Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2024 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2024 Ramon Faura Carolina B. Garcia Francesc Rafat Antoni López Daufí Joan Falgueras Anton Pàmies Mercè Bosch Josep Ferrando Fernando Marzá Aureli Mora Omar Ornaque

External Collaborators:

2019-2024 Lluis Andreu Sergi Ballester Helena Cepeda Inès Martinel Maria Jesús Quintero

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Arxiu Mas

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

EINA Centre Universitari de Disseny i Art de Barcelona

Design & Development:

edittio Nubilum
Suggestions

Suggestion box

Request the image

We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

* If the memory has known authorship or rights, cite them in the field above 'Comments' .

Remove * If the photographs has known authorship or rights, cite them in the field above 'Comments'.
You can attach up to 5 files of up to 10 MB each.

Awarded
Cataloged
Disappeared
All works
  • Mercat Municipal de Sitges

    Gaietà Buïgas i Monravà

    Mercat Municipal de Sitges

    Edifici situat al nucli més antic de Sitges, al costat de la Casa de la Vila. Es tracta d'una construcció d'una sola nau amb coberta a dues vessants. La façana de maó vist , és de composició simètrica i presenta com a element més remarcable la marquesina de ferro de l'entrada. En el seu origen , el mercat era aïllat; posteriorment es va afegir un nou cos que el va unir amb altres edificacions. L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i dirigit per l'arquitecte municipal Gaietà Buigas i Monravà , i es la primera obra sitgeriana L'edifici del mercat de Sitges, primera construcció en ferro de la vila. Va ser projectat i d'aquest arquitecte. Els plànols daten de l'any 1889. La subhasta de les obres fou adjudicada a Pere Ferran per 24.700 ptas. La inauguració oficial del mercat és va fer el 15 d'agost del 1890. De l'any 1891 es conserven encara els dibuixos originals de la marquesina de ferro colat de l'entrada, realitzats també per Gaietà Buïgas. L'any 1935 s'hi van fer obres d'engrandiment

    1889 - 1890

  • 1894

  • Güell Winery

    Francesc d'Assís Berenguer i Mestres, Antoni Gaudí i Cornet

    Güell Winery

    It is a small building intended to store the wines grown on the estate that Eusebi Güell had in Garraf. The construction is formed by three orders of parabolic arches, which decrease as they move up, in a way that they form a pronounced gabled roof. The winery is located on the edge of the road, next to a large slope. The whole factory is of pumice stone masonry, with monolithic reinforcements at the corners, and boldly unloaded in some places, as at the entrance to the chapel on the upper level. Although its authorship has always been attributed to Francesc Berenguer, Gaudí's intervention in some details on a smaller scale is clear, such as the chimneys, the access door and the latticework. The intermediate level, which houses the administrator's apartment, connects with the street level and with the access, where the slope of the roof rises gently and forms a profile similar to a pagoda.

    1895 - 1900

  • Casa Manuel Planas Carbonell

    Gaietà Miret Raventós

    Casa Manuel Planas Carbonell

    Edifici entre mitgeres de planta baixa i dos pisos, que fa cantonada entre les carrers Illa de Cuba i Sant Gaudenci. El xamfrà se soluciona mitjançant una tribuna que ocupa els dos pisos, amb interessants vidres acolorits. Les obertures dels pisos són balcons amb barana de ferro i emmarcats a la part superior per motllures amb decoració floral. L'acabament de l'edifici és recte amb estilitzats frontons d'arc amb palmeta centrada. A la façana que dóna al carrer Sant Gaudenci hi ha una galeria coberta amb un gran finestral de forma arrodonida. La documentació localitzada sobre aquest edifici no és prou explícita. La fitxa de l'inventariï del Col·legi d'Arquitectes de Barcelona, atribueix l'obra al mestre d'obres Gaietà Miret i Reventós i en situa la construcció al 1908. En canvi l'Arxiu Municipal de Sitges conserva un plànol del projecte (amb el nom de "Casa Ollé") signat per l'arquitecte Josep Pujol i Brull l'any 1907. És possible que per algun motiu el mestre d'obres Gaietà Miret s'encarregués de dur a terme el projecte original de J. Pujol. Fa pocs anys la casa es trobava en un estat d'abandó considerable, però actualment ha estat restaurada. En tot cas, les obres corresponents a aquestes dates, sembla que es van fer a sobre d'un edifici preexistent construït el 1881.

