Residential building with a ground floor and four upper storeys, featuring a cornice and a flat roof terrace. The main façade on Baixada de la Seu is symmetrically arranged along three vertical axes, corresponding to the three ground-floor entrances. It follows a classical typology with a mezzanine, main floor, and two additional upper floors, with social hierarchy reflected in the design of the balconies: the mezzanine has railings flush with the façade; the main floor features a continuous balcony; and the upper floors have individual balconies that decrease in height. Pilasters separating the balconies are nearly flat and topped with Ionic capitals. The cornice is decorated with modillions and overlapping tile motifs. The façade on Carrer del Bisbe is flat and sparsely fenestrated.

Monumental façade with the main door decorated with pilasters and a large cornice, under which there is a frieze with a bas-relief depicting Jesus climbing to Calvary. The side walls of the door are decorated with large tombstones. Inside, the door reproduces the façade of a Greek temple with two columns with Doric capitals and a triangular pediment. On each side, there is a corridor with classical columns (12 on each side) in the Tuscan order, leading to the church. These corridors feature niches, some of which are of great artistic value. Inside the enclosure formed by the porticoes and the entrance, family pantheons and tombs are scattered in an orderly fashion, some of them true works of architecture and sculpture of great quality, making the complex an attractive showcase of late 19th and early 20th century styles. Of particular note are the tomb of the Portabella i Argullol family, built by the architect Bernat Pejoan and the sculptor Josep Llimona; the Serra i Santamans family mausoleum, in the Neo-Romanesque style; and the Borràs family mausoleum, in the Neo-Gothic style. The cemetery chapel has a classical composition and design, which is very well suited to the exterior and interior façade. The building project is from 1846.

Detached building surrounded by gardens and located in the city centre, in the 19th-century expansion area. It has a monumental character, with considerable proportions and a classicising style. The building's structural system is based on load-bearing walls and slabs. The roof is made of ceramic tiles and laminated steel beams. The load-bearing walls are built with 50 cm thick stone blocks. The main façade has a central section that is slightly higher than the rest and a tower at each end. The decoration is neoclassical. In the main section there is a semicircular doorway flanked by attached columns with Ionic capitals; the section is topped by a triangular pediment. The bell tower is a belfry. The rest of the façade is also very classical and regular in style. Its founder was Francesc Cots i Argullol, from Manresa, who did not live to see the work completed, as he died shortly after the project began. The project was commissioned to the Barcelona architect Antoni Rovira Trias. The first stone was laid on 3 May 1857 and the main part of the building was completed in August 1859. On 14 March 1879, work began on the church, which was consecrated on 12 October 1881. Several renovations have been carried out on the building, including the main façade, and some side sections have also been built. It is currently undergoing restoration.

Chimney of a former spinning mill also known as the l'Aranya factory. It is cone-shaped, has scaffolding in patterned brick and is finished in circular section mouldings that reinforce the crowning element. 1862.- construction of the factory. 1863.- it starts operating.

A set of three hanging tanks, each measuring 25 x 40 metres, whose structure is formed by two bays divided by four pillars and five transverse stone arches, criss-crossed at the same time by another four main arches, generating segmental stone vaults.

This is an industrial building with three street-facing façades and a partition, with a square floor plan, ground floor and four upper floors. The main staircase with lift is located at a corner where a tower rises. The four façades are identical, with large openings arranged along orthogonal axes. The building is topped with a cornice with tiles. A chimney is attached to one of the façades, rising above the cornice. The original interior consists of large spaces supported by iron columns with high ceilings. It is considered the first example in Manresa of the English industrial style, characterised by the very regular repetition of openings and a vertical layout. The façades are symmetrical in composition with large windows that allow light into the interior. The factory walls are windows that allow light to enter the interior. The factory walls are made of stone and plaster in strips. The windows are decorated with plastered brick, which has a decorative but very austere function. Plaster on the original carpentry. The floor plan is open-plan, with a vertical access core that clearly protrudes from the building in the form of a tower. The structure consists of cast iron pillars and metal beams. The project is the work of Pere Samsó i Heras and dates from 1890. This factory is currently closed and is included in a renovation programme promoted by the Institut Català del Sòl (Catalan Land Institute).

