Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2025 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2025 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2025 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2025 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

* If the memory has known authorship or rights, cite them in the field above 'Comments' .

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Memory

The Almendra de Casserres Colony, also known as the Monegal Colony, is one of the many river-based textile colonies that emerged in Catalonia during the 19th century, particularly along the River Llobregat, to harness the power of water as an energy source.
It is located at the northeastern edge of the municipality of Casserres, on the right bank of the Llobregat, but close to the town of Gironella — which explains why most social and commercial relations were established with Gironella rather than with Casserres. One of the region’s main droving routes once passed through this area.
The colony can be divided into three parts or levels. In the lower level, the main section of the colony, are found the weir and its canal, the factory with its warehouses, workshops, and housing for managers and workers, arranged around the main street, together with the bridge, the Quera fountain, and the gates that once closed off the colony. An iron bridge, built by La Maquinista Terrestre y Marítima, replaced an earlier wooden footbridge, although it was later swept away by flooding of the Llobregat.
The middle level is structured around the upper street, where the church, convent, former priest’s house, a public washhouse, and a water tank are located. Finally, in the highest section stands the old farmhouse of L’Ametlla, with its fountain, the new owners’ tower, and the Santa Rosa flats.
The arrangement of these elements was not random but followed a deliberate and logical plan. The original nucleus was established beside the river, on the site of an old mill destroyed during the Peninsular War. There the first factory was built, together with the weir, canal, and bridge. The first workers’ dwellings were located above the factory itself. As the company grew, new storage buildings and housing were added along what is now Carrer de Dalt. The structures in this area were built using stone quarried locally during the levelling of the terrain. This period marked the first organised layout of the colony, with the church, convent, priest’s house, washhouse, and other communal facilities. The second expansion, to the south, included the Main Street and the central square, where the grocery shop, inn, director’s house, and foreman’s residence were located.
At the highest point stands the Masia de l’Ametlla, the ancestral home of the colony’s first owners and of the surrounding fields. From this vantage point, the entire colony could be supervised. In the early twentieth century, the Owners’ Tower was built — a residence reflecting the tastes of the time and serving as an unmistakable symbol of power and authority.
The Masia de l’Ametlla, named after its owners, was originally an agricultural estate that included the adjoining western fields. In 1814, Josep Comas i Ametlla settled in an old mill in the municipality of Puig-reig. A few years later (1834), the brothers Ramon, Josep and Joan were commissioned by the Gironella Town Council to rebuild the weir of the town mill. The family’s importance is evident in their links to several mills — l’Ametlla de Casserres, l’Ametlla de Merola, Gironella, and Puig-reig — all of which took their name from them. The first textile workshops were installed in the mill under the patronage of Tomàs Bach of Berga.
In 1858, Esteve Monegal purchased the factory and began the colony’s expansion. In 1873, he applied for permission to build a new weir to modernise production and increase profitability. The permit was granted in 1875, after which a new turbine was installed, the factory premises were enlarged, additional machinery was purchased, and more workers were hired.
When Esteve Monegal died in 1879, his son Josep Monegal i Nogués continued the enterprise his father had begun. By 1900, the factory already had spinning and weaving sections and employed around three hundred workers. Taking advantage of the favourable conditions created by the First World War, the company expanded further, adopting the name “J. Monegal Nogués e Hijos”, before becoming a public limited company in 1925 under the name Textil Monegal, S.A.
In 1966, amid the crisis in the textile sector, the factory closed down. With the end of production, the owners offered the workers the chance to purchase the homes they lived in, and most accepted the proposal.
Josep Monegal Nogués, the colony’s chief driving force, was not only a cotton manufacturer and wholesale trader but also a member (1886–1890) and president (1902 and 1928) of the Barcelona Chamber of Commerce, Mayor of Barcelona (1902–03), Senator (1905 and 1907), and a life senator from 1908 onwards. The Monegal family were also founding members of the Caja de Pensiones.

Source: Mapes de Patrimoni Cultural. Diputació de Barcelona (diba)

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