    1907 - 1908

  • 1910 - 1912

  • Casa del Rellotge

    Gaietà Buïgas i Monravà, Ignasi Mas Morell

    Casa del Rellotge

    La casa del Rellotge és un dels edificis més característics de Sitges; fa cantonada entre el carrer Major i el carrer A. Vidal i s'obre a la plaça Cap de la Vila, a la configuració de la qual contribueix decisivament. Es tracta d'un gran edifici entre mitgeres, de planta baixa, tres pisos i terrat amb barana sinuosa. S'hi accedeix per tres portes, situades dues d'elles als carrers Major i A. Vidal, i la tercera i principal a la plaça. La distribució de la resta de d'obertures, en general rectangulars, és rectangular. La part més remarcable de la construcció és la que fa cantonada amb el carrer Major, que compta amb una tribuna de fusta al segon pis i sobretot amb una torre sobresortint , on és troba el rellotge que dóna el nom a la casa i que acaba en punxa coberta amb trencadís de rajoles blanques, grogues i blaves. En conjunt els elements decoratius tenen un paper molt important en l'aspecte extern de l'edifici: ceràmica, ferro i esgrafiats, tot i que aquests darrers es troben força fets malbé. La "Casa del Rellotge" es troba situada al Cap de la Vila, on en el segle XVII hi havia un dels sis portals de la muralla nova de Sitges. Aquesta zona va ser reformada segons projecte inicial de Gaietà Buïgas i Monravà aprovat el 17-6-1889 i realitzat amb moltes modificacions per Ignasi Mas i Morell al 1913. El desembre de 1912 va ser sol·licitat el permís per la construcció de l'edifici. El projecte va ser presentat el maig del 1913 i va ser aprovat per l'Ajuntament. L'obra es va enllestir el 1915, data que apareix esgrafiada a la cantonada del carrer d'Àngel Vidal.

    1889 - 1913

  • Maricel Palace

    Miquel Utrillo i Morlius

    Maricel Palace

    The Maricel complex is made up of several buildings arranged on both sides of Fonollar Street and joined by a bridge. They are two large blocks known as Maricel de Mar and Maricel de Terra, and they were built with artistic elements from various periods and styles. Maricel de Mar is built on the rocks. The tower facing the bastion is a remarkable element. It has battlements, semi-circular arch access door, cone-shaped window and the image of the Archangel Saint Michael. Maricel de Terra is made up of a set of buildings with an irregular layout that are located between Fonollar, Sant Joan and La Davallada Streets. In this sector it is necessary to mention the "Recó de la Calma", with the access door and the capitals. The capitals, made by the sculptor Pere Jou, form a series of fifty with varied themes: fables, characters from the beginning of the 20th century, traditions, etc. In 1910, Charles Deering acquired the building of the old hospital of Saint John the Baptist, which had been built in the 14th century and enlarged in the 19th century with the aim of transforming it, along with other buildings, into a residence-museum. Miquel Utrillo oversaw the works, as well as being the administrator. The building was built with architectural elements from various origins and periods and already in 1913 contained important artistic pieces. On 18-10-1915 the Great Hall was inaugurated. In 1921, Charles Deering left for the United States with a large part of Maricel's works, which remained empty for many years. In 1932, the Board of Museums of Barcelona decided to reuse Maricel as a museum, which was inaugurated on 14-6-1936. The building is currently owned by the City Council and the County Council and is mainly dedicated to artistic and cultural activities. Capitals In 1915 the Barcelona sculptor Pere Jou arrived in Sitges called by Miquel Utrillo with the purpose of decorating the Maricel buildings with a set of about fifty capitals. The artist completed the commission and subsequently settled permanently in the town. At present, the capitals, some of which had been badly damaged, are in the process of restoration.

