Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Francesc Rafat Antoni López Daufí Joan Falgueras Anton Pàmies Mercè Bosch Josep Ferrando Fernando Marzá Aureli Mora Omar Ornaque

External Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Helena Cepeda Inès Martinel Maria Jesús Quintero

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Arxiu Mas

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

EINA Centre Universitari de Disseny i Art de Barcelona

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Awarded
Cataloged
Disappeared
All works
  • 1970

  • 1982

  • 1991

  • 1991 - 1992

  • FGC Railways Central Workshop and Operations Centre

    Bach-Mora Arquitectes, Jaume Bach i Núñez, Gabriel Mora i Gramunt

    FGC Railways Central Workshop and Operations Centre

    Three large pieces and a small, fixed control core between large landscapes of tracks were the starting point of the operating centre of the Railways of the Generalitat de Catalunya in Rubí, where the workshops and part of the offices are gathered, thus, away from the congestion of the central metropolitan area. It is a large-scale intervention – the large building has more surface area than a block of Cerdà’s Eixample – close to the urban centre of Rubí and the B-30 motorway. The 90x130m workshop building is divided into three main bays, as the need to have three crane bridges made sense for a single bay. Each of them is saved by an identical truss that moves with the curvature of the roof, valued by a continuous zenithal light. This steel ship is surrounded by a two-story precast concrete structure - two different techniques and a possibility to distribute skills, deadlines and jobs. Consequently, concrete slabs and corrugated steel lacquered sheets are also alternated. In one of the test rooms, the dining rooms, the separation spaces or conference rooms are attached to the body of offices with freer forms, all more connected and adapted to the limits of the land, and open with a panoramic window to the vision of the metropolitan mobility of the trains themselves or of the nearby motorways.

    1989 - 1995

  • La Serreta Secondary School

    Joan Arias i Roig, Martín Azkarate

    La Serreta Secondary School

    There are observations when first seeing the plot that have a decisive influence during the realisation of the project. The plot of land intended for the construction of a high school in Rubí showed a large building gap that could be seen far away, in fact as far as the Montserrat mountain. They determined that once the building was built, this would not be lost. There was also the limited area of the plot for the necessary program, so that the minimum amount of land had to be occupied in order to use the rest for the sports courts and other activities. A compact building was therefore planned, located on the southern part of the site and facing the newly created square. The strong presence of the square is supported by the building, but avoiding the axiality it imposes. The access from the square is on one side, near Lepant Street, through a large porch that crosses the building and gives way to the back yard, leaving the main entrance as a balcony towards the slopes and elevated from the street. The centre is organised on four floors, with direct access from the two lower floors, which are used for more public activities: multipurpose room, gym, changing rooms, dining room, administration and teachers' rooms. The two upper floors are used exclusively for classrooms and workshops. The organisation of circulation takes place in the form of a comb dependent on the two interior courtyards which, in addition to illuminating and ventilating the parts furthest from the façades, are a strong defining element of the interior of the building. On the lowest floor the building becomes transparent from side to side. Elements of the façade that should be noted: the Begur stone, used so commonly in the plinths of popular buildings, the removal of the edges, making the building appear anchored to the original site and detaching itself from the nearby buildings of a very diverse character that surround it to relate to a more distant environment.

    1993 - 1996

  • Landscape Offices

    BailoRrull | ADD+ Arquitectura, Manuel Bailo i Esteve, Rosa Rull i Bertran

    Landscape Offices

    The project is initially considered by understanding its immediate environment and its relationship with the city and the landscape. On a city scale, we understand Rubí as a city the growth of which has been supported by a geographical line formed by the stream and the foot of a small set of mountains. The project is located on this line but not immersed in a consolidated urban terrain, but at that point where the line gives up its firmness to become incorporated into the landscape. In this way, it invites you to direct your gaze towards the green of the stream. On the scale of the site and the immediate surroundings, it is punctuated in a plot of an industrial estate, where it forms part of a row of warehouses. With respect to this row, the offices are located at the end, giving themselves immediately in contact with the trees and the green. Once again, the look at the landscape is reaffirmed. Considering that the programme of the project is offices in the middle of an industrial estate, it is proposed to enhance through the elements of the façade to avoid the gaze facing the buildings and all the implicit activity of the estate. It is interesting to look at the landscape. It is proposed to work with different flat and non-flat prefabricated parts. The relationship between these pieces is what will allow us, not only the existence of different types of void, but also to control and direct the visions. At the same time, it allows us to differentiate systems for each façade, according to the needs of each one and the proximity to the landscape. The arrangement of these non-flat parts in plan establishes an exterior-interior relationship, incorporating small exterior spaces into the offices and projecting to the central core. The floor plan starts from the core where all the services, community and private, of each office are accumulated. The treatment of this core is worked on as another part of the façade, as a public part, so that the space proper to the offices wanders between two skins, which due to their own thickness become filters, filters between interior and exterior, and between public and private.

