Lluís Domènech i Montaner - Arquitectura Catalana .Cat

Memory

Barcelona, 30/12/1849 - 27/12/1923. Títol d'arquitecte: 1873. El juny de 1870 obtingué la llicenciatura en Ciències Exactes per la Universitat de Barcelona , i el 1873 acabà la carrera d’arquitecte a la Reial Acadèmia de San Fernando a Madrid amb la qualificació d’excel·lent. Més endavant va ocupar una càtedra a l’Escola Superior d’Arquitectura de Barcelona. Cal destacar les seves facetes com a arquitecte, polític i historiador. De jove va ser membre de la Jove Catalunya i del Centre Català i, l’any 1887, va ingressar a la Lliga de Catalunya de la qual fou president el 1888. Posteriorment, ingressà al Centre Nacional Català (1899) i més tard, a la Lliga Regionalista (1901). Com a periodista col·laborà a diverses publicacions com “La Renaixença”, “Lo Catalanista”, “Revista de Catalunya” i “La Veu de Catalunya”. Més endavant va fundar “El Poble Català”. El 1901 fou un dels diputats triomfadors de la candidatura anomenada “dels quatre presidents”, i resultà reelegit el 1903, però el 1904 , desencantat, abandonà la política per dedicar-se a la investigació arqueològica i a la història. Amb motiu de l’Exposició Universal de Barcelona 1888, va tenir l’oportunitat de construir les primeres obres que el farien popular com ara el Gran Hotel Internacional (alçat per la dita exposició), o el restaurant del Parc de la Ciutadella (anomenat Castell dels Tres Dragons i actual Museu de Zoologia). També construí d'altres edificis monumentals, en un estil molt personal i innovador, fets de maó, ferro forjat i decorats amb ceràmica envernissada policroma, amb abundor de temes florals. El conjunt de la seva obra arquitectònica fa de Domènech i Montaner una de les màximes figures del modernisme mundial. Les seves construccions més emblemàtiques són l’Hospital de Sant Pau i el Palau de la Música Catalana.

Source: Arxiu Històric del COAC

Works (51)

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Chronology (61)

Refurbishment of the Liceu Confectioner's Shop

Lluís Domènech i Montaner

Since 1852, the existence of the Gran Confiteria del Liceu on the ground floor of the theatre, where the Cercle del Liceu is located today, has been documented. In the 1970s, the property passed to Albert Martorell, who commissioned Domènech i Montaner to refurbish it in order to install a shop window with decoration in keeping with the taste of the time and an awning. This is the first documented work by Domènech in Barcelona, without his partner Josep Vilaseca. Sketches are preserved in Domènech i Montaner's archive, as well as the application file for the work at the town hall, but it has not been possible to determine whether it was ever completed in its entirety. The decoration was a wooden scenography added on top of the existing facing. It probably also had glass and ceramic decorations. The ornamentation consisted of floral motifs and geometric shapes of Mudéjar inspiration. The confectionery closed in 1883.
Montaner i Simón Publishers

Lluís Domènech i Montaner

The building applies the procedures of industrial architecture to a project with a high degree of fragmentation. The outbuildings of the workshops are located on a semi-underground floor that reaches the bottom of the site. The entrance is highlighted by an octagonal dome that provides overhead light and connects it visually to the office loft. The second section is for the file, set in a U-shape around a central skylight. The complex is made up of a structure of cast iron pillars and beams arranged in well-differentiated sectors, and a brick factory façade with six large, glazed openings. The design of the façade adopts the filigree motifs typical of Islamic architecture, one of the main references of the time. The arrangement of the openings generates numerous visuals in a vertical direction and creates light and space effects that anticipate the interests of modern architecture.
Canetenc Athenaeum

Lluís Domènech i Montaner

In 1883, the Ateneu de Canet de Mar society was founded, a social organisation with Catalanist roots. Domènech i Montaner was commissioned to design its headquarters on the most central corner of the town, between La Riera and Carrer Ample. Domènech made use of part of the buildings that occupied the site he had acquired, and erected a building with a ground floor and a first floor, joining it to the main theatre next door. It had a meeting room, a reading room and library, a meeting room, a billiard room and a triple room. A continuous balcony reaches the corner, where a tower that starts from the first floor makes it turn towards the façade of the wide street, which is where the entrance was, giving continuity to the two façades. The façade facing the stream has a clear symmetrical composition with a central body topped with a pediment and a large rose window. The continuous balcony takes on a double flight at this point, supported on metal corbels inspired by the style of Violet-le-Duc. The façades are finished with decorative stucco work by the prestigious Barcelona firm Saumell i Vilaró. The decorative motifs are mythological allegories, largely taken from Verdaguer's Atlantis. There is also a rich decoration of wrought iron and cut iron plate by the locksmiths Pujadas de Canet. In 1923, the building housed the Ateneo Obrero (Workers' Athenaeum) and during Franco's regime, the Education and Rest trade union work. In 1985 the building was acquired by Canet Town Council. The interior was completely modified over the years and only the façades remain. Since 1999 it has been the Gual Pujades library of Canet de Mar.
Gran Hotel Internacional

Lluís Domènech i Montaner

In order to provide enough hotel accommodation for the Universal Exhibition of 1888, Barcelona City Council called a competition to build a large, temporary hotel, which was awarded to the developer Ricard Valentí, with a design by Domènech i Montaner. The Hotel Internacional did not present any great aesthetic innovations, but it aroused much admiration for the speed of execution: 53 days to finish the structure and a total of 83 days to have the building completed. Domènech devised a serial construction in order to meet the established deadlines. The building had a rectangular ground plan, measuring 150 m by 35 m, with a central symmetrical axis and projecting bodies at both ends and in the central part. It had five storeys in the elongated bodies and six in the central body and in the towers. It had a lift, access doors for pedestrians and cars, café, restaurant, shirt and glove shop, tobacconist's shop, telegraph, courtyard of honour and large skylights that illuminated the corridors. It could serve 2,000 guests, with 600 rooms and 30 flats for families. In order to build on such unstable ground as the embankment formed by the demolition of the wall by the sea, where conventional foundations would have been very costly and slow to lay, an ingenious system was used. It consisted of a grid of metal beams (which were actually rented train rails that could be recovered once the building had been demolished after the exhibition) on which inverted flat brick vaults rested, creating a continuous foundation slab. All the walls were made of brick masonry, with the spaces sized according to the size of the garment to minimise cuts in the ceramics. To speed up construction, work was carried out 24 hours a day, with the workers working in shifts and divided into specialisations. During the night shift, electric lighting was used, which aroused admiration at the time. A modern work structure in which Bonaventura Pollés i Vivó and the recently qualified Josep Forteza i Ubach acted as assistant architects. The work included decorative stucco work based on drawings by Alexandre de Riquer, Joan Llimona and Dionís Baixeras, ornamental mouldings, wallpapering of the interiors... The painting was done by the Bassegoda company, and the decoration by Saumell i Vilaró. The decorative ensemble aimed to achieve the difficult synthesis of a national and modern architecture, as Domènech had determined in his article ‘In search of a national architecture’. There are clear medieval references, but it also retains some academic touches and, at the same time, an Art Nouveau air. Once the exhibition was over, despite the promoter's requests to preserve it, the building was demolished.
Casa de la Ciutat: Barcelona City Council. Restorations for the Universal Exhibition of 1888

Lluís Domènech i Montaner

In 1887, the Barcelona City Council called a tender to renovate the Casa de la Ciutat as a residence for the royal family during the Universal Exhibition of 1888. Domènech i Montaner carried it out. The Casa de la Ciutat building, of medieval origin, had arrived at the beginning of the 19th century in a deplorable state of repair. Various restoration and extension works carried out around 1820 had improved it somewhat. But the royal family had to be housed. At first the competition was declared void, and Mayor Rius i Taulet entrusted the project to Antoni Gaudí. He even presented some plans, but the Government Commission urgently commissioned Domènech i Montaner to design the project, and his went ahead. His proposal was not carried out in its entirety, and in many cases it was simplified to speed up construction, which took little more than two months. Domènech's contributions were of a constructive and distributive nature, and the restoration and reinterpretation of the interior decoration. A new monumental staircase was built to dignify access to the first floor and the space between the courtyard and the Saló de Cent was redistributed. The mayor's office and other municipal offices were relocated to accommodate the royal family. Domènech also recovered the old Gothic access gallery to the hall by demolishing all the partitions that covered the arcades and recovering the geometry of the buttresses, which had been heavily modified and had caused serious structural damage. The medieval polychromy of the coffered ceiling was recovered, windows were uncovered and new stained glass windows were installed, cabinetwork, upholstery and flooring work were carried out and skylights were created to provide natural lighting and electric lamps. Once the royal visit was over, Domènech asked for the decorative works and structural reinforcement to be completed, but they were not carried out. The modifications that were made to these spaces over the years made a large part of Domènech's work disappear.
Café-Restaurant of the 1888 International Exhibition

Lluís Domènech i Montaner

The building highlights new architectural values as part of the first Universal Exhibition. It consists of a large dining room and a cafe on the ground floor, a rectangular box with folded façades, so that the exterior image of the building is modeled independently of the interior requirements. The four corners are highlighted by four towers with different crowns. The structure responds to a rigorous application of the brick and iron factory, protagonists of the new architecture. The relationship between the ornamentation and the structure is also clearly resolved: the battlements of the outer wall surround the building accompanied by glazed ceramic shields with airtight inscriptions. This is the first building-manifesto of modernism, which shows some guidelines that later other architects will apply to more complex programs.
Roura House

Lluís Domènech i Montaner

Jacint Capmany and his wife Francesca Roura, Lluís Domènech's brothers-in-law, commissioned the architect to build a summer house in 1889, which was finally built in 1891. The building has a rectangular ground plan and a gabled roof, with exposed brick façades and a circular corner tower crowned with a conical dome covered with ceramic scales. This tower, which makes the façade turn and is reinforced by a continuous balcony-terrace, had already been used in the Ateneu de Canet and would be a common solution in other projects by Domènech. It has a ground floor and first floor, but the central part houses a large double-height living room covered with an impressive wooden truss in the manner of an inverted naval construction. The rest of the building's horizontal structure, other floors and balconies, are made of metal. An extensive programme of applied arts decorates the entire interior and exterior of the house: glazed ceramics, mosaic flooring, woodwork, wrought ironwork, stone sculpture, etc. The ceramics are the work of Josep Ros and Pau Pujol. The ornamental references to the medieval world are continuous, and for example the front and back façades are resolved with a stepped gable with medieval central European reminiscences. It is currently a restaurant.
Montaner Palace

Josep Domènech Estapà, Lluís Domènech i Montaner, Antoni Maria Gallissà Soqué

The Palau Montaner, by the publisher Ramon Montaner, was begun in 1889 under the direction and design of Josep Domènech i Estapà. But due to disagreements with the owner, he ended up entrusting it to his nephew Lluís Domènech i Montaner. Domènech i Montaner did not alter the architectural structure of Domènech Estapà's palace-villa, which was already built on the ground floor and first floor, but he did decide to change the planned decoration of the façades and the interior. As can be seen in the photographs and plans of the Domènech legacy, one of the interventions on the exterior consisted of introducing a powerful eaves on the roof and a richly decorated ceramic frieze on the upper part. The decorative frieze had ornamental stone elements and ornamental elements of glazed ceramic and metallic reflections with floral and heraldic motifs and references to printing. Inside, he designed a majestic vestibule with an imperial staircase covered with a spectacular stained-glass skylight that floods the space with natural light. The entire palace is decorated with mosaics, sculptures, stained glass, upholstery and drapery and woodwork made in collaboration with Eusebi Arnau, Antoni Rigalt and Gaspar Homar, among others. He also had the help of his collaborator and friend Gallissà. It is currently the headquarters of the Government Delegation in Catalonia.
Eduard Agustí Saladrigas House

