Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors of the COAC Digital Archive

credits

About us

Architects' Association of Catalonia:

Àrea de Cultura

Directors:

2019-2020 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2020 Ramon Faura Carolina B. Garcia Francesc Rafat Antoni López Daufí Joan Falgueras Anton Pàmies Mercè Bosch Josep Ferrando Fernando Marzá Aureli Mora Omar Ornaque

External Collaborators:

2019-2020 Lluis Andreu Sergi Ballester Maria Jesús Quintero

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

Design & Development:

Nubilum Edittio

In Pictures

  • Palau de la Música Catalana

  • Palau de la Música Catalana

  • Palau de la Música Catalana

  • Palau de la Música Catalana

  • Palau de la Música Catalana

  • Palau de la Música Catalana

  • Palau de la Música Catalana

  • Palau de la Música Catalana

Memory

El projecte del Palau de la Música està vinculat a l’obertura de la Via Laietana, en la qual va estar fortament implicat el mateix Domènech i Montaner, i a la fundació de l’Orfeó Català, l’any 1891, per part del compositor Lluís Millet. El Palau se situa a la cantonada de dos carrers estrets, i l’èmfasi de tot el projecte consisteix a fer penetrar l’escassa llum natural a tots els racons de l’interior per mitjà de nombroses mampares policromes que recreen una atmosfera onírica. El gran auditori se situa al primer pis, i s’hi accedeix a través d’una escalinata transversal que divideix tot l’edifici en dues parts i afavoreix l’ús de la planta baixa per a funcions administratives. Domènech decideix tractar amb la mateixa profusió les façanes dels dos carrers, malgrat la seva jerarquia desigual, en una demostració de la seva perícia a l’hora de treballar en emplaçaments desfavorables. La fàbrica d’obra vista, la pedra treballada amb al·legories musicals, les mampares de vidres de colors, tot plegat fa que l’edifici resplendeixi d’una manera especial sota la llum diürna, que penetra fins al gran auditori. L’atenció als aspectes funcionals del programa revelen un Domènech modern que entén l’ornamentació com la culminació necessària d’una obra arquitectònica.

Author: Maurici Pla

Source: Catalunya : guia d'arquitectura moderna, 1880-2007

Authors

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