    2006 - 2008

  • Rubí Market, Square and Offices

    Josep Miàs i Gifré

    Rubí Market, Square and Offices

    Rubí local market is in a central urban position. It is in a triangular plot, which gives the market the same shape. In the northern side, before the intervention, there was an excavated inbuilt and residual space which was not used. The project proposes building an underground two-storey parking, connected to the existing one. Over the new parking, the enlargement of the market is built. The project includes the refurbishment of the lower floors in order to integrate them into the parking, installing refrigerators and waste processors. This new square, over the underground parking, will be the new outdoors hall of the market. Its geometry tries to make the slope walkable and suitable as a public space. In addition, it is an extension of the commercial activities inside the market, giving enough space for fairs and occasional outdoor commercial events. With this project the market changes its orientation, having the main entrance in the square. So then, this extension is almost like a façade-building, with new city hall and market administration offices, which lies on the northern side of the plot. This building, then, occupies the frontal area, growing higher than the existing market so that it becomes something like a three level placard. In the ground floor, the building has commercial spaces related to the existent market activity, and the main access to the market and to the underground parking. “In fact, projects have always a secret thinking or a hidden beginning which allows thinking about the place and working in it… and this is something which is normally not explained. They are personal interests, certain ideas that were born in an intense work moment, which happen to be important for the logical development of the project. We have built a sort of urban beach, where people would lie and sunbathe, wander, play… It is a new topography made of sand and pavement that landmark a water building, something like a wavy front. This is a transparent blue building, where foam is still shining. It is almost a marine landscape, made of blue and grey, like the roof of the market, where water would be the main character too…”

    2010

  • El Pinar Sociocultural Centre

    Roldán+Berengué Arquitectes, Mercè Berengué Iglesias, José Miguel Roldán i Andrade

    El Pinar Sociocultural Centre

    The El Pinar de Rubí socialcultural centre is based on a 60-metre elongated plot oriented east-west which has a strong transverse slope of 52%. The interior façade close to the intersection of the C-1413-a road is located at +181 elevation. The opposite façade on a plateau at + 189 elevation is the end of a wooded area that is part of the Catalogue of the Archaeological and Natural Heritage of Rubí. The building is 75% semi-buried against a retaining wall that supports the mountainside. The project, which occupies the entire available plot, has the shape of a butterfly in plan and section. In the left wing, which has two floors, there is an auditorium and above it a nursery for the children of the neighbourhood. In the right wing of three floors there is a small gym, a classroom floor for adults, the exhibition area and the social room. The building shows solid, rocky image based on mortars with projected stones of different shades of grey in front of the road, perforated and grooved metal sheets of ash colour. On the other hand, the single-storey façade facing the forest is a transparent and permeable body. The pillars that support the roof, in the generously-height space of the social centre, are painted simulating the trees outside. Visually, between the two wings of the building, in white colours and with the help of a small curtain wall of three floors, there is the point of permeability between the lower and upper levels of the land and which is the link between the lower and upper door. This empty centre is occupied by a double space for stairs and elevators, it functions as a connection between the right and left blocks and reproduces in image and function the small step, like a cliff that existed on the site in the state prior to the construction of the centre.

    2009 - 2011

  • FGC Industrial Unit-Museum of Historical Material

    AMOO (Aureli Mora + Omar Ornaque), Mora-Sanvisens Arquitectes Associats, Gabriel Mora i Gramunt, Aureli Mora Sanvisens, Omar Ornaque Mor, Carmina Sanvisens Montón

    FGC Industrial Unit-Museum of Historical Material

    This is a large-scale expansion intervention of the workshop building and main building of the FGC Operational Centre in Rubí with three main objectives: - To cover the old road of dynamic tests for storage and museumisation of various historical units. - To provide a new façade and image to the access street to the centre, while giving greater privacy to the homes in the nearest suburban core. - To act as an exhibitor of the historical units towards the car park and access to the centre's offices. The scale of the workshop and office building - with a larger surface area than a block of the Cerdà plan - and the length of the dynamic test track to be covered, required a forceful and symbolic intervention, which at the same time give material and volumetric continuity to the centre and provide a contemporary image in tune with the institution's current requirements. A long structure is projected adjacent to the workshop building of 173.00m in length and continuous section in the form of an arch that avoids the problem of distinguishing between façade and roof and that, resting on the existing concrete wall that delimits the perimeter from the centre and formally separating from the workshop building, it creates an optimal transition between the existing curved and inclined roofs and the street, towards which it becomes the new image. This structure is clad on the outside with continuous smooth sheet metal with a tab joint, avoiding any joint in section and providing a continuous rhythm along the entire length of the new ship, only interrupted by the emergency staircase - an expressly unique volume, exempt from the main structure— and by the spelling of large corporate letters that subtly present the institution and mark the main access. Inside, this structure is presented in a rational and completely naked way, enhancing its tectonic beauty and marking a constant rhythm that is surprising for its length. The inner lining of the arched enclosure is also made of sheet metal - this grooved, indented, micro-perforated and arranged over large thicknesses of thermal and acoustic insulation - in order to minimise internal reverberation and acoustic pollution towards the outside, in case of specific movement of historical units. When you reach the main entrance to the centre, the new nave opens up towards the offices through a large, glazed façade from top to bottom that allows you to observe the historical units from the outside, like a great heritage showcase. This façade disintegrates into a lower, irregular volume when it reaches the end of the unit, highlighting its access through a double pillar and revealing part of the inner face of the arched roof. This decomposed and lighter end of the main unit adapts kindlier to the set of elements of the main entrance to the centre and still allows a glimpse of the original workshop space from the street. In short, a large and forceful infrastructural intervention that strengthens the railway image of the centre by means of its extensive length and makes it possible to extend the useful life of one of the most unique sets of FGC.

    2018 - 2020

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