Lluís Domènech i Montaner

The Agustí Monjonell family commissioned Domènech to build a summer house in Badalona in 1893. Eduard Agustí was a civil engineer and head of the ‘Sociedad Material para Ferrocarriles y Construcciones’, the metallurgy company with which Domènech worked regularly. The family must have outgrown the building, because in 1898 they bought the plot next door and again commissioned Domènech to enlarge the house. The building began with a rectangular floor plan 14 metres deep by 8 metres on the façade, which, with the extension, became 14 metres long, with a ground floor and basement. A tower crowns the corner, giving continuity to the two main façades. Domènech designed a single-storey building of exposed brick, topped with a stuccoed band finished with battlements and a wrought-iron railing with plant motifs. In the extension, Domènech maintained the layout and decoration used in the building in 1893 and finished off the corner of the new construction with a circular balcony of exposed brickwork. Inside, he also maintained the existing structure and added a spectacular skylight, in the manner of a courtyard of lights, which joined the two areas. In the 1950s (1950) it housed the Albéniz Institute of Badalona (secondary school) and in the summer there were courses to entertain the youngest children. In the 1990s it housed a motorbike shop. Nowadays there is a café/restaurant.
Duran i España Pharmacy

Lluís Domènech i Montaner

In 1897 the chemist Joan Duran i España, a militant Catalan nationalist, commissioned Domènech to renovate the interior of his pharmacy in Barcelona. Domènech designed a set of cedar shelves surrounding the establishment, decorated with mythological, floral and zoomorphic elements. The upper frieze was polychromed with representations of medicinal flowers, and the lamps in the shop had images of snakes. The wooden counter in the office marked the entrance to the laboratory through an opening framed by a neo-Arabic lattice. The floor was a checkerboard of black and white marble. It is still used today as a pharmacy.
Thomas House

Lluís Domènech i Montaner

Thomas House is a work of the modernist architect Lluís Doménech i Montaner built between 1895 and 1898. It was originally a three-storey building. In the first two floors, an engraving workshop had been installed, and on the upper floor, the house of its owner. The façade of the plants dedicated to the workshop has the form of a large, lowered arch with a continuous stained-glass window protected by a grid of floral stylisations. The original façade of the house had an Ionic colonnade. On the roof there were two very imaginative bodies, one glazed and crowned with an iron crest and the other with a pinnacle supporting a large wrought iron sign.
Ampliació de la Casa Eduard Agustí Saladrigas

Lluís Domènech i Montaner
Francesc Farreras House

Lluís Domènech i Montaner, Antoni Millàs i Figuerola

In 1899, a building for rented housing was commissioned by Francisco Farreras in Carrer Mallorca, opposite the Thomas house. Although Domènech signed the plans, for some unknown reason, the work is attributed to Antoni Millàs. It is currently used as a residential building.
Decoration of the Casa del Ardiaca for the Lawyers' Association

Lluís Domènech i Montaner

In 1896, Domènech made some alterations to the Casa de l'Ardiaca, as the headquarters of the the Lawyers’ Association of Barcelona. He adapted the staircase leading to the Renaissance door and refurbished some of the rooms, designing the furniture. In 1902 he intervened again. The best known intervention is the marble letterbox at the entrance, the work of Alfons Juyol commissioned by Domènech himself, with several allegories: ivy leaves/bureaucracy, swallows in flight/the swiftness that justice should have, tortoise/the real slowness that justice has, and the coat of arms of the Lawyers’ Association. The Casa de l’Ardiaca is a 12th century building built on the Roman walls, which in the Gothic period was a palace and incorporated Renaissance elements. In 1870, a major refurbishment designed by the architect Josep Garriga annexed it to the Dean's house and built the current courtyard. Domènech intervened on this building renovated by Garriga to decorate the assembly hall and other rooms. He also intervened by placing the wrought-iron luminaires in the courtyard (which no longer exist). The intervention that is documented in the building permit, with his signature, is the adaptation of the access through some steps at the entrance door. In 1922 it was remodelled by Josep Goday to house the Museum of the History of Barcelona, and in 1990 it was remodelled again by the B01 team and now houses the Historical Archive of the City of Barcelona. Very few elements of Domènech's renovation work remain.
Lamadrid House

Lluís Domènech i Montaner

In 1902, Domènech was commissioned by the businessman Vicenç Bofill i Cases to build a residential building on Carrer Girona, but before the work was finished he sold it to Eduard Santos de Lamadrid i Ribalta, a Cuban businessman, after whom it was named. The building consists of a ground floor and five upper floors. The interior has a symmetrical layout with two flats per floor and two central courtyards to illuminate all the rooms. The façade is highly ornamented, with a stuccoed, sgraffito-embellished façade with plant motifs and inlaid square lustre-painted ceramic pieces. The balconies are framed by stone pilasters supporting corbels, and the stone balcony slabs are decorated with sculpted stone with vegetal motifs. The main floor has semi-circular balconies with openwork stone railings with floral motifs. The balcony railings are made of cast iron, the frames, the balcony slabs and their corbels are made of stone. It is currently used as a dwelling.
Interior refurbishment of Fonda Espanya

Lluís Domènech i Montaner

In 1900, Miquel Salvadó, owner of the Fonda Espanya, commissioned Domènech to renovate his establishment in Barcelona's Raval district. Salvadó wanted to extend and modernise the establishment, which had been in use since 1859, to bring it up to the level of the new restaurants that were being created at the end of the century. The work consisted of refurbishing the dining rooms and foyer of the inn, which opened in 1900, renovating the staircase and installing a lift, adapting the waiting room, the guest dining room, the music room and the living soom and the reading room, which were completed in 1903. Although at first it was only a question of changing the interior decoration, Domènech ended up carrying out a complete refurbishment of the ground floor, rearranging the spaces and removing walls, bringing in natural light. The walls separating the various rooms were replaced by large metal beams supported by pilasters with decorated capitals, and a large glass skylight was built. All the interiors were lavishly ornamented, with great decorative creativity, which was adapted to each space. Particularly remarkable are the sgraffito mermaids by Ramon Casas in the guest dining room. In 1903 all the work was completed and a year later it was awarded the prize for the best commercial establishment in the competition organised by Barcelona City Council. Over the years it has changed owners, and although it has undergone some modifications, a large part of Domènech's work has been maintained, always maintaining its original use.
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Interior refurbishment of Fonda Espanya
Refurbishment of the Can Rocosa Country House

Lluís Domènech i Montaner

Domènech spent the summers with his family at Can Rocosa in Canet de Mar. In order to enlarge the space, they had bought the two houses next door that chamfered Riera de la Gavarra and Riera dels Buscarons and unified their courtyards into a single courtyard. The old country house was used as an architectural studio and personal refuge. He kept the Baroque elements of the building, such as the sgraffito on the façade, the courtiers, the peephole in the staircase and the stone lintels, but at the same time he incorporated numerous decorative elements from his works, sometimes plaster models of the sculptures or ceramic samples. The large room on the first floor still has its drawing table and library shelves. It is now part of the Casa Museu Lluís Domènech i Montaner Canet de Mar.
Lleó Morera House

Lluís Domènech i Montaner

Domènech i Montaner’s original project included the refurbishment of a façade, but it ended up being a new building. This is the type of modernist house intended to house the owners on the main floor and leave two or three flats for rent. Domènech puts all his emphasis on breaking the repetitiveness of the vertical orders through the work of the stone, which in its variety is decisive in defining the enormously profuse aspect of the house. The architect emphasises the corner and gives a balanced character to the side façades, which are not the same width. Although it gives an aulic treatment to the main floor, the treatment of the two upper floors - with the large circular windows and the split balcony - denotes a desire to dignify the entire façade. The Lleó Morera House exemplifies the modernist ideal of the house at the time destined for rent that is shown in the city with a unique image.
Refurbishment for the headquarters of the Centre Excursionista de Catalunya

Lluís Domènech i Montaner

Barcelona's Roman temple dedicated to Augustus was located at the top of Mount Taber, and part of its remains were embedded in medieval constructions. In 1903 Domènech renovated the building as the headquarters of the Centre Excursionista de Catalunya. Despite several studies of the temple, many elements were lost in the rubble of the old houses at the end of the 19th century. In 1879, an entire column was saved and displayed in the Plaça del Rei. Three other columns were found inside the medieval building that housed the old cathedral canons' manor house, embedded between several slabs. This building was rented in 1878 by the Associació Catalana d'Excursions Científiques (Catalan Association of Scientific Excursions), now known as the Centre Excursionista de Catalunya. In 1902, the publisher Ramon de Montaner, Lluís Domènech's uncle, bought the entire building. His initial intention was to take the columns and integrate them into the Castle of Santa Florentina. But they finally changed his mind, and he commissioned his nephew to refurbish the building as the headquarters of the Centre Excursionista de Catalunya. The intervention consisted mainly of remodelling the interior of the building to leave the Roman columns exposed, fully visible in an interior courtyard protected by a skylight. A new staircase was built to access the main floor and a gallery to connect the two sides of the courtyard, reinterpreting the Gothic style. The opening of large windows and the replacement of the stone railings with light metallic elements was done with the aim of giving greater visibility to the columns from inside the rooms. Domènech left the space prepared for the fourth column found, which was on display in the Plaça del Rei, but bureaucracy did not allow it to be repositioned. Finally, in 1956, when Barcelona City Council had already bought the building, it was moved. It is still the headquarters of the CEC today.
Estudi Fotogràfic de Pau Audouard

Lluís Domènech i Montaner
Concurs Anual d'Edificis i Establiments Urbans

Accèssit. Category: Arquitectura - Millor Establiment Construït

Estudi Fotogràfic de Pau Audouard
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Lleó Morera House
Navàs House

Lluís Domènech i Montaner

La casa respon a l’encàrrec de Joaquim Navàs, un important comerciant de teixits que també fou soci fundador de la societat promotora de l’Institut Pere Mata. Navàs volia un edifici ben representatiu per instal·lar-hi el seu negoci i l’habitatge propi. La casa es troba enfrontada a una plaça i fa cantonada amb un carreró estret, la qual cosa porta Domènech a jugar amb la solució de la cantonada. La planta baixa estableix una continuïtat amb les porxades de la plaça, però no continuen al carreró. El pilar de la cantonada genera una composició ascendent que culmina amb l’esvelta torre de la coberta, destruïda durant els bombardejos de l’any 1938.
Casa Macià

Lluís Domènech i Montaner

Domènech realitza alguns projectes de reforma per els seus companys de política. Francesc Macià, enginyer militar i polític que arribà a ser president de la Generalitat, li encarregà el 1907 la reforma interior del seu habitatge a Lleida, el xalet Macià. Macià era cunyat de Pau Font de Rubinat, amb qui Domènech tenia vincles d’amistat i de política. Domènech va intervenir al vestíbul i escala i, sobretot, a la sala d’estar principal. Una gran llar de foc de pedra, esculpida per Eusebi Arnau (que actualment es troba exposada al Museu Nacional d’Art de Catalunya), estava entre dos finestrals amb vitrall. El 1924 es va convertir en la Clínica Monserrat, durant la guerra civil es va transformar en hospital provisional i posteriorment en escola. Als anys 70 l’edifici estava molt envellit, i els hereus de la família Macià van fer desmuntar i cedir al Museu Nacional d’Art de Catalunya la llar de foc i algunes finestres amb els seus vitralls. A principis dels anys 80 l’edifici es va enderrocar
Santa Florentina Castle

