COAC

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Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Francesc Rafat Antoni López Daufí Joan Falgueras Anton Pàmies Mercè Bosch Josep Ferrando Fernando Marzá Aureli Mora Omar Ornaque

External Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Helena Cepeda Inès Martinel Maria Jesús Quintero

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Arxiu Mas

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

EINA Centre Universitari de Disseny i Art de Barcelona

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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In Pictures

Memory

Three large pieces and a small, fixed control core between large landscapes of tracks were the starting point of the operating centre of the Railways of the Generalitat de Catalunya in Rubí, where the workshops and part of the offices are gathered, thus, away from the congestion of the central metropolitan area. It is a large-scale intervention – the large building has more surface area than a block of Cerdà’s Eixample – close to the urban centre of Rubí and the B-30 motorway.

The 90x130m workshop building is divided into three main bays, as the need to have three crane bridges made sense for a single bay. Each of them is saved by an identical truss that moves with the curvature of the roof, valued by a continuous zenithal light. This steel ship is surrounded by a two-story precast concrete structure - two different techniques and a possibility to distribute skills, deadlines and jobs. Consequently, concrete slabs and corrugated steel lacquered sheets are also alternated. In one of the test rooms, the dining rooms, the separation spaces or conference rooms are attached to the body of offices with freer forms, all more connected and adapted to the limits of the land, and open with a panoramic window to the vision of the metropolitan mobility of the trains themselves or of the nearby motorways.

Author: Bach-Mora Arquitectes

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  1. FGC Railways Central Workshop and Operations Centre

    Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt

    FGC Railways Central Workshop and Operations Centre

    Three large pieces and a small, fixed control core between large landscapes of tracks were the starting point of the operating centre of the Railways of the Generalitat de Catalunya in Rubí, where the workshops and part of the offices are gathered, thus, away from the congestion of the central metropolitan area. It is a large-scale intervention – the large building has more surface area than a block of Cerdà’s Eixample – close to the urban centre of Rubí and the B-30 motorway. The 90x130m workshop building is divided into three main bays, as the need to have three crane bridges made sense for a single bay. Each of them is saved by an identical truss that moves with the curvature of the roof, valued by a continuous zenithal light. This steel ship is surrounded by a two-story precast concrete structure - two different techniques and a possibility to distribute skills, deadlines and jobs. Consequently, concrete slabs and corrugated steel lacquered sheets are also alternated. In one of the test rooms, the dining rooms, the separation spaces or conference rooms are attached to the body of offices with freer forms, all more connected and adapted to the limits of the land, and open with a panoramic window to the vision of the metropolitan mobility of the trains themselves or of the nearby motorways.

  2. FGC Industrial Unit-Museum of Historical Material

    AMOO (Aureli Mora + Omar Ornaque), Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Aureli Mora Sanvisens, Omar Ornaque Mor, Carmina Sanvisens Montón

    FGC Industrial Unit-Museum of Historical Material

    This is a large-scale expansion intervention of the workshop building and main building of the FGC Operational Centre in Rubí with three main objectives: - To cover the old road of dynamic tests for storage and museumisation of various historical units. - To provide a new façade and image to the access street to the centre, while giving greater privacy to the homes in the nearest suburban core. - To act as an exhibitor of the historical units towards the car park and access to the centre's offices. The scale of the workshop and office building - with a larger surface area than a block of the Cerdà plan - and the length of the dynamic test track to be covered, required a forceful and symbolic intervention, which at the same time give material and volumetric continuity to the centre and provide a contemporary image in tune with the institution's current requirements. A long structure is projected adjacent to the workshop building of 173.00m in length and continuous section in the form of an arch that avoids the problem of distinguishing between façade and roof and that, resting on the existing concrete wall that delimits the perimeter from the centre and formally separating from the workshop building, it creates an optimal transition between the existing curved and inclined roofs and the street, towards which it becomes the new image. This structure is clad on the outside with continuous smooth sheet metal with a tab joint, avoiding any joint in section and providing a continuous rhythm along the entire length of the new ship, only interrupted by the emergency staircase - an expressly unique volume, exempt from the main structure— and by the spelling of large corporate letters that subtly present the institution and mark the main access. Inside, this structure is presented in a rational and completely naked way, enhancing its tectonic beauty and marking a constant rhythm that is surprising for its length. The inner lining of the arched enclosure is also made of sheet metal - this grooved, indented, micro-perforated and arranged over large thicknesses of thermal and acoustic insulation - in order to minimise internal reverberation and acoustic pollution towards the outside, in case of specific movement of historical units. When you reach the main entrance to the centre, the new nave opens up towards the offices through a large, glazed façade from top to bottom that allows you to observe the historical units from the outside, like a great heritage showcase. This façade disintegrates into a lower, irregular volume when it reaches the end of the unit, highlighting its access through a double pillar and revealing part of the inner face of the arched roof. This decomposed and lighter end of the main unit adapts kindlier to the set of elements of the main entrance to the centre and still allows a glimpse of the original workshop space from the street. In short, a large and forceful infrastructural intervention that strengthens the railway image of the centre by means of its extensive length and makes it possible to extend the useful life of one of the most unique sets of FGC.

  3. Premis Bonaplata

    Award-Winner / Winner. Category: Béns Mobles
    FGC Industrial Unit-Museum of Historical Material

    AMOO (Aureli Mora + Omar Ornaque), Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Aureli Mora Sanvisens, Omar Ornaque Mor, Carmina Sanvisens Montón

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