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In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
Aureli Mora i Omar Ornaque Directors arquitecturacatalana.cat
credits
About us
Project by:
Created by:
Directors:
2019-2025Aureli Mora i Omar Ornaque
Documental Commission:
2019-2025 Ramon FauraCarolina B. GarciaEduard CallísFrancesc RafatPau Albert Antoni López DaufíJoan FalguerasMercè BoschJaume FarrenyAnton PàmiesJuan Manuel ZaguirreJosep FerrandoFernando MarzáMoisés PuenteAureli MoraOmar Ornaque
Collaborators:
2019-2025Lluis AndreuSergi BallesterMaria Jesús QuinteroLucía M. VillodresMontse Viu
External Collaborators:
2019-2025Helena CepedaInès Martinel
With the support of:
Generalitat de Catalunya. Departament de Cultura
Collaborating Entities:
ArquinFAD
Fundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data.
Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture.
By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain.
Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
The program of a greyhound racing track results in a peculiar building with its own easements. Bonet conceives a long construction in the shape of an orange section with a unitary roof. The standard support element consists of a single steel pillar placed in the centre, which supports a flying beam on both sides. The imbalance created is offset by the weight of the umbrella that filters the light from the south, and straps tied to the pillars that counteract its weight. The roof, which is fragile and unstable, is made up of struts that support prefabricated plates, and is permanently fixed by a strap at each end. Below this large, curved plan is the platform that accommodates the movement of spectators, as well as access to the bookmakers and the stands. Beneath the platform there are kennels and service outbuildings.
Author: Maurici Pla
Source: Catalunya : guia d'arquitectura moderna, 1880-2007
This enclosure occupies a whole rectangular block of 10,000 square meters located on the area next to the Congrés neighbourhood of Barcelona, a new neighbourhood planned for the Eucharistic Congress of 1952. The greyhound track is made up of a building for bets, which is located on the longest side of the block, and a racetrack. The building consists of two floors; the ground floor has been designed as an extension of the land and the upper floor as an object completely separated from the ground that serves as a viewpoint. The steel structure provides a much slimmer and lighter image of the complex than if it were made of concrete. The building has a lenticular floor plan and is very transparent, which makes the precinct resemble the image of airplane wings and a very dynamic appearance. The roof of the ground floor is equipped with steps in the centre and lateral terraces with good visibility, while the slab of the roof supports a hanging structure with solar protection slats, as a brise soleil. The roof is supported by braces that tie the girders to the lower slab and prevent swaying. The brise soleil acts as a counterweight.
The program of a greyhound racing track results in a peculiar building with its own easements. Bonet conceives a long construction in the shape of an orange section with a unitary roof. The standard support element consists of a single steel pillar placed in the centre, which supports a flying beam on both sides. The imbalance created is offset by the weight of the umbrella that filters the light from the south, and straps tied to the pillars that counteract its weight. The roof, which is fragile and unstable, is made up of struts that support prefabricated plates, and is permanently fixed by a strap at each end. Below this large, curved plan is the platform that accommodates the movement of spectators, as well as access to the bookmakers and the stands. Beneath the platform there are kennels and service outbuildings.
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