Lluís Domènech i Montaner

Ramon Montaner, Lluís Domènech's uncle and co-owner of the Montaner i Simón publishing house, bought the Casa Forta in Canet in 1881, thus returning the property to his family. He commissioned his nephew to restore and extend the building in order to monumentalise it and turn it into a representation of his lineage. With this intention, the publisher had acquired several historical buildings to extract their architectural elements of value and transfer them to his castle, such as the medieval monastery of Tallat. The original building was an old domus, the Casa Forta de Canet de Mar, which before the intervention had the appearance of a compact fortified country house. Domènech's project consisted of building new rooms around a courtyard that recreated a castle, reusing stone elements from other medieval buildings. From the monastery of Tallat, Ramon Montaner bought a large part of the cloister and several window and door frames, which were drawn, numbered piece by piece, dismantled and transferred to Sant Florentina, where they were reassembled in their new location. The new courtyard had a monumental exterior staircase in the style of Gothic palaces, and the towers were topped with battlements, barbicans and machicolations. The complex has many stone sculptures, decorated corbels, sculpted gargoyles, medievalist stained glass windows, polychrome wooden coffered ceilings and antique furniture, in which original Gothic pieces were mixed with modern fragments to achieve a medieval fantasy. Antoni Samarra i Tugues, Carles Flotats i Galtés and Dídac Massana collaborated on the stone sculptures and Josep Pujol on the stained glass windows. In 1905 work began on the crypt, in the basement of one of the old towers of the fortress, for the late wife of Ramon Montaner, Florentina Malató. In 1908, with the renovation of the castle almost finished, King Alfonso XIII was there, the same year that he granted Ramon Montaner the title of Count of the Canet Valley. The Montaner family ruled the castle until the marriage of their daughter Julia passed to the Capmany family. It is currently owned by investors and although it is still used as a private home, it is a museum and can be visited.
Palau de la Música Catalana

Lluís Domènech i Montaner

The Palau de la Música project is linked to the opening of the Via Laietana, in which Domènech i Montaner himself was strongly involved, and to the founding of the Orfeó Català, in 1891, by the composer Lluís Millet. The Palace is located on the corner of two narrow streets, and the emphasis of the whole project is to penetrate the scant natural light into every corner of the interior through numerous polychrome partitions that recreate a dreamlike atmosphere. The large auditorium is located on the first floor and is accessed via a transverse staircase that divides the entire building into two parts and encourages the use of the ground floor for administrative functions. Domènech decides to treat the façades of the two streets with the same profusion, despite their unequal hierarchy, in a demonstration of his expertise in working in unfavorable locations. The exposed brickwork, the stone worked with musical allegories and the stained glass partitions make the building shine in a special way under the daylight, which penetrates to the large auditorium. Attention to the functional aspects of the program reveals a modern Domènech who understands ornamentation as the necessary culmination of an architectural work.
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Palau de la Música Catalana
Jover Serra i Cia Factory

Lluís Domènech i Montaner, Pere Domènech i Roura

The building designed by Domènech i Montaner follows the same structure that Josep Puig i Cadafalch used for the neighbouring Carbonell factory. The project consisted of two elongated naves arranged symmetrically with a building in between that provided the power for both buildings. In the end, however, it was only possible to build a 75 metre-long by a 15-metre wide nave, with a total of 1000 square metres. A diaphanous space with a height of more than 7 metres. The structure is made of iron beams arranged perpendicular to the length of the nave, forming corbels with a gable roof. The roof is supported by cast pillars located in the centre of the nave. The nave is accessed through four doors, one on each façade. It is a very sober construction. The side of the nave has a simple decorative moulding that frames the windows. The ends of the nave have two large circular medallions decorated with the image of a Latin sailing boat made of mosaic on either side of the door. The crowning of the building is followed by a fragmented frieze. At the ends of the nave were two closed rooms. In one there was the warehouse and in the other the offices. The Jover, Serra i Cia knitwear factory was founded in 1894. For this company, Isidre Jover Lavera and Francesc Xavier Serra Font joined forces and started the business in a house on Carrer Sant Benet. Five years later, as sales were going well, they decided to build a factory on the outskirts of town. They entrusted the project to the architect Lluís Domènech i Montaner, who worked together with his son, Pere Domènech i Roura. The works began in May 1900 and in September it was inaugurated. Despite the speed with which the works were carried out, the new factory was not occupied until 1903. In 1909, the factory was expanded. In any case, however, the twin nave that had been initially projected was not built. Two independent buildings were built, a warehouse and office and the other to house the machinery. It is the only industrial building designed by Lluís Domènech i Montaner.
Monument to Doctor Robert

Lluís Domènech i Montaner, Josep Llimona i Bruguera

The first stone of the monument was laid in January 1904, but shortly afterwards Domènech abandoned the direction of the work due to political differences with some of his colleagues. The sculptor Josep Llimona continued the work alone, which was inaugurated at the end of 1910.
Fuster House

Lluís Domènech i Montaner

In 1908, the Fuster Fabra family commissioned Lluís Domènech i Montaner to build a luxurious building to represent the family's social status at a strategic point on Passeig de Gràcia. Consol Fabra Puig had already bought the land in 1905, a plot of land with frontage on three streets. It has an urban location with a great visual impact, as the end of Passeig de Gràcia at its transition point towards Carrer Gran de Gràcia. The articulation between the two façades is resolved with a cylindrical body in the form of a circular tower, which cantilevers out from the first floor. This chamfer was topped with a large ornamental crowning pinnacle which was never built. The skin of the façade is made of white marble and Montjuïc stone. The interior of the building has a structure made up entirely of flat brick vaults on all floors. Natural light reached all the spaces thanks to two large interior courtyards and the rear courtyard that overlooks the fourth façade. Very few of the original finishes of the interior spaces have been preserved. The ground floor was, for many years, the site of the legendary Cafè Vienès. The building remained in use as a residential building until 1960, when it was acquired by the Enher company and converted into offices and the former Cafè Vienès on the ground floor into an exhibition hall. In 2000, the company Hoteles Center acquired the building and carried out a major refurbishment to adapt it to its current use, the Hotel Casa Fuster.
Project of the Integrated Hospitals of Santa Creu and Sant Pau

Lluís Domènech i Montaner

The Project of Reunited Hospitals of the Santa Creu and Sant Pau, designed by architect Lluís Domènech i Montaner, stands as one of the most ambitious and innovative hospital complexes of its time. The origin of the project dates back to the need for a new hospital for the Santa Creu, which by the late 19th century was outdated and located in a densely urbanized area, and to the legacy of Pau Gil to build the Hospital de Sant Pau. Its final realization was the result of an agreement between the Santa Creu Administration and the executors of Gil’s estate in the early 20th century. Domènech i Montaner began the project in 1901 and distinguished himself for his thorough research into the most advanced technical and sanitary innovations of the era. The architect studied 240 hospitals from around the world and incorporated the most innovative solutions into the design of the complex, especially those related to hygiene, natural light, and ventilation. The result of this approach was a monumental hospital complex spanning 13.2 hectares, with capacity for 1,000 patients, structured around a model of isolated pavilions that allowed for the separation of services and patients based on disease type and gender. This typology, inspired by German hospitals, offered significant advantages in terms of hygiene and infection control, and Domènech adapted it with his own innovative elements, such as underground galleries connecting the pavilions, allowing for the transport of materials without interfering with patient circuits. The nursing pavilions, arranged regularly and oriented east to west to optimize sunlight exposure, featured spacious, well-ventilated areas with high-ceilinged wards and natural light. These buildings included elements such as circular day rooms to facilitate disinfection and independent water towers to reduce the risk of contamination, in line with the hygienist principles that shaped hospital architecture at the time. Domènech also placed key importance on the general layout of the site, which was structured around two large central avenues crossing the complex diagonally, clearly separating the male and female sectors and the areas for infectious and non-infectious diseases. The service and specialty pavilions were arranged along the perimeter of the complex, allowing direct access for staff and materials from outside, avoiding passage through areas designated for patients. This solution not only improved operational efficiency but also provided a clearly hierarchical and functional design adapted to the needs of healthcare activities. The complex also presented a clear monumental and symbolic intent. Domènech designed the Administration Pavilion as the entrance gateway to the site, with a monumental façade and a 57-meter clock tower, and envisioned a majestic three-nave church, along with auxiliary spaces with specific functions (gas and electricity plants, laundries, workshops, etc.) that ensured the complex’s self-sufficiency. All these elements were designed with an architectural language of great decorative richness, yet always subordinated to functionality. Overall, the Project of Reunited Hospitals of the Santa Creu and Sant Pau is a masterpiece that synthesizes the sanitary and architectural advances of its time, with an integrative vision combining architecture, urban planning, engineering, and art. The result not only marked a before and after in the conception of hospitals but also established an international benchmark in modernist architecture applied to the healthcare sector.
Rull House

Lluís Domènech i Montaner

És el primer encàrrec que rep Domènech i Montaner a Reus, des que es fa càrrec de les obres de l’Institut Pere Mata. La casa és una capsa profusament articulada en tres façanes: la que dóna al carrer és virtualment simètrica, a excepció del pilar de la cantonada i del balcó de la planta noble; la façana posterior genera una simetria regular a partir d’elements diferents, i el balcó ha esdevingut una barana de ferro lleugera, sobre mènsules que enllacen amb les obertures de la planta baixa. L’ús dels elements arquitectònics en l’articulació dels volums constitueix un clar precedent dels procediments compositius de l’arquitectura moderna.
Interior Decoration of the Main Rooms of the Llotja de Mar

Lluís Domènech i Montaner

In 1911, Domènech i Montaner and his son-in-law Francesc Guàrdia inaugurated the refurbishment of the main rooms of the Chamber of Commerce at the Llotja de Mar in Barcelona. Since 1886, the Official Chamber of Commerce, Industry and Navigation of Barcelona had been housed in some of the rooms in the Llotja de Mar. In 1909, the entity began to use a large part of the spaces on the main floor and the first floor, commissioning Domènech to arrange and decorate the interior of the most important rooms. His intervention is not exactly documented, but today many of these spaces have been remodelled again and Domènech's project has been lost.
Pavelló de Sant Jordi de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló de Santa Apolònia de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló de la Mercè de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló d’Operacions de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló de Montserrat de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló de la Puríssima de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló de Sant Leopold de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló de Sant Salvador de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pavelló del Carme de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Urbanització i Galeries Subterrànies de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Administration Pavilion of the Hospital de la Santa Creu i Sant Pau

Lluís Domènech i Montaner

The Administration Pavilion of the Hospital de la Santa Creu i Sant Pau, a key work by Lluís Domènech i Montaner, is the most prominent building in the hospital complex, serving as its main entrance. It is also the most important of the first construction phase, financed thanks to the legacy of banker Pau Gil, the patron who made the modernist hospital project possible. The building is arranged around an imposing central body, crowned by a majestic clock tower and flanked by two side wings that embrace the access area, presided over by a monumental staircase. The functional distribution is clearly defined: the east wing is dedicated to medical activities, with the registration and triage area, doctors’ offices, and the medical library at the end; while the west wing concentrates purely administrative tasks, with offices, archives, and the secretariat at the far end. The vestibule, accessible from the main staircase, stands out for its spaciousness and brightness, featuring marble columns and vaults decorated with ceramics incorporating the hospital’s heraldry. This space serves as a reception and distribution point towards both wings, facilitating the flow of patients and staff. On the main floor, the assembly hall serves as the main venue for institutional meetings and events, with a splendid decoration characteristic of modernism, combining mosaics, ceramics, wrought iron, and sculpture. The exterior decoration of the pavilion is equally remarkable. At the corners of the side bodies and on the central coat of arms above the entrance, sculptures by Eusebi Arnau can be admired, while the reliefs by Pau Gargallo adorn the buttresses and upper floors of the central body. Additionally, mosaics by Francesc Labarta and Mario Maragliano depict significant episodes in the hospital’s history, extending along the lower floor of the side wings. The wrought iron fence surrounding the building completes the ensemble with meticulous and elegant craftsmanship. Although it has undergone modifications over the 20th century —such as the loss of the stone cross from one of the entrance guardhouses during the Civil War and the addition of new windows and floors—, the Administration Pavilion remains a benchmark of Catalan modernism and a living testament to Domènech i Montaner’s vision. Thanks to its restoration and conservation, today we can relive its original splendor and recognize its importance within the Sant Pau Art Nouveau Site.
Gasull House