Industrial building - former textile factory - forming part of the urban fabric. Group of buildings constructed at different times. The entrance between partitions facing Carrer Llussà stands out, with a square floor plan and axis of symmetry. The stairwell is on one side. Exposed brick façades with dry joints. Round arched openings, with bricks laid in a book fold pattern. Lintels and drip mouldings also made of brick. Finished with a cornice and railings. Brick chimney.

A stately residential building surrounded by crops. The stucco façade has three sections; the highest central section with a ground floor and two storeys with a gabled roof. There is a first-floor gallery on the west façade. The roof is made of Arabic tiles and the eaves are made of worked wood. An octagonal tower with neo-baroque lines stands out. Above the entrance door to the tower and in the centre of the façade there is the date of construction and the inscription ‘Villa Emilia’. It was designed by the architect Ignacio Oms i Ponsa, the municipal architect of Manresa, commissioned by Josep Lluvià i Vidal, a ribbon manufacturer, where a smaller house already existed. It is also known by the name of Villa Emilia, in honour of Lluvià's wife, Emília Serramalera. In 1954, the estate ceased to be owned by the Lluvià family and passed through several hands over the years, which left it in a dilapidated state, until in 2012 Manresa City Council decided to acquire and restore it.

The chimney belongs to a former alcohol distillery. It has a square base and a truncated conical shaft, with a ring at the top. The scaffold is in exposed brickwork. The base (a prismatic brick structure) is located inside a warehouse, which is currently used as a private car park. The chimney shaft rises above the warehouse roof.

A square building with a ground floor and two storeys, with a unitary and symmetrical composition. It has a hipped roof with a lantern on the ridge and a square cross-section. The roof is made of Arabic tiles. The façades are flat, with a predominance of openings over the plenum, and with a symmetrical distribution of the openings. The only decorative element is the moulding of the lintels at the ends.

A block of flats between partitions with a unitary and symmetrical composition. It has a ground floor and three storeys, with a roof terrace above. Symmetrical façade. Orderly composition of openings along vertical axes. The windows form a triangular arch on the ground floor. There is an opening above the entrance doorway. The rest of the openings are lintelled balconies (iron railings and stone lattice railings on the third floor). The interior has a vestibule decorated with neo-Gothic elements. Extensive ornamentation on the façade. On the upper cornice there is a series of arcatures.

The building has a ground floor and three storeys. Symmetrical façade with a central body emphasised by a tribune on the first floor and a stepped gable end. On both sides there are two balconies per floor, with continuous iron railings on the first and third floors, and individual ones on the second floor. Upper cornice with arches and railing in neo-Gothic style. The interior is very modified, due to the installation of the Café and the Restaurant.

H-shaped building with another cross wing forming a central courtyard. It has a ground floor and two upper floors. The façades are plastered and whitewashed, with exposed brickwork marking the first floor (by means of an impost), corner areas, cornices and windows. The openings are regularly spaced and neo-Gothic in style. The gables are stepped and made of red brick. The interior has been modified. In the 1970s, the building was renovated and extended with a new church. During the Spanish Civil War, it was used as a military hospital.

Building with a wide façade. Formerly, there were two identical buildings, but they were treated as a single unit. Structure with a ground floor and two upper floors, with a uniform and symmetrical composition, and with two small square towers protruding from the roof, topped with lanterns and a ceramic-tiled dome. The main façade is symmetrical with a horizontal layout accentuated by the frieze of windows on the upper floor, which contrasts with the verticality of the openings on the ground floor and first floor. The upper section is topped with an openwork railing and cornice. Plastered brick and stone elements.

Chimney of a former liquor factory. Quadrangular base and frustoconical body. Scaffolding with patterned brick. Classic finish with reinforcements on the circular crown and mouldings. It is currently free of attached constructions.

