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Bonaplata Textile Mill
autoria desconeguda
Josep Bonaplata and Silvestre Puig founded the company "Bonaplata i Cia" in 1829, specialising in the manufacture of yarns, fabrics and colour prints. In 1831 it was renamed "Bonaplata, Vilaregut, Rull i Cia."; originally located in a pre-existing building on 52 Tallers Street (owned by Francesc Guiu). Later, land was bought and sold by Francesc Guiu, Ramon Prats i Pi and an old industrial factory occupied by the Col·legi de Sant Vicenç Ferrer. At that time, renovation and extension works were carried out under the direction of the master builder: Domènec Vidal. As a result of the first workers' riots, the factory under study was set on fire and destroyed.1832
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1839
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Igualadina Cotton
autoria desconeguda
The site where the complex was located, known as ‘Godó colony’ and a manufacturing centre, had an area of 15,000 m2 with two longitudinal warehouses with a large number of openings on the outside to facilitate the entry of air into the warehouses. The power station measures 50 x 14 m with an approximate surface area of 700 m2 and is five storeys high. Part of the foundations are made of solid brick, forming arcades that are understood to be on sandy ground due to the proximity of the river. The four-storey warehouses have a very simple structure that is determined by the rectangular structure of the building. Three rows of cast iron pillars support the ceilings - on the first floors they are interspersed with wooden pillars of the same shape. The ceilings are made of wooden boards with reinforcing planks to support the weight of the looms. The roof has two slopes, leaving a central nave with a row of wooden pillars and trusses, and there are skylights in the ceiling. Next to the west façade stands the square brick chimney. The most remarkable element of the whole complex is the entrance gate to the enclosure, formed by a segmental arch made of smooth stone voussoirs and a triangular finial that is like a recreation of the Roman triumphal arch. Founded in 1842, under the promotion of the Godó family, it was in its beginnings one of the most important cotton manufacturing industries in Catalonia, both for the diversity of its production and for the number of workers employed there. It was also the first textile factory in Igualada to use a steam engine and the first to install electric lighting in 1885. Its most famous owner was Joan Godó i Llucià, after whom the street is named. As well as being a businessman he was a politician and the head of Sagasta's party in Igualada, becoming a member of parliament for the district of Igualada, where he had also been mayor. This company was known by different names depending on the owner: between 1842-1853, Fabril Igualadina Cotonera; 1853-1868, Compañía Fabril Igualadina Algodonera; 1868-1873, Igualadina Cotonera S. A.; 1873-1876, ceased operations; 1880-1936, Joan Godó i Llucià took over; 1936-1939, during the Spanish Civil War it was collectivised; 1939-1957, Joan Godó i Pelegrí recovered it; 1957-1967, S.A. Textil Igualadina. Finally, in 1967, the company disappeared, leaving the building and annexes abandoned. It would suffer subsequent demolitions, with the central nave and the steam chimney still remaining intact. It is included in the Inventory of Spanish Architectural Heritage of a Historical and Artistic Nature. [Province of Barcelona, 1979-1980, r.:1095]1842
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Sedó Colony
autoria desconeguda
Former textile factory with several warehouses, chimneys, an aqueduct, houses for the workers and a church with a school. They are simple and functional stone and brick constructions with gable roofs. The preserved chimneys have various shapes, from rectangular to helical. The 1400 HP Turbine Planas is preserved. The Sedó Colony was founded in 1846 by Miquel Puig i Catasús, who built a textile factory o an old flour mill that already existed ("Can Broquetes"). It would grow rapidly until it adopted the characteristics of an industrial colony and, finally, in the 20th century, it would become one of the largest and most important companies in the economic and industrial history of Catalonia. After the death of Miquel Puig (1863), he was replaced by his son, Josep Puig i Llagostera, who started the construction of houses for the workers, expanded the factory and planned various development works. His administrator and substitute, Antoni Sedó i Pàmies, was who would culminate the process of growth and formation of the industrial colony that would bear his name and who developed the entire textile production process. At the same time, he enlarged the workers' colony with new housing for the workers and their families, with