Lluís Domènech i Montaner, Pere Domènech i Roura

Domènech i Montaner construeix la casa Gasull uns deu anys més tard que la casa Rull, quan la sensibilitat més radical del modernisme havia deixat pas al gust més auster i refinat de la nova moda noucentista. Domènech havia de combinar un edifici d’habitatges de 882 metres quadrats, amb pisos de 8 metres d’alçària, amb els 1.000 metres quadrats destinats al magatzem d’oli i fruits secs que connecta el carrer de Sant Elies amb el carrer de Sardà i Cailà. La casa Gasull manté algunes reminiscències del modernisme més arrauxat en els esgrafiats i mosaics emprats en la decoració, si bé les línies generals són classicitzants, sense temes florals, vitralls ni decoració pètria.
Font Montaner Family Pantheon

Lluís Domènech i Montaner, Pere Domènech i Roura

In 1912, the shipowner Font Torres, Domènech's uncle, commissioned a family pantheon in the cemetery of Canet. The pantheon follows a neo-medieval style with Catalan Art Nouveau elements. The dome of the roof is covered with ceramic brittle. The interior is also highly decorated.
Concurs Anual d'Edificis i Establiments Urbans

Award-Winner / Winner. Category: Arquitectura - Millor Edifici Construït

Former Hospital de la Santa Creu i Sant Pau
Concurs Anual d'Edificis i Establiments Urbans

Award-Winner / Winner. Category: Arquitectura - Millor Edifici Construït

Project of the Integrated Hospitals of Santa Creu and Sant Pau
Modification of the Baixeras Plan for the Opening of the Via Laietana

Lluís Domènech i Montaner, Josep Puig i Cadafalch, Ferran Romeu i Ribot

Domènech designed the Gran Via Pere el Gran, developing a section of the opening of the so-called B road of the Plan de Reforma Interior de Barcelona of 1892 (Plan Baixeras), which squeezed the historic fabric of the city. It was never carried out. There is a plan of the urban development of this road, dated 1905, which redesigned the image of this area from the new square to the old Hospital de la Santa Creu, demolishing many historic buildings. In the style of the boulevards of Paris and the Vienna Ring, he planned large buildings with typical programmes of modernity: a factory, a large market with a glass roof, a theatre-conservatory, a large bazaar, a large hotel, a building for a scientific society, a chamber of deputies, and so on. Domènech's proposals went so far as to draw plans and perspectives of these buildings. On the one hand, he monumentalised this historical fabric and, for example, enhanced the value of the towers of the city walls in Plaça Nova. On the other hand, however, he demolished numerous historic residential buildings and only proposed the preservation of a few religious buildings. The Hospital de la Santa Creu was razed to the ground. Although it was never built, in 1917 there was still talk of the project, as in the magazine La esfera in an extraordinary issue dedicated to Barcelona.
Domènech i Roura Family Pantheon

Lluís Domènech i Montaner

In 1910, Ricard de Capmany commissioned a family pantheon from his uncle Domènech i Montaner in the cemetery of Canet de Mar. But in 1919 he offered it to the Domènech Roura family to bury their son Ricard.
Casa Solà Morales

Lluís Domènech i Montaner

Joaquim Solà Morales era un propietari rural, catalanista i descendent d’una família olotina formada pel matrimoni de la pubilla de can Solà de Batet de la Serra amb la família Morales. La família tenia la residència en un casal d’estil barroc al Firal d’Olot des del segle XVIII. El 1913 Joaquim Solà Morales encarrega a Lluís Domènech i Montaner la rehabilitació d’aquesta casa pairal, amb l’annexió d’una altra contínua. La reforma va consistir en la remodelació de tota la façana principal, la posterior i la reorganització de l’escala i nous accessos a la planta noble. Domènech i Montaner va conservar part de la composició de la façana barroca de l’edifici, mantenint les obertures originals als pisos superiors, però va fer construir una tribuna volada a la planta principal sobre mènsules radials, els enreixats, una llotja a la part superior de dotze columnes i la sotateulada amb la barbacana de ceràmica decorativa. També va reformar tota la planta baixa, perforant la façana amb una gran obertura central amb balcons i columnes de marbre amb cariàtides de pedra que donava llum a la planta semisoterrani i creant una porta nova a imitació de l’existent en posició simètrica. Les rajoles de la barbacana són disseny d’Antoni Gallissà, realitzades a la fàbrica Pujol i Bausis, i les cariàtides són d’Eusebi Arnau. L ’escala principal que comunica la planta pis amb la planta segona estava il·luminada per una gran claraboia zenital. A l’interior de l’edifici es mantenen interessants mostres de decoració dels segles XVIII i XIX. Actualment encara pertany a la mateixa família i manté l’ús d’habitatge. El 1913 Joaquim Solà Morales encarrega a Domènech la rehabilitació de la seva casa pairal del segle XVIII a Olot. La reforma va consistir en la remodelació de tota la façana principal, la posterior i la reorganització de l’escala i nous accessos a la planta noble.
Pavelló de Sant Rafael de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner
Pere Mata Secondary School

Lluís Domènech i Montaner, Pere Domènech i Roura

L’Institut Pere Mata és el fruit d’una iniciativa per adequar l’assistència als malalts mentals als nous procediments terapèutics que estaven sorgint a l’època. Domènech i Montaner entrà en contacte amb la Sociedad Manicomio de Reus a través del seu primer president, Pau Font de Rubinat, coreligionari de la Unió Catalanista. Domènech esbossa a l’Institut els criteris d’arquitectura hospitalària que pocs anys més tard desenvoluparia a l’Hospital de la Santa Creu i Sant Pau, a Barcelona. Proposa un sistema de pavellons repartits per un gran jardí, de manera que cada pavelló pot acollir diferents malalts segons el tipus de malaltia, la classe social o el sexe. Tots els pavellons són d’obra vista amb sòcols de pedra poligonal, i totes les cobertes són de doble vessant, de teula àrab. Els emmarcaments de portes i finestres són de pedra calcària, més o menys treballada. De vegades s’aplica la ceràmica blanca i blava per decorar les façanes. En total són onze pavellons organitzats al voltant d’un pavelló central, tractat més profusament, que acull els serveis generals. Domènech desenvolupà el projecte sobre la base d’un coneixement a fons de les pràctiques terapèutiques i de les necessitats dels malalts.
Domènech House

Lluís Domènech i Montaner, Pere Domènech i Roura, Francesc Guàrdia i Vial

Domènech carried out a number of renovation projects for his political colleagues. Francesc Macià, a military engineer and politician who became president of the Generalitat, commissioned him to renovate the interior of his house in Lleida, the Macià chalet. It is the last work Domènech carried out in Canet de Mar. As was the case with most of his works of this period, he had the collaboration of his son Pedro and his son-in-law Francesc Guàrdia. The Domènech family had their second residence in Canet de Mar, in the old Rocosa country house. This building did not have enough space to house the architect's large family and his studio. In 1877, they bought two houses on the corner of Riera Gavarra and Riera de Buscarons, which were connected to the house by the rear courtyards. Masia Rocosa became the architect's office and workshop and the new building the family residence. A first unrealised project is preserved at the Fons Cabruja in Canet de Mar. In 1918, a building permit was requested for the renovation and restoration of the Domènech house of the project that was finally carried out. The original building, on a corner at the confluence of the two streams, was two small 17th-century buildings. The previous constructions were not demolished, but a large part of the walls were reused. Domènech went up again and redistributed and ennobled all the openings, adding a hall with exposed brick arches at the top and monumentalising the chamfered corner with a tribune decorated with floral and zoomorphic elements. Inside the house, all the rooms were renovated, ensuring that all the rooms had windows on the outside. A staircase with ceramic risers connects the ground floor with the first floor, leading to a double-height entrance hall. On the floor of this space is a walk-through skylight that brings light from the upper skylight to the ground floor. A spiral staircase connects this space with the perimeter balcony on the first floor. Several rooms in the building contain the plaster casts of some of the sculptural works in its buildings. In 1980, it was renovated to house a bank and an extension was built in the garden. After the transfer of all the buildings to the Town Council and a second refurbishment in 2011, it is now a facility that houses the Domènech i Montaner House-Museum in Canet de Mar.
Pavelló de Sant Manuel de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner, Pere Domènech i Roura
Pavelló Central de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner, Pere Domènech i Roura
Pavelló de Santa Victòria de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner, Pere Domènech i Roura
Panteó a Jaume I

Lluís Domènech i Montaner, Pere Domènech i Roura

El 1906, la Comissió de Monuments de Tarragona va decidir encarregar a Domènech un mausoleu per dipositar-hi les despulles de Jaume I, que fins a la desamortització havien estat al Monestir de Poblet, i un altre per la resta dels membres de la casa reial d’Aragó, a la Catedral de Tarragona. El projecte converteix el sarcòfag en un vaixell amb baldaquí que navega sobre les aigües, realitzant el conjunt de nou metres d’altura amb pedra ricament ornamentada i decoracions ceràmiques amb nombroses referències històriques i heràldiques. El 1923, quan mor Domènech, l’obra no està acabada i se’n fa càrrec el seu fill, Pere Domènech. El 1952 Franco aprovar el trasllat de les despulles de Jaume I una altra vegada a Poblet, de manera que les peces ja construïdes del mausoleu, ara sense sentit es van mantenir emmagatzemades en un racó de la Catedral. Finalment el 1992 es van muntar el mausoleu en un dels patis interiors de l’Ajuntament de Tarragona, on es conserven actualment.
Casa de Convalescència de l’Hospital de la Santa Creu i de Sant Pau

Lluís Domènech i Montaner, Pere Domènech i Roura
Former Hospital de la Santa Creu i Sant Pau

