Church of a single nave with side chapels between buttresses. Torral arches with vault between the arch in the nave and barrel vault in the side chapels. Gable roof of Arabic tile. Access by central staircase. Annex chapel of El Santíssim, rectangular plan with small dome and lantern, with Arabic tile roofs. Octagonal bell tower with glazed tile roof. The style of the building is neoclassicism, with some historicist elements. The roof and dome of El Santíssim chapel are organised following the guidelines of the Gaudí tradition and form parabolic arches and an eight-pointed star in the middle of which opens a skylight with coloured glass. The walls are decorated with coloured mosaics with floral (lilies) and symbolic (the symbols of the four evangelists) representations. The altarpiece composed of an arched niche with a semicircular arch, with the image of Saint Peter (in polychrome wood) dressed in tunic and mantle and wearing his attributes, framed by bronze reliefs in quadrangular frames, with the representations of scenes from the Saint's life (the miracles, the stay in prison, the escape from the city, etc.). It also preserves mural paintings, polychrome and figurative, where two scenes from the life of Saint Peter are represented, to whom the church is dedicated. One scene represents Peter fishing and Christ calling him in the foreground, against a background of a seascape. The other, arranged in an architectural interior, where Peter receives the functions of Saint Peter, surrounded by the other apostles and disciples. Both scenes are framed with an ornate border of stylised foliage. On June 14, 1857, the first stone of the parish church of Sant Pere was laid. On November 16, 1860, one of the arches of the central nave collapsed (the architects Josep Simó i Fontcuberta and Elies Rogent visited Gelida in order to open the responsibility file for the fall of the arch). In 1862 the works were resumed under the direction of Josep Simó i Fontcuberta, and in 1871 (June 25) they were finished and the tabernacle was moved. On April 24, 1916, the first stone of El Santíssim chapel was laid. The project of the church is by the architect Francesc Vallès. The direction of the works was entrusted to Josep Nolla and Ramon Urpí. From 1862 it was managed by Josep Simó. El Santíssim chapel is by the architect Isidre Puig i Boada.

Large house between partitions, with a gable roof, two floors, a setback floor and a more sunken space at the back. Based on the classical forms of the façade, there is a large room with pilasters and vaults and a staircase leading to the upper floor where there is a spacious room with mouldings, paintings and a flat ceiling from 1877, and several annexed services. Dances, cultural events, theatre, etc., were held in the Cultural and Recreational Centre of Gelida until 1933, year in which a new café was inaugurated (the current Café de la Pista del Casal Gelidenc). The ground floor was occupied by the café, presided over by a painting evoking the reapers of the Corpus de Sang of 1640. In 1939, it was occupied by the "Frente de Juventudes" and later acquired by the Gelida City Council.

Vila de Gelida House is located at the end of the block that forms a chamfer with Barceloneta and Colom Streets. It is a public building consisting of a basement, ground floor and two floors, covered by an Arabic tile roof. The building has undergone several refurbishments. It is a brilliant example of the eclectic style. The chronology of the Vila de Gelida House began in 1879, the year the foundation stone was laid, and the author of the initial project was the architect Laureà Arroyo i Velasco. Only a part of this project was carried out. In 1924, the interior was redistributed, making it suitable for housing, under the project of the architect Josep Ros i Ros.

Building between partitions that forms part of the Plaça de la Església. It consists of a ground floor and a main floor, with an upper roof. The façade has four facings. All the openings have semicircular arches, with archivolts. The language used in this work is historicism. The building of the parish house was built in 1881, according to the project of Laureà Arroyo i Velasco, which is still preserved in the parish house.

Large house reminiscent of a small French palace from the 18th century. It consists of three floors, a basement and an elevated viewpoint. In some places, despite being built in 1888 in the decadent style of French classicism, one begins to see modernism pop up. Some paintings with a nautical theme and two large paintings on canvas with a historical theme of great artistic value, placed in the three-nave hall, also decorated with Viennese-style furniture and a painting with a view of the house in 1915 are to be noted. In the splendid park – which seems straight out from a house in Versailles - there is a monument to Narcís Monturiol, installed in 1941 with his bust and the legend "Monturiol, 1819-1886", a very beautiful fountain, the huge stump of a large acacia tree that died in 1964, and a well that communicates with the house. The vox populi has always related this tower to the inventor of the submarine, despite having died in 1886, two years before the house was inaugurated, claiming that he had been in Gelida. We attribute the relationship of this house to the construction of the monument, built in 1941 in the garden.