the installation of shops, schools, the church, a dispensary, cinema and casino, among others. The workers' colony was located right next to the factory and was structured in elongated blocks of ground-floor and two-storey houses that formed seven parallel streets. In the middle of these parallel streets was the church and, on either side, the schools. After the Spanish Civil War of 1936-1939, the colony reached its maximum growth, but, at the same time, the first symptoms of crisis would begin. Currently, the Sedó colony has been converted into an important industrial estate where there are different companies and industrial activities. The central core of the Sedó Colony Museum is located in one of these industrial spaces.1846
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1852
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1855 - 1857
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Rusiñol Colony
Halfway between the colony and the urban factory, Can Remisa featured housing, a chapel, a company store, an inn and a small school. Throughout the 1880s, the Rusiñol family expanded the colony and built an imposing manor named Cau Faluga by Santiago Rusiñol, a true gem of industrial modernism. The walled complex, situated between the river and the cultivated fields, is dominated by the chimney—a cylindrical tower over 40 meters tall—and the imposing owners' manor, a building that displays eclectic features, blending romantic and modernist architecture. In several parts of the colony, modernist elements can be found, such as lampposts with wrought-iron detailing, although the colony itself belongs to the pre-modernist style. It is enclosed by a wall made of river stones and cement. The colony was organised linearly, with factory buildings ready for expansion. Parallel to these, the workers' homes and the owner's residence—used seasonally—were located. The colony was also structured around a large open space, which included an intriguing two-storey building for the owners, a single-storey work nave with an unfinished central section intended for expansion, and two housing blocks for the workers.1857
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1858 - 1859
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La Bauma Colony
This architectural complex is located on the right bank of the Llobregat river, on one side of the Bauma bridge, very close to the BP-1121 road. The Bauma Factory is a construction made up of two buildings, that of Roca i Llubià, the two owners, and the new factory. Both are located on the banks of the river, arranged side by side, following the course of the river, and separated by the Torre del Amo. The first, the older one, built to carry out the finishing and shipping processes, has a single storey and is characterised by a row of twenty-three openings in segmental arches. The second, which was used for spinning and weaving, as well as the yarn store, the office and the turbine room, has four floors and a two-slope roof. In both buildings, an almost identical masonry facing is used, giving them a unified character. Torre del Amo is a construction attached to the walls of the factory on the west corner, forming a main façade facing Monistrol and another one facing the road. The ground plan of the building is made up of two polygonal bodies, a square one equivalent to the porch and a rectangular one, where a lookout tower and the building's outbuildings are located. Access to the building is from a staircase located after the porch, which has three ovoid arches supported by two pillars with vegetal capitals and a three-slope roof. The tower has a square floor plan and a lookout tower crowned with battlements. The unifying element of both bodies is the two-sloped roof, with green and reddish tiles. The walls are made of exposed brickwork, and the fillings and openings form vertical strips that fit in perfectly with the general composition of the factory buildings. The facing has several balconies with arches that vary from segmental arches to convex arches and lintel arches. The plinths, imposts, arches and tympanums are covered with glazed tiles and ceramic friezes that form multicoloured geometric and vegetal compositions.1859
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Can Ricart
Can Ricart, dating from 1854, is one of the first mechanical stamping factories for cotton fabrics in Catalonia. It is located next to the central park and faces the industrial axis of Pere IV, together with Oliva Artés, Ca l’Alier, la Escocesa, and Ca l’Illa. The complex is made up of several neoclassical buildings and a series of green spaces that connect them to each other. Its interest lies in the unitary style of the pieces that make it up; that is to say, in the analogy of their shapes, rhythms and spatial arrangements.1853 - 1860
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1860