Lluís Domènech i Montaner, Pere Domènech i Roura

At the end of the 19th century, the most important hospital in the city of Barcelona was the Santa Creu Hospital, located in a medieval building constructed for this purpose in Raval in 1401. It was maintained through charitable donations and support from the authorities. It should be noted that, in those days, only the poor went to hospital, as those who could afford it would call a doctor to their home. The mortality rate among patients admitted was very high, largely due to infections and contagion. By the end of the 19th century, the medieval hospital was inadequate for the population of Barcelona, and land was acquired in the Guinardó area to build a new hospital once sufficient funds were available. In 1896, the Catalan banker Pau Gil died in Paris and left part of his fortune for the construction of a hospital in his native city of Barcelona. The executors held a competition to select the best project based on medical and architectural criteria. In April 1900, the architects’ jury declared the project “Salud” by Josep Domènech i Estapà, who had designed the clinical hospital, as the winner. However, the medical jury left the competition without a declared winner. On the 19th of April 1901, at a meeting of the Administration Board of the Santa Creu, it was decided to entrust Lluís Domènech i Montaner with the joint project of two hospitals under a general plan for administration and operation, merging what was to be built with Pau Gil’s legacy and what Santa Creu needed. Original Project: In his project report, Domènech made it clear that he had conducted an in-depth study of a wide variety of hospitals, listing more than 240 hospitals worldwide, mainly in Europe, arranged alphabetically by city and citing the bibliography consulted for his study. In the archives of the Architects’ Association, there is a series of handwritten notes by Domènech with references to these hospitals and their bibliographic sources. Domènech synthesised all the proposals, adopting the layout of isolated pavilions (above ground) and underground connecting galleries, while maintaining large, generously proportioned rooms inspired by the Middle Ages, which were better suited to the Mediterranean climate than the lower, central European designs. The chosen site was far from the urban congestion of Barcelona but well-connected, located in Guinardó, on the outskirts of the 1860 Eixample Plan. It was bordered by four streets, which were scarcely urbanised at the start of construction. The plot had a considerable slope, with a 35-metre height difference from end to end (equivalent to 12 floors) and an area equivalent to nine Eixample blocks. The proposal included 145,500 m² for 1,000 patients, giving a ratio of 150 m² per patient, far exceeding the 130 recommended by the medical commission. The hospital complex did not follow the alignment of the Eixample grid but was rotated 45°, ensuring the longitudinal facades of the pavilions faced perfectly north-south. The complex envisioned a total of 48 buildings for various uses. The site was divided by two main avenues, 50 metres wide, crossing diagonally and structuring it into four quadrants. The slightly rectangular shape of the plot meant that the diagonals did not align with the four corners. There were 21 pavilions dedicated to nursing on either side of the grand central avenue, with each pavilion dedicated to various ailments. Around the perimeter of the site were pavilions designated for services requiring independent access from the perimeter streets (dispensary, church, machine rooms, laundries, workshops, children's hospital, water distribution tower, mortuary chapel) without crossing the main complex. All constructions demonstrated a clear unifying vision, using a rich array of glazed ceramic decorations on all exterior and interior surfaces. If there is a distinctive element in Domènech’s project, compared to the hospital references he studied, it is precisely this decorative richness. Administration Pavilion: This pavilion serves as the main entrance to the complex. The building has an almost symmetrical configuration, with a central section crowned by the clock tower, two side wings encompassing the front plaza, and two perpendicular end sections reaching the boundaries of the site. It has a ground floor, two upper floors, an attic under the roof, and a semi-basement with natural lighting and ventilation. Originally, it housed the administrative areas of the complex, with the east wing for medical functions: patient admissions, medical offices, and a library-museum; the west wing for administrative functions: accounting rooms, offices, general archive, and secretariat; and the central section—the heart of the complex—holding the most prominent features: the entrance porch, monumental staircase, main hall and clock tower. The representational nature of the building is accentuated by its extensive decorative programme and the superior quality of the materials used. In this regard, the Administration building is a tribute to the expressive possibilities of ceramics in architecture. A spectacular mosaic frieze runs along the facades of the side wings of the Pavilion, illustrating the history of the hospital institution from its origins to the construction of this new facility. Noteworthy is the use of exposed brick for the interior walls, combined with a grey block (lime mortar, not kiln-fired), without any final plaster finish, demonstrating Domènech’s emphasis on rational construction as stated in the project report. Standard Pavilions: On both sides of the central avenue are the nursing pavilions, of which six were built in this first phase and two more were completed in the next phase. They all follow a similar layout, with an entrance section adjacent to the main avenue, a longitudinal ward oriented north-south, and an administrative section facing the exterior. Domènech actually drew a single set of plans on tracing paper for the standard pavilions so that, for those positioned symmetrically, one only needed to flip the sheet. To enter, one passed through an entrance hall with a day room and services on either side, as well as administrative and sanitary service areas at the rear. The basement floor was initially designated for services and connected to the underground galleries. The large interior spaces, including flat-brick vaults, were fully decorated with a broad range of glazed or enamelled ceramic tiles, creating a great variety of textures and colours while ensuring hygiene. Ventilation and natural lighting were carefully studied and described in the project report, using ducts and chimneys within the structural elements. Artificial ventilation and heating systems were also planned, adapting the principles of hospital architecture of the time to the Mediterranean climate. Operations and Inspection Pavilion: The Sant Jordi and Santa Apol·lònia pavilions, located behind the Administration Pavilion and near the side entrances, were intended for the initial examination of incoming cases. They were not connected to the network of underground galleries to prevent contagion in case of infectious diseases. These pavilions have a single storey and consist of a main block with four cells accessible from a covered exterior gallery, and two end sections: one for the kitchen and staff room and the other for a bathroom and cleaning area. The final pavilion of this first phase is the operations house, which contained the operating theatres. It has a ground floor, two upper floors, and a basement connected to the site's galleries. The most significant feature of this building is its compact volume and the presence of three apsidal spaces with glass enclosures (walls and roofs) facing north, providing optimal natural lighting with diffused light for the operating theatres. Tunnels, Landscaping and Completion of Works: Beneath the entire site, a network of underground tunnels connected the different pavilions. One network connected the non-infectious area with general services, and a separate network connected the infectious area (except for isolation units). These underground galleries were designed with natural lighting and ventilation from above and included utility ducts leading to each independent building. The generous open spaces between buildings were designated for internal circulation routes and gardens. The landscaped areas resolved the topographical variations in an east-west direction. These terrain variations resulted in winding paths between the pavilions, with a summer garden (cool) to the north and a winter garden (sunny) to the south, featuring plant species of scientific and pharmaceutical interest, as well as aesthetic appeal. In 1902, the foundation stone was laid, although the project was not yet finished nor the works contracted. The bulk of the construction took place between 1905 and 1912, following the original design. By 1912, Pau Gil’s legacy was exhausted, and the executor prepared to transfer the unfinished pavilions to the Hospital of Santa Creu. While funding was sought, construction halted, leaving a high-quality architectural complex in the heart of the city, half-built and unable to function. Continuation of Construction: In 1914, work resumed, with significant financial difficulties, extending over 16 years as funding from the Santa Creu Board and various benefactors allowed (who would lend their names to the pavilions they helped build). Pere Domènech i Roura began to take a more prominent role in the project, though with austerity measures due to financial constraints. Adjustments were made to the plans of some buildings to fit this austerity, diluting their grandeur and lower-quality materials and decorative elements were used. Domènech i Montaner died on the 27th of December 1923, without seeing his work completed or in use. In the new pavilions, the ambitious initial project was abandoned, and new building types were developed in response to advances in medical science over the 20 years since the original project was drawn up. The pavilions in this second phase include the central pavilion, Sant Manel and Sant Rafel pavilions, the church and annexes, the Resurrection pavilion, the laundry pavilion, the machine house, the brickworks extension and the Sant Carles and Santa Victòria pavilions, all respecting the unique layout and character of the initial project. In 1930, the hospital was inaugurated as a modern facility, with 27 pavilions spread over 145,000 m². The City Council granted the title of Hospital of Santa Creu and Sant Pau in recognition of the integration of Pau Gil's legacy with that of the old medieval hospital.

Archive (43)

Drawing

Hospital de la Santa Creu i Sant Pau.

Arxiu Històric del COAC
Drawing

Hospital de la Santa Creu i Sant Pau.

Arxiu Històric del COAC
Drawing

Ateneu Canetenc

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Esbós de la decoració interior del Palau Montaner.

Arxiu Històric del COAC
Drawing

Esbós de la decoració de la Casa Lleó Morera.

Arxiu Històric del COAC
Drawing

Esbós de la decoració de la Casa Lleó Morera.

Arxiu Històric del COAC
Drawing

Esbós de la decoració de la Casa Lleó Morera.

Arxiu Històric del COAC
Drawing

Cafè-Restaurant de l'Exposició Internacional de 1888

Arxiu Històric del COAC
Drawing

Esbós del coronament del frontó de l'Editorial Montaner i Simón.

Arxiu Històric del COAC
Drawing

Esbós del frontó de la façana de l'Editorial Montaner i Simón.

Arxiu Històric del COAC
Drawing

Cafè-Restaurant de l'Exposició Internacional de 1888.

Arxiu Històric del COAC
Drawing

Perspectiva de l'exterior del Palau Montaner.

Arxiu Històric del COAC
Drawing

Cafè-Restaurant de l'Exposició Internacional de 1888.

Arxiu Històric del COAC
Drawing

Alçat del frontó de la façana de l'Editorial Montaner i Simón.

Arxiu Històric del COAC
Drawing

Detall d'un plafó ceràmic per a la decoració de façana de l'Institut Pere Mata.

Arxiu Històric del COAC
Drawing

Detall de l'anagrama de l'Institut Pere Mata.

Arxiu Històric del COAC
Drawing

Perspectiva del recinte de l'Institut Pere Mata.

Arxiu Històric del COAC
Drawing

Detall d'una escultura per a l'Institut Pere Mata.

Arxiu Històric del COAC
Esbós

Panteó Família Font Montaner

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Esbós

Panteó Família Font Montaner

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Esbós

Panteó Família Font Montaner

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Esbós

Panteó Família Font Montaner

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Esbós

Panteó Família Font Montaner

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Panteó a Jaume I

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Hospital de la Santa Creu i Sant Pau.

Arxiu Històric del COAC
Plan

Hospital de la Santa Creu i Sant Pau

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Esbós del grup escultòric de l'escenari del Palau de la Música Catalana.

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Esbós del grup escultòric de l'escenari del Palau de la Música Catalana.

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Esbós detall d'ornamentació de la façana del Palau de la Música Catalana.

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Graphic Material

Cianotipo de perspectiva de la façana del Palau de la Música Catalana.

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Perspectiva de la façana del Palau de la Música Catalana.

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Perspectiva de la façana del Palau de la Música Catalana.

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC
Drawing

Esbós del mosaic i grup escultòric de l'escenari del Palau de la Música Catalana.

Fons Lluís Domènech i Montaner / Arxiu Històric del COAC

Audiovisual

1:11:02

Lluís Domènech i Montaner a l'Escola d'Arquitectura
8:48

Ep. 3 Nets del Modernisme: Lluís Domènech Girbau
37:05

La poesia i Domènech

Bibliography (196)

Book

Hospital de la Santa Creu i Sant Pau : imatges que fan història / [selecció, documentació i textos: Pilar Salmerón Sánchez, Miquel Terreu Gascon (Arxiu Històric de l'Hospital de la Santa Creu i Sant Pau)].

Barcelona : Fundació Privada Hospital de la Santa Creu i Sant Pau, cop. 2016.
Book

Sant Pau : patrimoni modernista, Barcelona / [edició: Mercè Beltran, Anna Tetas ; fotografia: Robert Ramos ; textos: Daniel Venteo (introducció), Fundació Privada Hospital de la Santa Creu i Sant Pau].

Barcelona : Enciclopedia Catalana, 2016.
Book

El modernisme, Domènech i Montaner i el seu temps : Jornades d'Arquitectura Modernista / Joan Navais... [et al.] ; coordinadors: Josep Fàbregas, Montserrat de Anciola.

Reus : Edicions del Centre de Lectura ; Tarragonal : Arola : Publicacions URV, 2016.
Book

Lluís Domènech i Montaner : 1850-1923 / Raffaella Russo Spena ; fotografie di Lluís Casals.

Napoli : CLEAN, cop. 2014.
Book

Recinte modernista de Sant Pau.

Barcelona : Planeta : Fundació Privada Hospital de la Santa Creu i Sant Pau, cop. 2014.
Book

Sant Pau, recinte modernista / fotografies: Jordi Vila i Marta.

Barcelona : Fundació Privada Hospital de la Santa Creu i Sant Pau : Postalbooks, 2014.
Journal

Domenechiana : revista del Centre d'Estudis Lluís Domènech i Montaner.

Canet de Mar : CEDIM, D.L. 2013-
Book

Historia y arquitectura del Monasterio de Poblet / por Luis Doménech y Montaner.

Valladolid : Maxtor, cop. 2013.
Book

Epistolari Lluís Domènech i Montaner / Carles Sàiz i Xiqués (coord.)

Canet de Mar : Ed. els 2 Pins, 2013.
Book

Empremtes : Lluís Domènech i Montaner a Canet de Mar / [edició: Enric Granell, Antoni Ramon, Casa museu Lluís Domènech i Montaner ; textos: Lluís Domènech Girbau].

[Canet de Mar] : Ajuntament de Canet de Mar, DL 2013.
Book

Domènech i Montaner : articles publicats (2009-2012) / Carles Sàiz i Xiqués.

Canet de Mar : Els 2 Pins, 2012.
Book

Domènech i Montaner : el seu llegat tarragoní / Lourdes Figueras, María Manadé, Francesc Tarrats Bou.

[Barcelona] : ForBooks, cop. 2010
Book

El Palau de la Música Catalana / introducció de Robert Hugues ; edició a cura de Jordi Falgàs ; fotografies de Ricard Pla, Pere Vivas.

