Public building of a monumental nature, built between partitions, with a slightly Roman façade, following the alignment of the street. Façade of classic composition. It consists of three bodies, the central one being the highest and most important, enhanced with a dome with a torch. On the main floor, a large semi-circular window opens, divided into two parts by a lintel, with the lower part vertically subdivided by Ionic columns and the upper part by smooth rectangular cross-section handrails. The street underwent new works in 1874 where there were narrow alleys.

Un concurs de projectes en el qual també va participar R. Masó decantà l’encàrrec a favor de l’associació del novell Bona amb un llavors noucentista Catà. De Masó, un i altre en van recollir el coronament amb cúpula derivada a cilíndrica, lluent i revestida de rajola de València. L’edifici ignora estilísticament l’esmorteït neoclàssic de la plaça de Sant Agustí, encara que hi obre un porxo a la cantonada, repetit a l’altre extrem per tal d’equilibrar el basament. Si bé hi destaquen el gran ordre central, amb arc triomfal inscrit, i altres recursos emblemàtics del monumentalisme, l’interès se centra principalment en la fàbrica i la cal·ligrafia de la façana, on l’encuny esquemàtic d’ordres clàssics, en un joc molt pla sobre rajol, innova realment el llenguatge i el ritme arquitectònics. Els entresolats i altres (i nombroses) alteracions fan poc reconeixedora l’estimable estructuració de l’organisme.

El projecte industrial s’expressa a través d’elements innovadors, com ara el gran arc a la romana i el joc de bandes verticals contraposades als balcons; tot i amb això, el resultat formal resulta menys emblemàtic que en l’obra següent. A l’antic magatzem, de factura més simple, les reformes (J. Padró, 1991, i Ricard Turon, 2003) han actualitzat i donat valor a una arquitectura escassa a la ciutat.

Casal del Metge is located in the Ciutat Vella district, facing Via Laietana and Tapineria Street. It is a building between party walls with a rectangular plan consisting of an office building, with a ground floor and five landings, plus a semi-basement. Although the main façade is the one that faces Via Laietana, access currently takes place from 8-10 Tapineria Street. The two façades, with classical elements, are made with a Florentine rigor transferred to the new urban scales. The symmetry in the horizontal and vertical axes is one of the most relevant elements of the buildings, with the openings reproduced at a regular rate. The one facing Via Laietana has a central section slightly advanced in the vertical axis which reinforces the symmetry of the whole. At ground floor level, it has nine openings. The access portal and the two windows located on either side are resolved with a semicircular arch. This lower part of the façade is made with buttressed ashlars that draw geometric motifs with their joints that stand out compared to the rest of the façade, finished with polished stone. Below these windows, the polished stone plinth, there are other small ones, with flat sills, which illuminate a semi-subterranean floor. Above a small ledge that separates it from the upper floor are the five balconies on the first floor, of which only the central one is overhanging. Above all openings there is a triangular pediment, in the form of a dust guard, supported by corbels and joined together by a small cornice. The pediment of the central opening is broken by a shield of Aesculapius flanked by single curule jugs with stone fleurons and, below, a medallion with the date "1932". Of the upper floors, the third one stands out, with a running balcony that joins the three central openings, where only the one on the axis has a pediment above it and the upper one, where Doric columns have been arranged between the openings semicircular section. Above these columns we find the crowning, formed by alternating triglyphs and metopes decorated with a central ornate disc above which opens a cornice supported by simple corbels and all finished with a central pediment. The façade of Tapineria Street reproduces the classicizing and symmetrical formulas, with slight changes in the layout, order and finish of the openings. Leaving aside the façades, a series of representative outbuildings also stand out, among which the central courtyard and the assembly hall are of special interest, where Florensa refers, through the architectural and decorative elements, to various details of the old Casa de la Convalescència, which at one time housed the Faculty of Medicine. The Casal del Metge, the Cambó House and the headquarters of the Foment del Treball are, according to Oriol Bohigas, the buildings in Barcelona where the classic language manifests itself with greater correctness and urbanistic efficiency.