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Roca Umbert Factory
autoria desconeguda
Isolated industrial premises with a rectangular plan, consisting of a basement, ground floor and two floors. The façades are equal and flat with a symmetrical composition formed by a series of pillars with semicircular arches, the pillars have a double height value giving the whole a monumental character. It is the largest industrial building in Sant Feliu. It had been an important textile factory and for many years it has employed many people in the town. In 70s, and due to the serious economic crisis and in particular that of the textile sector, most of the machines had to stop, leaving many people unemployed. It is currently partially exploited, and textile products are produced there. The plans for this building have been attributed to Gaudí, but this has not been verified.second half of the 19th century
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Gomis Colony
autoria desconeguda
The colony consisted of a factory, a row of houses and the Neo-Romanesque Church of the Virgin of the Rosary. The Can Gomis textile industrial colony was founded in 1891 by Francesc Gomis i Soler from Manresa. Dedicated from its beginnings to the production of cotton yarn and fabrics, in 1909 a power plant was installed here, supplying electricity to Monistrol de Montserrat, Olesa de Montserrat, the mountain and the Monastery of Montserrat, as well as other towns. The plant became part of the Segre group of hydroelectric forces created by the same company. The Neo-Romanesque church of the Gomis Colony, dedicated to the Virgin of the Rosary, was designed by architect Alexandre Soler i March. In the summer of 1985, the Gomis Colony factory was closed, at that time employing 72 workers, 80% of whom came from the town of Monistrol de Montserrat. Years later, the factory reopened and remains in operation today. -
Cura Factory Chimney
autoria desconeguda
The chimney belongs to a former alcohol distillery. It has a square base and a truncated conical shaft, with a ring at the top. The scaffold is in exposed brickwork. The base (a prismatic brick structure) is located inside a warehouse, which is currently used as a private car park. The chimney shaft rises above the warehouse roof. -
Cal Boyer
autoria desconeguda
The factory, known as the ‘Vapor Nou (New Steam), dates back to 1897 and is a very characteristic example of the cotton textile industry. It consists of two large longitudinal buildings, each two storeys high, with large exterior openings supported by segmental arches covered in red stucco to add a touch of colour and bring the whole complex to life. The large chimney built of fired brick stands out, majestically presiding over the whole complex. Joan Boyer i Ferrer was the owner of a textile factory in the mid-19th century. Following the arrival of the railway in Igualada, which made it possible to transport coal and thus use the steam engine, he moved the factory to the Rec area in 1897. In 1910, an extension was built on the same street, Carrer del Rec. In 1978-79, the factory closed down. In 1981, the building was purchased by Igualada Town Council to house the Regional Museum. -
Viladomiu Vell Colony
autoria desconeguda
The Viladomiu Vell settlement is located about one kilometre south of Cal Bassacs. It is a colony built parallel to the river, from north to south, and at the entrance to the colony we find the church on one side (together with some annexe buildings) and on the other side, the owners' tower, while a little further up is the director's chalet. Thus, firstly, the most emblematic spaces of symbolic power, the church and the tower, then the central part destined for the workers' dwellings, and in the final part, the industrial zone, the factory. The dwellings are distributed in three rows of parallel blocks that make up the urban space, streets and squares; thus, in the upper street, the westernmost one, there are two blocks arranged in a row, one next to the other. Broadly speaking, these are buildings with an elongated rectangular ground plan, consisting of three storeys (ground floor and two upper floors) and a semi-basement floor accessible from the street below, as the ground is slightly uneven, and these are basically used as garages. The main façade that opens onto calle de Puig Sacalm is the characteristic gallery façade, made up of three rows or open gallery streets with openings of segmental arches supported on pillars. On this façade we find the entrances to the ground floors and the stairwells leading to the upper floors. Three of the lateral façades of these blocks remain without cladding, allowing us to see the stone walls with solid brick reinforcement in the corners and in the framing of the openings, in the case of the northernmost block, which also forms a decorative