Barcelona : Palau Música Catalana ; [Sant Lluís] : Triangle Postals, cop. 2009.
Book

El Castell dels Tres Dragons / Rossend Casanova.

Barcelona : Ajuntament de Barcelona : Museu de Ciències Naturals de Barcelona, Institut de Cultura : Institut Municipal del Paisatge Urbà, DL 2009.
Book

Canet de Mar : història i arquitectura : el patrimoni catalogat.

Canet de Mar : Ajuntament de Canet de Mar : Centre d'Estudis Canetencs : Edicions Els 2 Pins, 2009.
Book

Fons Lluís Domènech i Montaner : catàleg / Arxiu Històric del COAC.

2008 maig.
Book

Lluís Domènech i Montaner (1849-1923) : el llegat arquitectònic, polític i cultural a Canet de Mar / Carles Sàiz i Xiqués.

Canet de Mar : Els 2 Pins, 2008.
Book

Lluís Domènech i Montaner / Lourdes Figueras.

[Barcelona] : Santa & Cole, 2007.
Book

La Casa Navàs de Lluís Domènech i Montaner / Albert Arnavat ... [et al.] ; amb fotografies d'Arcadi Vilella i Joan Rius.

[Reus] : Pragma, cop. 2006.
Book

Lluís Domènech i Montaner : viatges per l'arquitectura romànica / Enric Granell, Antoni Ramon ; presentació: Lluís Domènech i Girbau ; epíleg: Manuel Castiñeiras, Gemma Ylla-Català.

Barcelona : Col·legi d'Arquitectes de Catalunya, DL 2006.
Book

L'Institut Pere Mata de Reus : de Lluís Domènech i Montaner / Jordi March ... [et al.] ; amb fotografies de Josep M. Casanoves.

Reus : Pragma, 2004.
Book

El Nacionalisme de l'art : de Domènech i Montaner a Aragay / edició a cura d'Abel Figueres i Joan Cusidó.

Barcelona : Llibres de l'Índex, 2004.
Book

Mas Passamaner : un lujo modernista / [coordinación: Tate Cabré].

La Selva del Camp, Tarragona : Mas Passamaner S.L., 2003.
Book

L'Hospital de la Santa Creu i Sant Pau : 1401-2001 / textos: Manuel Riu i Riu ... [et al.] ; fotografies: Marc Llimargas ; Coordinació: Lourdes Figueras, Maria Manadé.

Barcelona : Lunwerg, cop. 2001.
Book

Hospital de la Santa Creu i Sant Pau : història, arquitectura, art / Mª Teresa Serraclara i Plà, Montse Martí i Ayxelà ; fotografies de Daniel Rovira i Soler.

[Barcelona] : Fundació privada Hospital de la Santa Creu i Sant Pau : Guinovart & Oshsa : Grupo Ohl, DL 2001.
Book

L'Hospital de la Santa Creu i Sant Pau de la ciutat de Barcelona, 600 anys.

Barcelona : Lunwerg, cop. 2001.
Book

Domènech i Montaner : any 2000 = year 2000 / [comissari = curator: Lluís Domènech i Girbau].

Barcelona : Col·legi d'Arquitectes de Catalunya, Centre de Documentació, 2000.
Book

Domènech i Montaner : any 2000 = year 2000 / [comissari = curator: Lluís Domènech i Girbau].

Barcelona : Col·legi d'Arquitectes de Catalunya, Centre de Documentació, 2000.
Book

Domènech i Montaner : año 2000 = year 2000 / [comisario = curator: Lluís Domènech i Girbau].

Barcelona : Col·legi d'Arquitectes de Catalunya, Centre de Documentació, 2000.
Book

El Palau de la Música Catalana de Lluís Domènech i Montaner / editor: Lluís Domènech i Girbau ; fotografies: Marc Llimargas i Casas.

Barcelona ; Madrid : Lunwerg ; [Barcelona] : Fundació Orfeó Català-Palau de la Música ; Universitat Politècnica de Catalunya, DL 2000.
Book

Lluís Domènech i Montaner patrimoine de l'humanité : une des figures (1849-1923) les plus marquantes de l'architecture moderniste catalane / [coordination = coordinació: Lourdes Figueras, Maria Manadé].

[Canet de Mar] : Ajuntament de Canet de Mar, DL 1999.
Electronic Resource

Palau de la Música Catalana [Recurs electrònic] : visita virtual.

[Sant Lluís, Menorca] : Triangle Postals, cop. 1999.
Audiovisual Recording

Dos modernistes [Enregistrament de vídeo] / direcció i realització: Felip Solé.

[Sant Joan Despí] : Televisió de Catalunya, cop.1999.
Book

Pedres vives : Palau de la Música Catalana, patrimoni de la humanitat / Pere Artís i Benach.

Barcelona : Barcino : Fundació Orfeó Català-Palau de la Música Catalana, 1998.
Book

Domènech i Montaner : aprendre d'una arquitectura / Lluís Domènech i Girbau.

Barcelona : Edicions UPC, 1998.
Book

El Palau de la Música Catalana / [text:] Josep Ma Carandell ; [fotografies:] Ricard Pla, Pere Vivas.

[Barcelona] : Fundació Orfeó Català-Palau de la Música Catalana ; [Balears] : Triangle Postals, DL 1996.
Book

Ensenyes nacionals de Catalunya / Lluís Domènech i Montaner.

Barcelona : Generalitat de Catalunya : Editorial 92, 1995.
Book

L'Arquitecte Lluís Domènech i Montaner / exposició organitzada per la Fundació "la Caixa" ; [coordinació: Lourdes Peracaula].

Barcelona : Fundació "la Caixa", DL 1995.
Book

Lluís Domènech i Montaner : Palau de la Música Catalana, Barcelona / text: Manfred Sack ; Photographien = photographs: Hisao Suzuki.

Stuttgart : Axel Menges, cop. 1995.
Book

Lluís Domènech i Montaner / [coordinación: Deborah Bonner, Lourdes Figueras y Jordi Miralbell].

[Barcelona] : Santa & Cole : Centre d'Estudis de Disseny : E.T.S. de Arquitectura de Barcelona, UPC, DL 1994.
Book

El Dietari de Lluís Domènech i Montaner (febrer-novembre de 1893) / [editor]: Joan Bassegoda i Nonell.

Barcelona : Reial Acadèmia Catalana de Belles Arts de Sant Jordi, [1994?].
Book

Domènech i Montaner / Lluís Domènech i Girbau ; fotografías: Melba Levick.

Barcelona : Polígrafa, DL 1994.
Book

Els Capitells en l'obra de Lluís Domènech i Montaner : anàlisi de l'evolució del seu estil arquitectònic concretat en el sistema columnari / Gerardo García-Ventosa.

Urús, la Cerdanya : l'Autor, 1993.
Book

Hospital de la Santa Cruz y San Pablo : [monografia / Diana Sohm Correa, Sonia Lamas Carretero ; dirigida por el profesor Josep Quetglas].

1992
Book

La Vinculació canetenca de Domènech i Montaner.

[Canet de Mar] : Ajuntament de Canet de Mar, 1992.
Book

El Mausoleu de Jaume I : Una obra modernista de Domènech i Montaner a Tarragona / Jordi Rovira i Soriano, Andreu Dasca i Roigé.

Tarragona : A.D.R., 1992.
Book

L'Edifici de la Fundació Antoni Tàpies / Gregor Fuchshuber.

[Barcelona] : SAPIC, DL 1992.
Book

Palau de la Música Catalana / text: Antoni Sàbat.

[Barcelona] : Escudo de Oro, 1991.
Book

Palau de la Música Catalana.

Barcelona : Consorci del Palau de la Música Catalana, [1991?].
Book

Fonda de España / Manuel García-Martín.

[Barcelona] : Catalana de Gas, 1991.
Book

Escrits polítics i culturals : 1875-1922 / Lluís Domènech i Montaner ; edició a cura de Maria Lluïsa Borràs ; pròleg d'Antoni Tàpies.

Barcelona : La Magrana, 1991.
Audiovisual Recording

Llanternes màgiques del modernisme [Enregistrament de vídeo] : LLuís Domènech i Montaner, Josep Puig i Cadafalch / direcció Oleguer Sarsanedas ; realització Lala Gomà ; producció Jordi Mas ; un reportatge de Francesc Pou i Juli Rubia.

[Sant Joan Despí] : Televisió de Catalunya, cop.1990.
Book

L'Hospital de Sant Pau / Manuel García-Martín.

Barcelona : Catalana de Gas, 1990.
Book

Lluís Doménech i Montaner, Antoni Gaudí i Cornet / Yuji Morieda.

Tokio : Tokuma-Shoten, cop. 1990.
Book

Barcelona : Casa Lleó Morera.

Barcelona : Ajuntament de Barcelona, Patronat de Turisme, 1989.
Book

Lluís Domènech i Montaner i el director d'orquestra / [guió i redacció: Lluís Domènech i Girbau, Lourdes Figueras i Burrull, Roser Domènech i Amadó].

Barcelona : Fundació Caixa Barcelona, 1989.
Book

Hospital de la Santa Cruz y San Pablo : obras de restauración de la Torre del Reloj / [los arquitectos: Leopold Gil Nebot, Carles Buxadé, Joan Margarit]

1989 jun.
Book

1988 Centenari Exposició Universal de Barcelona 1888 / Gustavo Barba Villarraza.

Barcelona : l'autor, 1988.
Book

La Casa Lleó Morera / Manuel García-Martín.

Barcelona : Catalana de Gas, 1988.
Book

La Casa Lleó Morera / Manuel García-Martín.

Barcelona : Catalana de Gas, 1988.
Book

Sant Pau, hospital modernista / text i fotografies: Consol Bancells.

Barcelona : Nou Art Thor, DL 1988.
Book

Benvolgut Palau de la Música Catalana / Manuel García-Martín.

Barcelona : Catalana de Gas, 1987.
Book

Domènech i Montaner / Joan Bassegoda i Nonell.

Barcelona : Nou Art Thor, 1986.
Book

Lluís Domenech i Montaner : arquitecto, 1850-1923.

[Zaragoza] : Comisión de Cultura, Delegación de Zaragoza, Colegio Oficial de Arquitectos de Aragón, c1982.
Book

Lluís Domenech i Montaner : arquitecto, 1850-1923.

Madrid : Colegio Oficial de Arquitectos de Madrid, c1981.
Book

Domènech i Montaner / Joan Bassegoda i Nonell.

Barcelona : Nou Art Thor, 1980.
Book

Lluís Domènech i Montaner : exposició de dibuixos originals.

Barcelona : Caixa d'Estalvis de Barcelona : B.D. Edicions de disseny, 1979.
Book

Luis Domenech y Montaner y el monumento a Jaime I en Tarragona / por Juan Bassegoda i Nonell.

[Tarragona] : Cámara Oficial de la Propiedad Urbana, 1979.
Book

Once arquitectos / Oriol Bohigas.

Barcelona : La Gaya Ciencia, 1976.
Book

Palau de la Música Catalana / text: Antoni Sàbat.

Barcelona : Escudo de oro, 1974.
Book

Lluís Domènech i Montaner : en el 50è aniversari de la seva mort.

Barcelona : Lluís Carulla i Canals, Maria Font i Bernaus i fills, DL 1973.
Book

Domènech i Montaner : arquitecto del modernismo = an art nouveau architect = architecte du modern style = architekt des jugendstil / [texto y fotos Maria Lluïsa Borràs ; selección y secuencia Joan Prats Vallès].

Barcelona : Polígrafa, DL 1971.
Book

L'Hospital de Santa Creu i de Sant Pau : L'Hospital de Barcelona.

Barcelona : Gili, [1971].
Book

Lluís Domènech i Montaner / [Text i fotos: Maria Lluïsa Borràs ; Selecció i seqüència: Joan Prats Vallès].

