Edifici situat al nucli més antic de Sitges, al costat de la Casa de la Vila. Es tracta d'una construcció d'una sola nau amb coberta a dues vessants. La façana de maó vist , és de composició simètrica i presenta com a element més remarcable la marquesina de ferro de l'entrada. En el seu origen , el mercat era aïllat; posteriorment es va afegir un nou cos que el va unir amb altres edificacions. L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i dirigit per l'arquitecte municipal Gaietà Buigas i Monravà , i es la primera obra sitgeriana L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i d'aquest arquitecte. Els plànols daten de l'any 1889. La subhasta de les obres fou adjudicada a Pere Ferran per 24.700 ptas. La inauguració oficial del mercat és va fer el 15 d'agost del 1890. De l'any 1891 es conserven encara els dibuixos originals de la marquesina de ferro colat de l'entrada, realitzats també per Gaietà Buïgas. L'any 1935 s'hi van fer obres d'engrandiment

Building between partitions with a ground floor and two floors, on the corner of Carrer Illa de Cuba and Carrer Sant Gaudenci. The chamfered corner is resolved by means of a tribune which occupies the two floors, with interesting coloured glass. The openings on the floors are balconies with iron railings and framed at the top by mouldings with floral decoration. The building ends in straight lines with stylised arched pediments with centred palmette. On the façade facing Carrer Sant Gaudenci there is a covered gallery with a large rounded window. The documentation found on this building is not sufficiently explicit. The inventory file of the Architects' Association of Barcelona attributes the work to the master builder Gaietà Miret i Reventós and places its construction in 1908. On the other hand, the Sitges Municipal Archive preserves a plan of the project (with the name "Casa Ollé") signed by the architect Josep Pujol i Brull in 1907. It is possible that, for some reason, the master builder Gaietà Miret was commissioned to carry out J. Pujol's original project. A few years ago, the house was in a considerable state of neglect, but it has now been refurbished. In any case, the works corresponding to these dates seem to have been carried out on a pre-existing building constructed in 1881.

The Clock House is one of the most characteristic buildings in Sitges, and it stands on the corner between Carrer Major and Carrer A. Vidal and opens onto the Plaça Cap de la Vila, to whose configuration it makes a decisive contribution. It is a large building between partitions, with a ground floor, three floors and a roof with a sinuous railing. It is accessed through three doors, two of them located on Carrer Major and Carrer A. Vidal, and the third and main door on the square. The distribution of the rest of the openings, which are generally rectangular, is rectangular. The most remarkable part of the building is the one on the corner with Carrer Major, which has a wooden tribune on the first floor and, above all, an overhanging tower, where the clock that gives the house its name is located and which ends in a spike covered with a mosaic of white, yellow and blue tiles. Overall, the decorative elements play a very important role in the external appearance of the building: ceramics, iron and sgraffito, although the latter are quite damaged. The Clock House, known as "Casa del Rellotge" is located at Cap de la Vila, where in the 17th century there was one of the six gates of the new wall of Sitges. This area was reformed according to the initial project by Gaietà Buïgas i Monravà, approved on 17-6-1889 and carried out with many modifications by Ignasi Mas i Morell in 1913. In December 1912, permission was requested for the construction of the building. The project was presented in May 1913 and was approved by the Town Council. The work was completed in 1915 – the date that appears sgraffitoed on the corner of Carrer d'Àngel Vidal.

The Maricel complex is made up of several buildings arranged on both sides of Fonollar Street and joined by a bridge. They are two large blocks known as Maricel de Mar and Maricel de Terra, and they were built with artistic elements from various periods and styles. Maricel de Mar is built on the rocks. The tower facing the bastion is a remarkable element. It has battlements, semi-circular arch access door, cone-shaped window and the image of the Archangel Saint Michael. Maricel de Terra is made up of a set of buildings with an irregular layout that are located between Fonollar, Sant Joan and La Davallada Streets. In this sector it is necessary to mention the "Recó de la Calma", with the access door and the capitals. The capitals, made by the sculptor Pere Jou, form a series of fifty with varied themes: fables, characters from the beginning of the 20th century, traditions, etc. In 1910, Charles Deering acquired the building of the old hospital of Saint John the Baptist, which had been built in the 14th century and enlarged in the 19th century with the aim of transforming it, along with other buildings, into a residence-museum. Miquel Utrillo oversaw the works, as well as being the administrator. The building was built with architectural elements from various origins and periods and already in 1913 contained important artistic pieces. On 18-10-1915 the Great Hall was inaugurated. In 1921, Charles Deering left for the United States with a large part of Maricel's works, which remained empty for many years. In 1932, the Board of Museums of Barcelona decided to reuse Maricel as a museum, which was inaugurated on 14-6-1936. The building is currently owned by the City Council and the County Council and is mainly dedicated to artistic and cultural activities. Capitals In 1915 the Barcelona sculptor Pere Jou arrived in Sitges called by Miquel Utrillo with the purpose of decorating the Maricel buildings with a set of about fifty capitals. The artist completed the commission and subsequently settled permanently in the town. At present, the capitals, some of which had been badly damaged, are in the process of restoration.

Isolated building of large dimensions and rectangular floor plan consisting of ground floor, two floors and attic. The roof has a two-slope pitched roof with two levels of Arabic tiles. The composition of the façade is almost symmetrical (one of the wings is more symmetrical than the other), while the central body is higher. The ground floor has been extensively modified. Access to the inn is through the first floor, which has two semicircular-arched windows at the ends and several openings in the central body with a basket-handle arch. A masonry canopy separates the first and second floors. On the first floor there is a gallery formed by five semicircular arches and rectangular balconies on both sides, with iron railings. The attic floor is occupied by small openings framed with exposed brick in the lateral bodies, and a central gallery of eight arches, also made of brick. According to the Sitges Municipal Archives, in 1919 Joan Vilella asked the Town Council for permission to build a house on Passeig de la Ribera in accordance with plans drawn up by the architect Joan Rubio i Bellver and signed in April. Approval was given on 5th May of the same year. The building, which follows the Noucentista style, has elements that still have a modernist and eclectic Noucentista essence, mainly the use of exposed brick and the oriental-inspired decoration (the arches in the first floor gallery).