In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
Jordi Bonet i Armengol was appointed chief architect in 1985. The work focuses on the detailed study and construction of the interior space of the temple (main nave, transept, apse and crossing), applying the defined procedures and geometries done in detail by Gaudí in the 1:10 scale plaster models.
At this stage, the geometry and proportions that govern the original models are studied in detail, and 3D computer modeling is introduced for the development of the project and the production of stone pieces. In the construction field, the Catalan vault is introduced for the vaults of the central nave’s interior, following the generators of the regulated geometry, and the incorporation of Venetian glass in accordance with the symbolism.
The interior of the basilica, which is dedicated to the Holy Father Benedict XVI on November 7, will be closed in 2010. In the same year, the Temple of the Sagrada Família’s nave done by Antoni Gaudí was awarded the Ciutat de Barcelona prize in the category of architecture and urbanism. Under his direction, Josep Maria Subirachs was in charge of the execution of the sculptural ensemble of the Façade of the Passion and the stained glass windows of the naves by the artist Joan Vila-Grau.
Once the naves were finished, the work focused on the construction of the Sacristy, which, according to Gaudí, would become the model the towers of the central dome would follow.