Barcelona : Poligrafa, DL 1970.
Book

Ensenyes nacionals de Catalunya : estudi històric / per Lluís Domènech i Montaner i Fèlix Domènech i Roura ; pròleg de Pau Font de Rubinat.

Barcelona : Tallers Gràfics de Castellsbonet, 1936.
Book

Centcelles : baptisteri i celle-memoria de la primitiva esglesia-metropolitana de Tarragona / per Lluis Domenech i Montaner.

Barcelona : Industrias del papel, 1931.
Book

Hospital de la Santa Cruz y San Pablo.

Barcelona : Políglota, 1930.
Book

La Iniquitat de Casp i la fi del comtat d'Urgell : estudi histórico-polític / Ll. Domenech i Montaner ; [obra il·lustrada per Félix Domènech i Roura].

Barcelona : Llibreria Verdaguer, 1930.
Book

Instituto Pedro Mata de Reus.

[Reus : s.n., 1929?].
Book

Historia y arquitectura del Monasterio de Poblet / por Luis Domènech y Montaner.

Barcelona : Montaner y Simón, 1928.
Book

Historia y arquitectura del Monasterio de Poblet / por Luis Doménech y Montaner.

Barcelona : Montaner y Simón, 1927.
Book

Historia y arquitectura del monestir de Poblet por Lluis Domenech y Montaner.

Barcelona : Montaner y Simón, 1925.
Book

Història y arquitectura del Monestir de Poblet / per Lluís Domènech i Montaner.

Barcelona : Montaner y Simón, 1925.
Book

Discursos llegits en la Real Academia de Buenas Letras de Barcelona : en la solemne recepció pública de D. Lluis Domenech y Montaner el día 5 de juny de 1921.

Barcelona : Impr. Atlas Geográfico, 1921.
Book

La Política tradicional d'Espanya : còm pot salvarsen Catalunya / Lluis Domènech.

Barcelona : Ilustració Catalana, [1919?].
Book

Hospitales de la Sta. Cruz y de San Pablo : memoria, planta y perpectiva general de proyecto / por el arquitecto Luis Doménech i Montaner.

[Barcelona] : Hospital de Sant Pau, 1916.
Book

Poblet / cuarenta y ocho ilustraciones con texto de Luis Domenech y Montaner.

Barcelona : H. de J. Thomas, [1913?].
Book

Conservació de la personalitat de Catalunya : discurs presidencial : en la sessió inaugural del curs acadèmic de 1911 a 1912 / per Lluís Domènech i Montaner.

Barcelona : Tip. "L'Avenç", 1912.
Book

Estudis polítics / Lluís Domènech i Montaner.

Barcelona : L'Avenç, 1905.
Book

Pliego de condiciones de las obras que junto con las generales aprobadas para las obras públicas en 7 de diciembre de 1900, en lo no modificadas por el presente, deberán regir la ejecución de las obras del Hospital de San Pablo que se ha de construir en Barcelona.

Barcelona : Establecimiento gráfico Thomas, 1905.
Book

Hospitales de la Santa Cruz y de San Pablo : perspectiva general del proyecto / por el arquitecto Luis Domenech y Montaner.

[Barcelona] : Legado de D. Pablo Gil, 1903.
Book

Arquitectura moderna de Barcelona / iniciada bajo la dirección artística de Francisco Rogent y Pedrosa ; con un estudio sobre la construcción moderna en Barcelona por Luis Doménech y Montaner y un texto explicativo de las láminas por varios arquitectos recopilado por Francisco Casanovas y Gorchs.

Barcelona : Juan Bta Pons y Cª, 1900.
Book

Programa de los hospitales de la Santa Cruz y de San Pablo / [Lluís Domènech i Montaner].

[1900?].
Book

Arquitectura moderna de Barcelona / publicada bajo la dirección artística de Francisco Rogent y Pedrosa ; con un estudio sobre la construcción moderna en Barcelona por Luis Doménech y Montaner y un texto explicativo de las láminas por varios arquitectos recopilado por Francisco Casanovas y Gorchs.

Barcelona : Joan Bta. Pons y Ca, 1899.
Book

Fets de la marina de guerra catalana : extrets de las Crónicas de Catalunya / per en Francesch Rodón y Oller ; ab un estudi preliminar d'en Lluís Domènech i Montaner.

Barcelona : Impr. La Renaixensa, 1898.
Book

Arquitectura moderna de Barcelona / publicada bajo la dirección artística de D. Francisco Rogent y Pedrosa ; con un estudio sobre la construcción moderna en Barcelona por D. Luis Domenech y Montaner y un texto explicativo de las láminas por varios arquitectos recopilado por D. Francisco Casanovas y Gorchs.

Barcelona : Parera, 1897.
Book

Arquitectura moderna de Barcelona / publicada bajo la dirección artística de D. Francisco Rogent y Pedrosa ; con un estudio sobre la construcción moderna en Barcelona por D. Luis Domenech y Montaner y un texto explicativo de las láminas por varios arquitectos recopilado por D. Francisco Casanovas y Gorchs.

Barcelona : Parera, 1897.
Book

Antecedentes del pleito contencioso-administrativo que contra la Diputación Provincial de Barcelona siguen los arquitectos José Vilaseca y Luis Domenech en reclamación de indemnización de perjuicios por los acuerdos de venta de los terrenos del instituto.

Barcelona : Impr. La Renaixensa, 1889.
Book

Programa de conocimiento de materiales de construcción / por Luís Domenech Montaner ..

Barcelona : Est. Tip. de Fidel Giró, 1884.
Journal Article

Nota bibliográfica / por Montserrat Roca y Junyent.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 12-14
Journal Article

Artes y oficios en el "Castell dels tres dragons" / por J.M. Garrut.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 93-95
Journal Article

Nota necrològica : Lluis Doménech i Montaner / [Francisco Guardia i Vial].

Anuario : Asociación de Arquitectos de Cataluña (1924), p. 117-121
Journal Article

Antonio Ma Gallissá / [Luis Domenech y Montaner].

Arquitectura y Construcción No 131 (jun. 1903), p. 164-171, 172-173, 175-177, 179, 181, 183, 185, 187, 189
Journal Article

El Arquitecto que fue mi padre / por Pedro Domènech Roura.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 6-7
Journal Article

Luis Doménech y Muntaner [sic] / José Mª Barenys.

Urbanización y edificaciones Año I, nº 3 (mar. 1924)
Book

Lluís Domènech i Montaner : l'arquitectura romànica catalana / Col·legi d'Arquitectes de Catalunya.

2003 juny.
Journal Article

A la recerca, encara, del temps perdut? / per Manuel Gausa.

Serra d'or N. 373 (Gen. 1991), p. 42-44
Journal Article

Hotel España, una obra mestre renovada / Mª Teresa Serraclara Plà

Coup de fouet N. 20 (2012)
Journal Article

Les Columnes de la "Casa Fuster", exponent de l'arquitectura del S. XIX : en aquesta obra va culminar la tasca creativa de Domènech i Montaner / Gerard Garcia-Ventosa.

Espais N. 32 (Nov.-Des. 1991), p. 48-56
Book

La torre del rellotge / [Elena Martínez i Aurora Nieto].

1989 jul. 3.
Journal Article

El Dietari de Lluís Domènech i Montaner (febrer-novembre de 1893) / Joan Bassegoda i Nonell (ed.).

Butlletí de la Reial Acadèmia Catalana de Belles Arts de Sant Jordi N. 7-8, (1993-1994), p. 51-104
Journal Article

La Casa-museo Domènech i Montaner.

Cercha 3a época. n. 24 (Jun. 1994), p. 87-89
Journal Article

Concurso anual de edificios y establecimientos urbanos : terminados durante el año 1905.

Anuario : Asociación de Arquitectos de Cataluña (1908-1909), p. 21-35
Book

Lluís Domènech i Montaner (1849-1923) : obra arquitectònica raonada / Sergi Alcalde Vilà, Maite Carbonell Martínez, Gemma Martí Rey, Xavier Mas Gibert, Carles Sàiz i Xiqués, Pilar Salmerón Sánchez, Miquel Terreu Gascon.
Journal Article

Nota necrológica : arquitectos fallecidos durante los años 1908 y 1909.

Anuario : Asociación de Arquitectos de Cataluña (1910), p. 260-267
Journal Article

Concurso anual de edificios y establecimientos urbanos : terminados durante los años 1907, 1908 y 1909).

Anuario : Asociación de Arquitectos de Cataluña (1910), p. 17-39
Journal Article

Concurso anual de edificios y establecimientos urbanos terminados durante el año 1912.

Anuario : Asociación de Arquitectos de Cataluña (1914), p. 17-33
Journal Article

Don Luís Doménech y Montaner / [J. Puig y Cadafalch].

Hispania N. 93 (dic. 1902), p. 539-557
Journal Article

El Llegat de Puig i Cadafalch i Domènech i Montaner : dos arquitectes de la Barcelona del segle XX / Xavier Güell i Guix.

Barcelona : Metrópolis Mediterránia N. 16 (1990), p. 83-86
Book

Historia general del arte : escrita é [sic] ilustrada en vista de los monumentos y de las mejores obras publicadas hasta el día. V. 1-3, Arquitectura / bajo la dirección de Luis Domenech, [José Puig y Cadafalch].

Barcelona : Montaner y Simón, 1886-1901.
Journal Article

Domènech y Montaner / por Puig y Cadafalch.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 3-5
Journal Article

Homenatge a Lluís Domènech i Montaner : paraules de cloenda / Jordi Bonet i Armengol.

Butlletí de la Reial Academia Catalana de Belles Arts de Sant Jordi N. XIV (2000), p. 305-306
Journal Article

Don Luis Domenech y Montaner.

Ibérica : el progreso de las ciencias y de sus aplicaciones Año XI, Tomo 1º, Vol. XXI, Nº 511 (19 enero 1924)
Journal Article

Salvem Domènech / A. González Moreno-Navarro.

Cuadernos de Arquitectura y Urbanismo N. 100 (enero-feb. 1974), p. 5-7
Journal Article

Domènech i Montaner i el descobriment del romànic

Informació i Debat (Maig 2006) 1134-0223
Journal Article

De nou lluirà el Pere Mata de Reus / Jordi Agràs Estalella; fotografies: Carles Fargas.

Cultura i paisatge a la ruta del cister Núm. 10 (2017) 2013-2751
Journal Article

Recinte històric de l'Hospital de la Santa Creu i Sant Pau.

Informatiu del Col·legi d'Aparelladors i Arquitectes Tècnics de Barcelona N. 324 (nov.-des. 2010) 1132-2802
Book

Instituto Pedro Mata : enfermedades nerviosas y mentales : toxicomanías.

Reus : Instituto Pedro Mata, [19--?] (Barcelona : Graf. Oliva de Vilanova)
Journal Article

La biblioteca d'un arquitecte : els llibres de Lluís Domènech i Montaner / David Ferrer i Manuel del Llano

Quaderns d'Arquitectura i Urbanisme N. 249 (Primavera 2006) 0211-9595
Journal Article

Instituto Pedro Mata (Manicomio de Reus).

Ibérica : el progreso de las ciencias y de sus aplicaciones Año II, Tomo II, Vol. IV, Nº 102 (Dic. 1915)
Journal Article

Cuadro histórico / por M. Coll y Alentorn.

Cuadernos de Arquitectura N. 52-53 (2º y 3er. trim. 1963), p. 62-66
Journal Article

La Cerámica en la construcción : la obra del arquitecto Luis Doménech Montaner.

Cerámica Industrial y Artística n. 2 (dic. 1931), p.43-48
Journal Article

Decoración de la Fotografia Audouard, Barcelona.

Arquitectura y Construcción No 160 (nov. 1905), p. 325, 327, 329, 331, 333, 335, 337, 339
Journal Article

El Hospital de la Santa Cruz y San Pablo como imagen de la ciudad ideal cristiana / Santiago Sebastian.