plasterwork. In this same block, we can see the openings of the southern lateral façade at ground floor level, with the openings framed in stone ashlars. The other blocks, one on the central street or row and two on the street below, also placed one next to the other, are also elongated rectangular in plan, with three storeys (ground floor and two storeys) and a gable roof of Arabic tile with an eave decorated with a geometric combination made of solid brick. The walls show the ground floor made of stone ashlars and the rest with the surface rendered and painted. The openings in the main and side façades are straight-cut and regularly distributed; the access portals to the interior staircases all open onto Puig Llançada street; the rear façades (in the westernmost block on the west and the easternmost blocks open onto the river to the east) have openings leading to balcony galleries, most of which have now been modified and closed off. The block of flats on the east side facing the church has an inverted L-shaped plan, with a volume facing the church that housed the schools and community spaces. Between the two we find the main square of the colony, the church square. Delimited between the three rows of blocks and at the southern end by the access to the factory, there is another square - Puig Sacalm street, the street above, which is like a promenade, with benches and plane trees. The Viladomiu Vell colony was founded by Tomàs Viladomiu Bertran, a member of a lineage linked to the spinning and weaving industry since ancient times. The origins of the family are documented from the beginning of the 16th century in Vilada, from where they moved to Berga. Over the years, there are numerous reports documenting the Viladomiu family's relationship with textile manufacturing, showing the evolution and growth of their business by adapting to the new demands and needs of each period. Tomàs Viladomiu's father moved to Sallent when he married Antònia Bertran, from the Cal Rei house, a town where he would continue to work in the wire and fabric business, and where the founder of the Viladomiu colonies was born, who would continue the family's business trajectory. Tomàs Viladomiu Bertran decided to set up a factory and colony up the Llobregat river, seeing the possibilities offered by the area, which was still scarcely industrialised. The chosen location was the land at Plana de Santa Marc, which he bought from the Feliu brothers. The history of the colony of Viladomiu began in 1868 with the application for the use of water to build a factory. Work began with the construction of the first building, the lock and canal, and the first buildings to house the workers. Subsequently, the colony would grow and incorporate elements, the church (1885), the wall, the tower (1910), the schools, extending the blocks of flats, enlarging the factory, etc. Once production had started (1871), the company ‘Viladomiu e Hijos’ bought and began the process of building a new colony on land further south of Viladomiu Vell. In this case, the land was bought from the same family, the plot where the new project was to be built was called the Llave de San Marcos, the names of the land would be used while both colonies were under the same company. From 1896, Tomàs Viladomiu's sons split the inheritance and each colony, Viladomiu Vell and Viladomiu Nou, were managed by different companies. In 1882 the company obtained the status of agricultural and industrial colony, which allowed it to benefit from certain tax exemptions. From the foundation of the Viladomiu Nou colony until 1989 it was managed by different companies linked to the Viladomiu family. The management of the colony and factory of Viladomiu Nou was done through different companies, as they changed over the years - 1869-1887: Viladomiu and Sons, 1888-1896: Viladomiu Sons, from this point onwards each Viladomiu colony undertook its own business path, 1896-1906: José Viladomiu Montañá, 1907-1927: José and Jacinto Viladomiu; 1928-1934: José Viladomiu Senmartí; 1934-1989: Manufacturas Viladomiu S. A. The Colonia Viladomiu Vell is included in the ‘Plan director urbanístico de las colonias industriales del Llobregat’; the municipality of Gironella is included in the Pla together with the municipalities of Avià, Balsareny, Berga, Casserres, Gaià, Navàs, Olvan and Puig-reig (DOGC no. 4940 published on 03/08/2007). At the southern end of the complex is the industrial area, the factory, with access through a large open doorway in the perimeter wall delimiting the factory space; in the access area there are some buildings built in the 20th century, including offices, the weighbridge, etc. The main feature of the production complex is the large central nave with an elongated rectangular floor plan, three levels of openings and a gable roof made of Arabic tile. Surrounding it are other halls and