to the tomb of President Lluís Companys. The mausoleum is surrounded by water, except at the access point. It is a very simple structure that must give solemnity to the site, but at the same time it must avoid excessively presidential monumentalism within the fundamental community structure of the whole. It is an element made of two concrete arches that are lightened with arched plates of paved iron. This determines a covered space, inside which and under a marble slab, the tomb is located. However, the modesty of the construction would be underlined by the quality of the environment: the stone wall and the reflections of the lake’s surface.
  3. Jover-Sala House

    Elisabeth Galí i Camprubí, Màrius Quintana i Creus

    Jover-Sala House

    La composició de la casa adopta una forma peculiar com a resposta als condicionants del lloc: un petit terreny a la frontera entre una urbanització i el centre del nucli urbà, amb un pendent de 40 graus. Tres murs segueixen fidelment les corbes de nivell, formant dues crugies que organitzen tota la casa: la sala d’estar, la cuina i el menjador a dalt, amb esplèndides vistes sobre Sant Pere de Roda, i els dormitoris a la planta inferior, amb accés directe a l’exterior, on es troba la piscina. La casa segueix retòricament en tots els punts el plantejament inicial: els murs, que es poden foradar amb llibertat segons els requeriments de les circulacions, se separen de l’alineació de les finestres allí on la traça inicial ho exigeix. Des de la llunyania, el coronament dels murs portants sobresurt per damunt de la densa pineda que envolta la casa i reprodueix en termes arquitectònics les traces de la topografia preexistent.
  4. Remodelling of Rambla de Catalunya

    Rafael de Cáceres Zurita, Jaume Graells, Màrius Quintana i Creus

    Remodelling of Rambla de Catalunya

  5. FAD Award

    Award-Winner / Winner (ex aequo). Category: Architecture - Public Spaces

    FAD Award

    Remodelling of Rambla de Catalunya

    Rafael de Cáceres Zurita, Jaume Graells, Màrius Quintana i Creus

  6. Harry Walker Square

    Màrius Quintana i Creus

Bibliography