Traza y Baza N. 5 (1974), p. 41-61
Journal Article

El Hospital de la Santa Cruz y de San Pablo en Barcelona : el pavellón de San Leopoldo, del Doctor Freixas / José Cornudella.

Ibérica N. 375 (Abr. 1921), p. 266-270
Journal Article

Casa de alquiler an el Paseo de Gracia, Barcelona.

Arquitectura y Construcción No 177 (abr. 1907), p. 97, 101, 103, 105, 107, 109, 111
Journal Article

Luis Domènech y Montaner, 1850-1923 / Ma Pilar Cloefe Sanchez.

TA: temas de arquitectura y urbanismo (Jun. 1979), p. 18-24
Journal Article

Aspectes docents i professionals de Lluís Domènech i Montaner / Joan Bassegoda i Nonell.

Butlletí de la Reial Academia Catalana de Belles Arts de Sant Jordi N. XIV (2000), p. 291-294
Journal Article

En busca de una arquitectura nacional / por Luis Domènech y Montaner.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 9-11
Journal Article

El Edificio del "Orfeó Català" / [Manuel Vega y March].

Arquitectura y Construcción No 188 (marzo 1908), p. 68-73
Journal Article

Lluís Domènech i Montaner, 1850-1923 / studi di Michele Costanzo.

Architettura : Cronache E Storia (Giu.-Lug. 1973), p. 144-158
Journal Article

Domènech i Montaner, home públic / Josep M. Ainaud de Lasarte.

Butlletí de la Reial Academia Catalana de Belles Arts de Sant Jordi N. XIV (2000), p. 295-297
Journal Article

L'Envelat / por Lluís Domènech i Montaner.

Arquitecturas Bis N. 5 (Ene. 1975), p. 13-15
Journal Article

El Café-restaurante de la Exposición Internacional / por J.M. Martorell.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 15-25
Journal Article

Casa-talleres de J. Thomas, Barcelona.

Arquitectura y Construcción No 70 (enero 1900), p. 24-25
Journal Article

El Edificio de la editorial Montaner y Simón / A. Cirici Pellicer.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 26-33
Journal Article

Nota necrològica : en Josep Font i Gumà / Lluis Domènech i Montaner.

Anuario : Asociación de Arquitectos de Cataluña (1922), p. 93-99
Journal Article

Casa-talleres de J. Thomas, Barcelona.

Arquitectura y Construcción No 69 (enero 1900), p. 8-10
Journal Article

El Hospital de la Santa Cruz y de San Pablo, en Barcelona : arquitecto: Luis Doménech i Muntaner.

Arquitectura : órgano oficial de la Sociedad Central de Arquitectos de Madrid Año IV, n. 35 (Mar. 1922), p. 107-109
Journal Article

La Casa Fuster : un edifici, una història.

Enher Magazine N. 2 (Abr. 1991), p. 4-11
Journal Article

Nueva Fonda de España, Barcelona.

Arquitectura y Construcción No 138 (enero 1904), p. 13-15-17-19
Journal Article

Homenaje al arquitecto Domenech y Montaner / texto de: Juan Brossa ; fotos de: Leopoldo Pomés.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 97-102
Journal Article

Luis Doménech y Montaner / Benito Guitart Trulls

Arquitectura : órgano oficial de la Sociedad Central de Arquitectos de Madrid Año VI, n. 57 (Ene. 1924)
Journal Article

Lluís Domènech i Montaner / per R. Serra y Pagès.

Boletín de la Real Academia de Buenas Letras N. 90-91 (Sep. 1926), p. 386-410
Journal Article

Proyecto de mausoleo para los Reyes de Aragón en la Catedral de Tarragona.

Arquitectura y Construcción No 216 (jul. 1910), p. 197-199, 202-207
Journal Article

Music for the eyes : Barcelona's Palau de la Música Catalana is the masterwork of visionary architect Lluís Domènech i Montaner.

House & Garden (Mar. 1986), p. 136-139
Journal Article

Presencias del pasado : Castillo de Santa Florentina : un edificio legendario donde lo viejo aparece nuevo.

Ad : Architectural Digest : las Casas Más Bellas del Mundo N. 13 (Nov. 1988) p. 108-118
Journal Article

Instituto frenopático Pedro Mata : Reus, Tarragona.

Arquitectura y Construcción No 258 (enero 1914), p. 2-11, 14-21
Journal Article

Biblioteca popular de Canet de Mar : Pere Armadàs, arquitecto.

On diseño No 122 (1991), p. 208-217
Journal Article

Il Palazzo delle luce musicale.

Casa Vogue N. 120/121 (Lug.-Ago. 1981), p. 126-129
Journal Article

Hospitales de la Santa Cruz y de San Pablo.

Construcción, La Año I, n. 5 (Nov. 1916), p. 4-12
Journal Article

El Hotel internacional / [Juan Bassegoda Nonell].

Cau N. 53 (Feb. 1979), p. 26-27
Journal Article

[Domènech y Montaner].

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963)
Book

La Ceràmica modernista i Lluís Domènech i Montaner / edició: Vicente de la Fuente Bermúdez ; textos: Vicente de la Fuente Bermúdez, Fátima López Pérez, Francisco Merino Rodríguez.
Journal Article

L'Esprit modernista : el Gran Hotel a Palma de Mallorca.

Eben N. 12 (1993), p. 11-17
Journal Article

Domènech i Montaner : obras en Reus / [José Maria Buqueras Bach].

Jano No 25 (marzo 1975), p. 41-46
Journal Article

Casa Navàs, joia del modernisme / text: Lourdes Figueras.

Espais Mediterranis N. 2 (Abr.-Maig 2000), p. 40-47
Journal Article

Patronato municipal de turismo, Barcelona.

On diseño No 86 (1987), p. 114-116
Journal Article

Dòmenech i Montaner, any 2000 / Xavier Llobet.

Ab : Arquitectes de Barcelona N. 74 (Juny 2000), p. 30-33
Journal Article

Domènech i Montaner, any 2000 / text: Lluís Domènech i Girbau.

Informació i Debat (Juny 2000), p. 6-10
Journal Article

Lo Decorativo en la obra de Doménech y Montaner / [J.F. Ràfols].

Cuadernos de Arquitectura N. 24 (feb. 1956), p. 1-6.
Journal Article

En busca de una arquitectura nacional / por Luis Domènech y Montaner.

Dc : Revista de Crítica Arquitectónica N. 7 (Oct. 2002), p. 70-79
Journal Article

Nota sobre la "Casa Fuster".

Cuadernos de Arquitectura N. 49 (3er. trim. 1962), p. 43
Journal Article

Casa Navas : una joia del modernismo.

Ad : Architectural Digest : las Casas Más Bellas del Mundo N. 12 (Oct. 1988) p. 110-120
Journal Article

Nova seu al Maresme.

Ab : Arquitectes de Barcelona N. 77 (Març 2001), p. 2-4
Journal Article

Hospital de S. Pablo y Sta. Cruz, Barcelona.

Arquitectura y Construcción (1918), p. 50-63
Journal Article

Palau de la música catalana = Music palace : Barcelona (1981/1989).

Croquis Año VIII, n. 42 (Ene.-Mar. 1990), p. 80-107
Journal Article

Ampliación, remodelación y restauración del Palau de la Música Catalana : Tusquets, Díaz & Associats, arquitectos.

On : Diseño N. 116 (1990) p. 104-117
Journal Article

La Restauració del Pavelló de l'adminstració de Sant Pau, un gran repte / Joan Nogué i Arbusà.

Coup de fouet N. 28 (2016) 2013-1712
Journal Article

Il Palau de la Música di Barcellona : uno dei più grandi capolavori Art Nouveau, da trenta anni Oscar Tusquets e Carles Díaz proteggono, restaurano e ristrutturano questo patrimonio Unesco dell'umanità / testi: Luigi Spinelli, Oscar Tusquets Blanca.

Domus N. 940 (2010)
Journal Article

Luis Domenech y Montaner a través de un edificio cincuentanario / José Ma Sostres Maluquer.

Revista Nacional de Arquitectura N. 202 (Oct. 1958), p. 26-30
Journal Article

El Palau de la música catalana / por David Mackay.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 34-45
Journal Article

Luis Domenech y Montaner : 1850-1923 / Oriol Bohigas.

Architectural Review Vol. CXLII, n. 850 (Dec. 1967), p. 427-436
Journal Article

El Hospital de San Pablo / Oriol Bohigas.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 46-60
Journal Article

Vida y obra de un arquitecto modernista / por O. Bohigas.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 67-92
Journal Article

Doménech y Montaner, profesor / por Adolfo Florensa y Ferrer.

Cuadernos de Arquitectura N. 52-53 (2o y 3er. trim. 1963), p. 8
Journal Article

Barcellona : casa Thomas dopo il 1980.

Domus N. 627 (Apr. 1982), p. 40-42
Journal Article

Dentro una cornice di rose di Gesso.

Casa Vogue N. 120/121 (Lug.-Ago. 1981), p. 116-119
Journal Article

Reforma y restauración de una vivienda modernista.

On Na 24 (1981)
Journal Article

Retorno al Ensanche / reportaje: Carmina Sanvisens ; fotografias: Lluís Casals.

Casa Viva N. 100 (1991), p. 28-39
Journal Article

Un Grande de modernismo : retrospectiva de Domènech i Montaner / Lluís Domènech.

Arquitectura Viva N. 10 (Enero-Feb. 1990), p. 36-37
Journal Article

Reconsideración de la Casa Thomas / por Lluis Domènech.

Arquitecturas Bis N. 30-31 (Sept.-Oct. 1979), p. 41-42
Journal Article

En busca d'una arquitectura nacional / Lluís Domènech Girbau.

Butlletí de la Reial Academia Catalana de Belles Arts de Sant Jordi N. XIV (2000), p. 299-303
Journal Article

Restauración, rehabilitación y decoración de una planta modernista : un despacho de abogados en la casa Thomas.

On No 40 (1983)
Journal Article

Restauració de la torre del rellotge de l'Hospital de Sant Pau (Barcelona) / Leopoldo Gil Nebot.

Butlletí de la Reial Acadèmia Catalana de Belles Arts de Sant Jordi N. 7-8, (1993-1994), p. 335-342
Journal Article

El romànic segons Domènech i Montaner / Enric Granell, Antoni Ramon

Informació i Debat (jul. 2006) 1134-0223

Routes & Notes (7)

Rutes 45

El Parc de la Ciutadella, patrimoni i transformació
per Miquel Zuzama
Rutes 87

La “Luz cenital” d’Elías Torres
Rutes 103

La Barcelona de Lluís Domènech i Montaner: realitat i somni
per Antoni Ramon Graells
Apunts 10

La domesticitat que habitem
per Laura Bonell
Rutes 83

Ressons literaris de Domènech i Montaner a Barcelona
per Carles Duarte i Montserrat
Rutes 49

Todo sobre mi madre
Rutes 48

Vicky Cristina Barcelona

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Lluís Domènech i Montaner a l'Escola d'Arquitectura

Ep. 3 Nets del Modernisme: Lluís Domènech Girbau

La poesia i Domènech

In Pictures

Memory

Works (51)

On the Map

Constellation

Chronology (61)

Refurbishment of the Liceu Confectioner's Shop

Ampliació de la Casa Eduard Agustí Saladrigas

Concurs Anual d'Edificis i Establiments Urbans

Concurs Anual d'Edificis i Establiments Urbans

Concurs Anual d'Edificis i Establiments Urbans

Concurs Anual d'Edificis i Establiments Urbans

Interior Decoration of the Main Rooms of the Llotja de Mar

Concurs Anual d'Edificis i Establiments Urbans

Concurs Anual d'Edificis i Establiments Urbans

Panteó a Jaume I

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Perspectiva de l'exterior del Palau Montaner.
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Alçat del frontó de la façana de l'Editorial Montaner i Simón.
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