buildings, several of the structures attached to the central nave, with different volumes and finishes, being buildings of different functionalities and chronologies. On the north side of the complex there was the chimney of the steam engine, which no longer exists. Parallel to the river and the colony runs the canal that carries the water from the lock, located a few metres upstream, to the factory. The orchard area around the canal is also worth mentioning. A few metres from the owner's tower there is also the director's chalet – a four-storey house attached to the land on the west side, with a ground floor, first floor and ground floor-roof. On the first floor, there is a balcony-like gallery that continues on the roof and a ground floor level that develops on the roof itself, showing only lateral façades between the different roof planes. The roof is made of flat ceramic tiles with eaves supported by wooden beam heads. -
Cal Pons Colony
autoria desconeguda
The Pons colony is characterised by the fact that it is one of the textile colonies that was established and developed in a relatively short period of time (1875-1910), which gives it a great sense of unity. The two owners' towers, the director's tower and the church are the most emblematic buildings of Cal Pons, together with the garden. In 1908, King Alfonso XIII travelled to the Llobregat basin and paid a visit to the Pons colony. Church of Sant Josep The church has a Latin cross plan and is 32 metres long. The main nave is covered with a ribbed vault, and the side chapels act as buttresses for the central nave. At the intersection of the main nave and the transept there is an octagonal dome. The polygonal apse has an ambulatory that leads to the crypt and the sacristy. In 1879, the isolated bell tower was erected and in 1907 the family pantheon was built, where Lluís Pons i Enrich and his wife, Anna Roca, were buried. Externally, the church has a haughty appearance reinforced by the dome, the bell tower and the set of pinnacles. The main façade, facing south, is made of well-cut ashlars, while the rest of the building harmoniously combines rubble stone with brick. It is a neo-Gothic building that was constructed in sixteen months, the work of the architect Josep Torres i Argullol. The interior was decorated by Francesc Morell, brother of the factory manager at the time. School, convent, theatre and girls' home. The buildings have two storeys: the ground floor was used as a school and the upper floor was used as a convent, the priest's home and the residence for working girls. Like the rest of the buildings in the colony, the construction materials used were stone for the walls and brick for the windows and doors. The old tower (a fortified town before 1885) and the new tower (inaugurated in 1897) are monumental buildings in a medieval historicist style. They were designed as medieval castles surrounded by gardens. The old tower was the first to be built. It is a solid but slender building, with a very marked central body. The Catalan spiral staircase stands out. It is eclectic in style with a Gothic influence. The new tower is a large construction built on a rock at the end of the colony's gardens. In its structure, the central body predominates over both sides. The main façade, with a double staircase, faces north. The exterior walls combine brick, plaster and mosaics. It has many medieval-style decorative details: capitals with bestiary, floral decoration, gargoyles, blind arches on the eaves of the roof, etc. In the entrance hall there are allegorical paintings that refer to the continents of America, Africa, Asia and Europe. It is a landscape in the background with a female figure who brings some element that refers to each continent. In the representation of Europe, the background landscape is the Pons colony seen from the foot of the Llobregat. It was initially the continuous residence of the owners, later it served as a second residence and in the mid-20th century the furniture was auctioned off and it was converted into a towel factory. The architect of these two buildings is unknown. However, it seems that it could have been Josep Torres i Argullol or Alexandre Soler i March, architects who worked for the Pons family. The director's villa was built before 1900, it is more austere and smaller, and its architect is also unknown. The garden When the colony was designed, the intention was to turn the estate into an enclosed garden that would isolate it from the outside world. The garden was for the private use of the owners of the colony and the director's family. But when the Pons family were not there, the workers could use the garden and the adjoining forest. In this space there was a great diversity of plant species (some of which have since disappeared): banana trees, lime trees, mulberry trees, trumpet trees, horse chestnut trees, palm