Spacious, solid, U-shaped house, consisting of cellars with tile vaults, three floors and an attic. The interiors are divided between the toilets in the basement and the classrooms, interns' rooms and cloisters on the upper floors, arranged around the aforementioned U-shaped courtyard. The monumental harmony of the chamfered façade, the attic arches, and the single nave chapel with belfry, attached to the building, should be highlighted. The Franciscan Nuns, at the request of Rector Josep Perera, who saw the lack of education among the girls in the town, began classes on January 2, 1888. Two years later, during the Festa Major of 1890, the first stone of the Franciscan College and public chapel was blessed.

Large quadrangular house, with a flat roof, vaulted floor plan and two floors. The main floor has a tribune added in the modernist period, with five sides and stairs at the back. The interior offers large, illuminated spaces. With the last Republic, the house became a national school and then all the old interior layout was altered. It is worth highlighting the remains of the large garden that surrounds it, in the garage – today converted into the farmer’s home – and the cave of fantastic invention, now hidden. For many years, this house was the summer house of the Valls family. In 1932, the then republican city council leased the building to convert it into a school although it did not function as a national school until the 1940s. This school use was maintained until 1976, when the Escola Montcau was inaugurated. Shortly afterwards it was saved from demolition to make flats, thanks to the campaign to save buildings and green spaces carried out by the Democratic Assembly of Gelida and other people sensitised by art. At the beginning of the 1990s, the secondary school was temporarily located there until the inauguration of the Gelida Institute in 2004. On October 15, 2013, the City Council approved in the ordinary meeting the contract file for the rehabilitation works of the building, which will host the Municipal Music School.

Building between partitions, with a garden and rear galleries It consists of a basement, a ground floor and a main floor, with a roof and terrace. The façade has a symmetrical composition, with a running balcony and a finish with a lot of ornamentation, in the centre of which there is the inscription of the year 1892. The work responds to the formal characteristics of eclecticism. Casa Comelles was built in 1892, according to the inscription on the façade. Initially it was a single-family home. Subsequent renovations turned one of the windows into an access door to the upper floor.

Building between partitions of three corridors. It consists of a basement, ground floor and a floor. The roof is made of Arabic tiles. At the top of the façade there is an image of the Sacred Heart. The building presents a structure that fits into the aesthetics of eclecticism, although the ornamentation expresses small modernist insinuations.

Building between partitions that occupies the chamfer of Carrer de la Barceloneta and Carrer de Colom. It consists of a basement, first floor and three additional floors. The roof is made of Arabic tiles. The height of the slabs decreases as the street level increases. The construction responds to the characteristics of eclecticism. The Bonaventura Coma House is located in front of the Casa de la Vila, in the Eixample from the end of the 19th century.

Farmhouse that is part of the Gelida summer area. Built at the end of the last century, it consists of two floors, cellars and a viewpoint, a very large terrace, garden and orchards. As details, we should mention the voluptuous headboards of brown ceramic mosaic with a Gaudí taste, the clearly serrated bars, a dovecote - in the garden - of a very special design, covered with multicoloured mosaics, and contemporary paintings and drawings made by the Pallejà family. Since the end and beginning of the century, this house has been the scene of modernist festivals in Gelida, where the Barcelona bourgeoisie who spent the summers in Gelida met, with some prominent members of Gelida society, celebrating floral games, theatrical performances in the theater of the house, performances by the Gelida Choir, etc, and at the same time, residence of the poet Ramon Pallejà i Camaló.

Quadrangular house with a single floor and basement, built in the modernist style, with railings and reliefs with characteristic flowers of this period. The interior, arranged around a central corridor finished with a gallery and rooms on either side, had period furniture, now gone, and a gazebo with Doric columns that overlooks the garden. A very important part of the gardens was destroyed in the 60s to build a factory. It consisted of a pine forest, a small pavilion and stairs, becoming an essential green space in the centre of the population of total interest.

House built between partitions, with two floors and basements facing Passeig Circumvallació. The supporting pillar of the façade as a sculptural element, divides a porch into two equal volumes, dressed with special wrought iron bars, feverishly modernist. The part of the upper façade of the building consists of a rotunda and two tribunes with ceramic and iron overhangs. The basis of applied materials are: the seen billet, the ceramics used as an ornament, and the stream pallets. The predominant one is iron as projection and embellishment. This work is the most relevant representative of Modernism in Gelida.

Building between partitions with one bay, basement and ground floor, with rear exit. The roof is made of Arabic tile. The formal characteristics of the house respond to the popular Catalan Art Nouveau language, with reminiscences of a certain medievalism.