    1913 - 1915

  • Casa Virella

    Joan Rubió i Bellver

    Casa Virella

    Edifici aïllat de grans dimensions i planta rectangular format per planta baixa, dos pisos i golfes. La coberta és a dos vessants a dos nivells de teula àrab. La composició de la façana és gairebé simètrica (una de les ales és més simètrica que l'altra); el cos central és més elevat. La planta baixa ha estat molt modificada. L'accés a l'hostal es fa pel primer pis, que té als extrems dues finestres d'arc de mig punt i al cos central diverses obertures d'arc carpanell. Una marquesina d'obra separa el primer del segon pis. Al segon pis hi ha una galeria formada per cinc arcs de mig punt i balcons rectangulars a banda i banda, amb barana de ferro. El pis de les golfes l'ocupen petites obertures emmarcades amb maó vist als cossos laterals, i una galeria central de vuit arcs, també de maó. Segons consta a l'Arxiu Municipal de Sitges, l'any 1919 Joan Vilella va demanar permís a l'Ajuntament per a la construcció d'una casa al passeig de la ribera d'acord amb els plànols realitzats per l'arquitecte Joan Rubio i Bellver i signats amb data del mes d'abril. L'aprovació es va donar el 5 de maig del mateix any 1919. L'edifici, d'estil noucentista, presenta elements que encara tenen regust modernista i eclèctic noucentista, principalment la utilització de maó vist i la decoració d'inspiració oriental (arcs de la galeria del segon pis.)

    1919

  • 1925

  • 1933

  • 1934

  • Casabó House

    Francesc Mitjans Miró

    Casabó House

    The house was designed by Mitjans during his time as a student, before the Spanish Civil War, and under the predominant influence of the ideas of the GATCPAC. In the same way as other architects of the time, he starts from a neoclassical scheme, linked to the brick factory, and alters it with absolute freedom, in accordance with the programme and the interpretation of the site. The house rises one floor to favour the sea views. It is accessed tangentially from the terrace, linked to the living room, on the south façade. The west wing is used for bedrooms and is slightly higher than the rest of the house. The east wing contains only the kitchen and service rooms, and leaves room for large terraces that act as a cover for the wheeled access. Five cylindrical pillars protect the terrace from the access on the west side and shape the image of the house seen from the promenade.

    1934 - 1935

  • 1946

  • 1947

  • 1953 - 1954

  • 1954

  • Catasús House

    José Antonio Coderch de Sentmenat, Manuel Valls i Vergés

    Catasús House

    The Vinyet neighborhood has a mainly flat topography, and Coderch chose to create a system of domestic spaces in this house, referring exclusively to the large garden of the plot, without any reference to the outside. Thus, the house is configured on a single floor and basically forms an L that embraces the garden. One of the arms of this L includes the bedrooms, while the other contains the dining room and living room. The entrance takes place behind the body of the bedrooms, hidden from the garden, and gives access to a third arm that includes the kitchen and restrooms. All the openings leading to the garden can be opened and practiced flat, or they can be closed with shutters of the same height as the factory-built house. Thus, the house becomes a set of areas on a single level where the garden unifies the main parts of domestic life, while the entrance and services remain hidden at the back and generate their own outdoor spaces.

    1956 - 1958

  • Gili House

    José Antonio Coderch de Sentmenat, Manuel Valls i Vergés

    Gili House

    The peculiarity of the program leads Coderch to rehearse an unprecedented distribution organisation, on a plot neighbouring the Catasús house, built ten years earlier. From the entrance you reach a distributor connected to a patio that gives light to the central areas, and which is conceived as a semi-covered greenhouse. From here you can access the garden through a small porch, and the bedroom area through a second, completely independent distributor. The living room has its back to the parking plot and adopts a fairly closed configuration, although facing south and the garden. The dining room takes on special importance, being in the visual axis that crosses the whole house, from the bedrooms to the opposite façade, where there is a second semi-covered patio. Coderch conceives an L-shaped house, with a large central axis, in which the situation of each room is determined by its intrinsic configuration and by the position it occupies in the general circulation system.

    1965 - 1966

  • 1966 - 1977

  • 20th century

Bústia suggeriments

Et convidem a ajudar-nos a millorar la difusió de l'arquitectura catalana mitjançant aquest espai, on podràs proposar-nos obres, aportar o esmenar informació sobre obres, autors i fotògrafs, a més de fer-nos tots aquells comentaris que consideris.