trees, poplars, holm oaks, fir trees... In the private garden of the new tower, two 1900s gazebos made of brick and wood stand out, overlooking the Llobregat river and the colony. Until the 1950s and 1960s, the colony was the most active cultural centre in the municipality of Puig-reig. The magazine “Colònia Pons” was published and the Home School and the School of Labour linked to the Industrial School of Barcelona were created. The factory workers received training that was truly cutting edge at the regional level. On 25 March 1886, construction began on the church of the Pons colony dedicated to the Virgin of Montserrat. It was consecrated on 10 August 1897. It was built at the same time as the large factory, the workers' housing and the two towers. In the mid-20th century, and especially in the wake of the Spanish Civil War, the towers where the owners resided were abandoned and a progressive deterioration of the cultural activities and the park, which had an interesting collection of exotic birds, began. The moments of splendour of the Pons colony coincide with the early days of its existence, between 1880 and 1930. -
Els Toldos Factory
autoria desconeguda
This mansion is made up of different sections where the old textile factory is also located. The structure of the house is reminiscent of a medieval castle due to the use of turrets, barbicans, battlements on the upper ends of the walls... It has a central body which is higher than the rest, with a large coat of arms and a niche with a sculpture above it. There is also a chimney in the shape of a human figure. It is built with exposed brick and stone. The house belonged to the Ventura family, owners of the adjoining factory "Los Toldos", where awnings and boat sails were made. -
Cal Bassacs Colony
autoria desconeguda
The Cal Bassacs textile colony is composed of the industrial complex — the group of various factory buildings arranged in alignment, one after the other — together with warehouses, spaces intended for offices, and, opposite the factory, the buildings constructed to house the workers. Within a large plot enclosed by a wall stands a small chapel; around the tower there are gardens and also a more modern structure. The majesty of the tower, besides presiding over the entire complex, also stands out for its size, its constructional characteristics, and the ornamental detailing of its finishes. As for the workers’ housing, these are located opposite the factory on the western side, forming a street known as Carrer Indústria. The group is made up of buildings with a ground floor and two upper storeys, covered with gabled roofs whose ridge runs parallel to the axis of the street. They display a total of four doorways giving access to the respective internal staircases. It appears that the buildings were constructed in different phases; broadly speaking, the façades — except for the northernmost building — have openings on the ground floor framed in solid brick (door to the staircase, entrance to the ground floor and some windows) with straight lintels. It is worth noting that the building adjoining the one at the northern end has openings with projecting balconies. Regarding the building at the northern end of the group, this one stands out for the regular arrangement of its openings, all framed in solid brick, among which the central first-floor window is distinguished by a differentiated brick pattern. In the building at the southernmost end, it can be seen that it is constructed partly with stone walls and partly with rendered sections, with well-cut ashlar cornerstones alternating with rendered surfaces. At the rear, there are various types of openings: in one case, the southernmost building has only simple windows; the next two have galleries on each floor, with straight lines, while the remaining ones have galleries with openings formed by semi-circular arches, though with differing finishes and combined with windows. The couple Raimunda Bassacs and Joan Teixidor i Ballús were the founders of the Cal Bassacs factory. The Bassacs family came originally from Prats de Lluçanès, where they worked as wool carders, later moving to Gironella, where records show their presence as early as 1717. By the late eighteenth and early nineteenth centuries, they were involved in several companies devoted to cotton spinning and weaving. The Teixidor family, originally from Berga, were also documented as being engaged for many years in the production of wire and cotton fabrics; their participation in a company from Berga is recorded as early as the seventeenth century. In 1861, the couple were living in Gironella, specifically in what is now Plaça de la Vila (then Plaça de l’Església), where they operated a workshop equipped with ten hand looms, a warping machine, and a bobbin winder. Records show that this workshop was still active in 1896. In April 