How to get there
About
In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
About us
Project by: 
Created by: 
Directors:
2019-2025 Aureli Mora i Omar OrnaqueDocumental Commission:
2019-2025 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Fernando Marzá Moisés Puente Aureli Mora Omar OrnaqueCollaborators:
2019-2025 Lluis Andreu Sergi Ballester Maria Jesús Quintero Lucía M. Villodres Montse ViuExternal Collaborators:
2019-2025 Helena Cepeda Inès MartinelWith the support of:
Generalitat de Catalunya. Departament de CulturaCollaborating Entities:
ArquinFADFundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
IEFC
Fundació Domènench Montaner.
Suggestion box
Request the image
We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.
The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.
close
close
Memory
S'accedeix al puig de les tres creus per un camí tortuós que coincideix en part amb el Via Crucis que surt del santuari de Rocaprevera. El cim del turó és totalment aplanat i s'ha construït una terrassa de lloses de pedra. El perfil té una barana de pilons de pedra que sustenten un passamà de ferro. A la banda est hi ha les tres creus sobre una base d'obra. La creu central és la més gran que les altres. És una representació del Calvari, amb Jesús al centre i els dos lladres a cada banda. Les creus són de ferro i tenen una base de pedra picada amb una columna i un capitell poligonal. Les creus són gregues amb un cercle que uneix les aspes.
En el paviment hi ha representada la rosa dels vents i marca la situació dels pobles i cims propers.
Sembla que ja abans del 1686 hi havia tres creus de fusta en aquest mateix indret. Aquí s'hi celebrava el trobament de la Santa Creu el 3 de maig. Es feia un via crucis que sortia de l'església de Sant Feliu fins a arribar aquest cim. Després van passar a fer una processó amb cants de lletanies.
El 1736 es va fer una reparació de les creus, que al ser de fusta es malmetien amb facilitat.
A principis del segle XX la creu principal era de fusta i les altres eren de ferro i sobre una columna d'obra.
L'any 1913 se celebraren les festes constantinianes i es col·locaren les noves creus que es van pagar amb una subscripció popular.
Authors
On the Map
Awarded
Cataloged
Disappeared
All works
Constellation
Chronology
-
El Puig de les Tres Creus
S'accedeix al puig de les tres creus per un camí tortuós que coincideix en part amb el Via Crucis que surt del santuari de Rocaprevera. El cim del turó és totalment aplanat i s'ha construït una terrassa de lloses de pedra. El perfil té una barana de pilons de pedra que sustenten un passamà de ferro. A la banda est hi ha les tres creus sobre una base d'obra. La creu central és la més gran que les altres. És una representació del Calvari, amb Jesús al centre i els dos lladres a cada banda. Les creus són de ferro i tenen una base de pedra picada amb una columna i un capitell poligonal. Les creus són gregues amb un cercle que uneix les aspes. En el paviment hi ha representada la rosa dels vents i marca la situació dels pobles i cims propers. Sembla que ja abans del 1686 hi havia tres creus de fusta en aquest mateix indret. Aquí s'hi celebrava el trobament de la Santa Creu el 3 de maig. Es feia un via crucis que sortia de l'església de Sant Feliu fins a arribar aquest cim. Després van passar a fer una processó amb cants de lletanies. El 1736 es va fer una reparació de les creus, que al ser de fusta es malmetien amb facilitat. A principis del segle XX la creu principal era de fusta i les altres eren de ferro i sobre una columna d'obra. L'any 1913 se celebraren les festes constantinianes i es col·locaren les noves creus que es van pagar amb una subscripció popular. -
Rocaprevera Sanctuary
Chapel with a cruciform floor plan, semicircular gable and attached bell tower. The current appearance of the building bears little resemblance to the original church. The renovation carried out by Josep Maria Pericas gave it a personal style. The sanctuary consists of two adjoining buildings: the church and the hermit's dwelling. The main façade of the church is aligned with the single-storey building that serves as a dwelling. The entrance door, which is centred on the façade, is arched and protected by a porch with a sloping roof supported by Doric columns. Above the porch is a niche that houses the sculpture of the Virgin of Rocaprevera. The church is shaped like a single-nave basilica but is made up of several juxtaposed sections. It has a square floor plan on the first level and a circular floor plan on the second, with semicircular openings. The nave has a gabled roof with the ridge parallel to the longitudinal axis of the basilica. It is hidden behind a Baroque pediment. Inside, the choir stands out, with green glazed ceramic tiles between the cairons and wooden beams. This treatment is used on the ceiling of the main nave. The walls of the nave are reinforced by blind arcades that could resemble small chapels, but as they are very shallow, they do not serve as such. At the base of the apse, there is a covering of well-cut and polished stone blocks, crowned by rows of arcades with stained glass windows and a border imitating saw teeth. It is structured on two floors: one in the lower part, which is below the level of the nave, like a crypt, and an upper one, which serves as a chapel for the Virgin Mary and is accessed via the ambulatory. The interior of the apse is illuminated by multiple polychrome stained glass windows. It has a transept with a dome, which is square on the outside but forms a false flat coffered ceiling on the inside, covered with a green ceramic roof. On each side there is an oculus that can be opened using a system of shutters. It also has a square bell tower with a cylindrical lantern topped with a conical roof and a weather vane. The chapel of Santa Maria de Rocapervera was built in 1284 by Monsignor Marco Roca. It was originally an oratory that has been rebuilt three times: as a Romanesque chapel in the 15th century (1429 by Antoni Vinyes) and as a popular chapel in the 18th century (1781). Finally, it was rebuilt in 1923-1924 due to popular devotion associated with the cult of the Virgin Mary. The current temple is majestic in size and is the result of the so-called ‘Pericas style’, halfway between Noucentisme and Catalan Art Nouveau with borrowings from classical and Romanesque aesthetics.
Routes & Notes (1)
Related Works
Set Santuari de Rocaprevera