Rectangular building with two side wings and a wider central section of the façade containing the staircase leading to the second floor. It has two floors in the central section and one wing, and three in the left wing; the third floor leads to a roof terrace with access to other rooms. The main façade was 46 metres long, and the windows reveal the internal division of both floors, which are very high. Both the cornice and the outline of all the openings are emphasised by the use of different materials. It has a backyard with glass-filled façades that help to bring light into the building. 1898.- Work begins on the construction of this building. 1901.- The building, now finished, was blessed by Father Torres i Bages on the 31st August.

Detached multi-family dwelling, with façades on three streets. Compact building with a ground floor and two upper floors and a basement. The main façade is symmetrical with a rhythm of regularly arranged openings and balconies grouped in pairs, separated by niches and pilasters, according to vertical axes. The building is finished with a cornice, corbels and a balustrade. Catalan Art Nouveau doorway in the warehouse. Façade of coated brick, imitating ashlar. Ornamental details in stone. Cast iron. 189?: Construction of the warehouse (C/.Sant Joan Bta.) 1900 : Construction of the house.

Large building. Crafted in stone and decorated with bricks around the entire structure and openings. The main façade is divided into five sections, three of which protrude both in relief and height. The two outer sections are smooth at the bottom and feature a pointed arch decoration at the top, with this motif repeated three times inside. The main central section has openings across its entire surface, highlighted by brick ornamentation. The two recessed sections also have openings on the different floors, where the decoration is altered. This same decoration, somewhat changed and less elaborate, can be found on the side façades. Church A late Romanesque construction with an interesting doorway hinting at Gothic features. It has a single nave with a raised pointed stone vault. It is extended to the west with a two-storey section with pointed transverse arches and a heart supported by lowered arches. Side chapels in the raised chancel. Attached to the church, following the alignment of Carrer Nou (north façade), are some rooms built in stone ashlars with two voussoir portals, which currently provide access to the convent. Romanesque doorway The doorway has degrade arches with three archivolts resting on a single impost that runs across the entire doorway. The columns supporting the archivolts are crowned by simple, unadorned capitals. Of the six columns that made up this doorway, only four remain, as one is missing on each side. The tympanum is unadorned. This portal may have been added later during the Romanesque period. Convent The old part of the convent is a monumental unfinished Gothic building from the mid-14th century. The new building, constructed parallel to the other section, is large in size, consisting of three sections topped with a stepped roof, joined by two lower sections in the form of corridors, arranged symmetrically and four storeys high. It is a construction in exposed brick and common masonry, following an Art Nouvea-historicist style. An interior courtyard separates the two convent buildings. 1322.- Construction begins on a house near La Culla to serve as a residence for the nuns of Santa Clara. 13th century.- There is a chapel dedicated to Sant Blai and Sant Llàtzer, from which the doorway is believed to originate. 20th century.- The current convent building is constructed.

Residential building between partitions which formsa corner. The building consists of a basement, ground floor, two upper floors and a recessed attic with a loft. It has an asymmetrical floor plan, with two side wings of different lengths connected to the corner section. The corner façade is symmetrical, with semi-circular corners. On the first floor there is an iron balcony. The side façades have a rhythm of alternating balconies and windows, with a vertical layout, arranged regularly. Access is via the narrower side façade. Stone is used on the ground floor and in the decorations; the rest of the façade is made of brick coated to imitate stone. Early 20th century: construction. 1936: extension.

The monumental entrance to the complex is found on the Camí de Juncadella (which leads to the square). On both sides of the door there are two single-storey pavilions that open onto a courtyard that provides access to other buildings (three halls or pavilions with specific activities). There is also a large 15-metre-high tower that is a water tank. Historical notes 1904.- Building of the project. 1906.- Laying of the foundation stone. 1908.- Inauguration.

Residential building with three facades and a dividing wall. Historicist language. Four-storey mansion with circular towers at the corners. Central entrance with a hall that splits into two identical staircases. One of the towers is topped with a conical dome of ceramic scales and a gallery on the first floor. The façades are of regular and symmetrical composition, with an ordered arrangement of openings, alternating balconies and windows in a vertical layout. Balcony on the first floor and centred tribune. Open gallery on the upper floor and imbricated cornice. Recent restoration of the ground floor hall. 1906: project. 1908: construction.