1861, the couple purchased a piece of land from Maria and Ramon Fígols of Gironella, at the foot of the river Llobregat, next to the Sant Marc bridge, and thus alongside the road. On 30 May 1862, Joan Teixidor applied to the Gironella Town Council for permission to build a flour mill with two millstones and a factory on the land they had acquired. Construction began in 1869, with works on the weir and the obtaining of permission to build a mill with two millstones and one waterwheel. The initial plan seems to have been modified, since the mill was not built and two waterwheels were instead constructed. In 1871, they purchased another parcel of land; by then, records show that the factory already measured 158 palms in length and 14 in width. In 1872, they received permission to extract stone from the riverbed, provided that the remains of the Sant Marc bridge were not affected. To meet the capital requirements of the Cal Bassacs factory, the couple also purchased a house in Avià containing eleven looms, a bobbin machine, and a warping machine. Another source of financing came externally, through a mortgage with Antoni Manent Llonch, who was also the founder of the Colònia Manent in Puig-reig, among other enterprises; this debt was settled in 1884. Records show that, as new factory buildings were completed, they were rented to small entrepreneurs. In 1880, Miquel and Josep Santesteban operated twelve and ten looms, respectively. By 1884, one of the two factories must have been fully completed, as it was rented to the Manresa company “Antoni Torra e Hijos y Cía”, which installed over 4,000 spindles and 94 mechanical looms. Another section was leased to Estapé Camps, who installed twelve mechanical looms. One of the waterwheels was donated during his lifetime to their son Antoni, who put it into operation; the donation was confirmed in the will of Joan Teixidor Ballús, who died in 1891. At the time of his death, records indicate that both factories, as well as the warehouses and workers’ houses, were already completed. His heirs were his daughter Concepció Teixidor Bassacs and her husband Josep Fusté Teixidor. Their descendants continued the business along different lines. Antoni, who was in poor health, ended up renting the factory to other industrialists; upon his death, the property was divided between his wife Carme Vila Marces and his daughter and heiress Carme Teixidor Vila. The heiress continued leasing the factory, one of her tenants being Josep Sanglàs i Alsina of Manlleu, who was engaged in the manufacture of machinery for cotton spinning. His company became the first Catalan firm of this kind, employing some 300 workersin the 1920s. Following the early death of the heiress, her mother Carme Vila inherited the factory and rented it to the company “Josep Fusté y Cía.”, whose relatives managed the other part of the Cal Bassacs factory — the section inherited by Concepció Teixidor (wife of Josep Fusté). (continues in Observations) It should be noted that on the main façade of the workers’ dwellings, one building stands out for having two projecting balconies, one above the other. The ground-floor balcony has a wooden platform supported by timber brackets, while the upper balcony rests on metal joists with wooden slats, exposed wooden beam ends shaped as corbels, and an iron tie-rod. The balustrades on both balconies are simple wrought-iron designs with scrollwork decorations on the base and beneath the handrail. Cal Bassacs is included in the “Master Plan for the Industrial Colonies of the River Llobregat”; the municipality of Gironella is part of this plan along with Avià, Balsareny, Berga, Casserres, Gaià, Navàs, Olvan, and Puig-reig (DOGC no. 4940, published on 3 August 2007). (continued from History): Upon the death of Carme Vila, her share of the factory passed to Ricard Teixidor Masjuan, who in 1946 founded the company “Hilados y Tejidos Fusté, S.A.”. The factory inherited by Concepció Teixidor continued to be used directly by the family firm, “Josep Fusté Teixidor y Cía.” On 31 May 1914, the factory burned down; Concepció, then widowed, received assistance from the director Esteve Esparbé Garriga. Despite the disruption caused by the fire, production resumed, and in 1919 she leased the neighbouring factory from her relatives. For several years, the two companies operated separately within the Cal Bassacs complex. Salvador Fusté, son of Concepció Teixidor, married Bernada de Martín i Llobet of Berga in 1920. Salvador died young, naming his nephew Josep M. Minoves Fusté as heir, who became the principal shareholder of “Hilados y Tejidos Fusté, S.A.”. It was not until the late twentieth century that the two families who had inherited the Cal Bassacs factories united them into a single company, merging both plants under the same joint-stock enterprise.










