Built around 1911 by Joaquim Jové i Costa, Marquis of Gelida, and main character of one of the golden eras of the La Gelidense paper factory. It is a four-bay building with two-sided roofs and an attic, following both a modernism and noucentista style. There three floors and an elevated body, decorated externally with fantasy ceramic details that decorate medievalist openings. The interior main floor has a civic atmosphere with a general lobby and large rooms where we should highlight the ceramic tiles, some paintings and furniture and the lamp in the dining room. The large garden - surrounded by a specially designed fence- is very interesting, although it has been mutilated in order to build flats, losing much of its original charm and vegetation, such as a very tall fir tree.

Large rectangular building covered by a gable roof and with two floors. The first has tiled vaults and the second one has a flat roof and "art déco" decoration. The extraordinary brightness due to the large windows and the longitudinal balcony on the left of the building, where the coat of arms of Catalonia appears on the railing - a motif that is repeated in the two attic windows, where on one of them has disappeared.

Summer house built in the 1920s. It has a single rectangular body, underground and first floor, gable roof, and a large and very elegant porch terrace. It is surrounded by a garden, and it is part of the residential core built by holidaymakers at the end of the last century and the present. The house served as the setting for Jaume Camino's film "Les llargues vacances del 36", during the 1970s, which tells the details of when the Barcelona bourgeoisie had just occupied their summer homes, and the Spanish Civil War on July 18 broke out.

Urban tour of primitive summer houses surrounded by large gardens. Coexistence with houses of popular origin and more recent summerhouses. Connection with a promenade with trees and a bridge over the Funicular and Montserrat. Eclectic, modernist and noucentista architecture. The buildings on this street were built between the 1880s and 1920s.

Isolated building, located within the industrial complex of the Guarro paper factory. It has a rectangular plan and consists of a ground floor, a floor and an attic, under a gabled roof made of Arabic tiles. Access to the first floor is via an exterior staircase of two straight sections with a quarter-turn landing. On one of the sides there is a porch (currently closed), crowned at the height of the first floor by a terrace with balusters. The work, which collects treasonous constructive elements of the farmhouses, is inscribed within the noucentista language. The Casal del Molí Vell was built between 1920-1921 by the architect Antoni Puig i Gairalt, in order to install the staff canteen of the Guarro factory on the ground floor and the school and library on the first floor. The dining room is currently used as the headquarters of the company's offices and the library as a museum.

Building between ground floor partitions, with an Arabic tile roof and rear patio. The façade has a symmetrical composition, with a rectangular central access door and two windows on the sides. The mouldings that decorate the openings, the ornamentation of the upper strip, which corresponds to the air chamber, and the crowning with the inscription of 1922 are remarkable elements. It is a popular construction of a noucentist style and it is inserted in a set harmonic of buildings from the beginning of the century. The building dates from 1922, according to the inscription that appears on the top of the façade.

Building between partitions consisting of basement, ground floor and main floor, covered by a roof of Arabic tiles. At the back there are galleries. The façade, with a symmetrical composition, has as a remarkable element the undulating gable and the naturalistic ornamentation. The language used in this construction is modernism. The building was built in 1924, according to the inscription that appears on the finishing of the façade.

House with a partition on one of its four sides. It consists of a ground floor, two storeys and an attic. The roof is made of Arabic tiles. It has rear galleries and a courtyard. The top of the building is staggered. It has an interesting balcony with a semi-elliptical floor plan and balustrade. It follows the Noucentisme style. The building was built by the architect Ramon Reventós i Farrerons. The project, preserved in the archives of Gelida Town Hall, was presented on the 1st October 1924 and approved on the 3rd of December of the same year.

The collective transport system called the Funi was inaugurated on November 1, 1924, with the aim of connecting the train station and the industrial area with the old quarter. The promoter of the idea was priest Jaume Via and Josep Rosell i Massana. The work was directed by Santiago Rubió i Tudurí, engineer of the Tibidabo cable car. Upper and lower station are still to be preserved. It was mainly used by paper mill workers, train passengers and residents of the Sant Salvador neighbourhood. The fundamental data are: Length of the route: 860 metres. Maximum slope: 22%. Difference in level between stations: 103 metres. Travel time: 8 minutes. Traction cable length: 935 metres. The cable has a diameter of 29.5 millimetres and slides over a set of 103 pairs of pulleys. On September 19, 1920, the Funicular de Gelida, SA company was established. In 1926 the Funi carried approximately 100,000 passengers. It has become one of the most emblematic elements of Gelida.

House with a garden, initially isolated. It consists of a basement, ground floor, first floor and attic, under an Arabic tile gable roof. At the back there are porches and galleries. The ornamental terra cotta tiles are of interest. As a whole, it responds to the characteristics of the noucentista sensibility. Riba House was built by the architect Josep Ros i Ros. The project, which is kept in the archives of the Gelida Town Hall, dates from October 15, 1925. Initially it was an isolated building, but now it has an extension that connects it to the one next door.