Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum
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We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

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Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Awarded
Cataloged
Disappeared
All works
  • Estació Vella

    Salvador Soteras Taberner

    Estació Vella

    Three-storey building with an iron porch. It has a separate toilet block. With its classic appearance and stuccoed brick façade, it distinguished the stations of the M.Z.A. railway line in the area.

    1848

  • 1852

  • Estació del Tren de Martorell

    autoria desconeguda

    1852 - 1854

  • Estació del Nord Bus Station

    Pere Andrés i Puigdoller

    The Northern Station is located on the grounds of Fort Pius, a military installation whose purpose was to prevent the siege of the Ciutadella, located a few hundred metres to the south. It began as an uncovered train station that was successively expanded and reformed over time until, in the first decade of the 20th century, Demetri Ribes (also author of the North Station of Valencia) organised the cover and the main and representative façades towards Nàpols and Vilanova Streets. This structure is preserved, perfectly restored, and is of high architectural interest, with a style of pavilions surrounding the main deck, well ornamented and tense. It is remarkable to see how the original level of the station has left it below the surrounding streets. The station was abandoned when it ceased to be useful and remained so until the mid-1980s, when, taking advantage of the Olympic Games, it was restored by order of Barcelona City Council. The restoration falls to the architects Tous and Fargas, who define a multifunctional complex that creates a park to the south of the station, in the track area (built by Arriola & Fiol) and leaves the interior converted into a sports complex, originally used for the table tennis events of the Olympic Games. The current use perfectly respects the original space and highlights its beauty. In the northern part of the building, turning the long northern façade almost into a partition, there is the bus station terminal, with a system of translucent pergolas parallel to the old station. The spaces therefore continue to retain their civic character. All of them can be visited and it is worth checking how a historic building designed for a very specific program can serve another radically different one with the same success, maintaining the validity of the building and the arrangement proposed by an equipment of this scale.

    1861

  • 1888

  • 1900

  • 1902

  • Estació Inferior de Vallvidrera

    Bonaventura Conill i Montobbio

    Estació Inferior de Vallvidrera

    Es tracta de dos edificis d’ús públic resolts amb un llenguatge arquitectònic avançat per a la seva època. El segon s’inscriu dins del modernisme, amb una marcada influència vienesa.

    1905

  • Vallvidrera Upper Station

    Arnau Calvet i Peyronill, Bonaventura Conill i Montobbio

    Vallvidrera Upper Station

    Located in the Sarrià-Sant Gervasi district, the Vallvidrera Funicular Station faces onto Plaça Pep Ventura, at the junction of Queralt and Alberes streets, both within the Vallvidrera neighbourhood. The building connects the railway station at the foot of the mountain with the village situated at its summit. The semi-basement levels house the mechanical installations and passenger arrival platforms, while the ground floor is devoted to passenger services and the upper floor contains the company’s administrative offices. Access to the funicular is provided through the main façade facing the square, whereas passengers arriving at the station exit via an external passage at the corner of the plot, without entering the building itself. The façade features a lower section extending the full height of the ground floor, forming a plinth of irregular stonework. Openings for windows and doors punctuate this textured surface, their sinuous forms creating arches of varying centres. Both the shapes and the use of exposed brick in the intrados are stylistic devices characteristic of Catalan Art Nouveau. The upper part of the building is composed of paired openings devoid of ornamentation. Decorative emphasis is instead reserved for the crowning elements of the façade, where simple linear geometric motifs embellish the parapet and define the four corners as geometrised pinnacles. These crowning features are finished with delicate wrought-iron details. Particular note should be made of the small tower-like rooftop structure (“badalot”) attached to the main volume, which rises above it in height and displays more elaborate decoration in the same stylistic language, including ceramic medallions. The roof itself is flat and accessible as a terrace. Inside, the vestibule contains a secondary arcade enclosed with joinery and glass that replicates the forms of the principal entrance arch. Artistically, special attention should also be given to the site enclosure, which echoes the formal language of the building’s stone plinth, the ceramic decoration of the façade, and the wrought-iron craftsmanship of the entrance gates, distinguished by their elongated whip-like curves. Stylistically, the building is regarded as a work of Catalan Art Nouveau. While the ground floor is dominated by sinuous openings and an innovative combination of materials, the upper section adopts a more restrained decorative approach influenced by Central European architecture, yet executed using materials characteristic of Catalan Art Nouveau.
  • Pavelló d'Higiene del Port

    autoria desconeguda

    1909

  • 1907 - 1910

  • Vilafranca del Penedès Station

    autoria desconeguda

    Isolated building, facing the street and the square. It has a central body with a ground floor and two landings, and two lateral bodies with a ground floor and a main floor. There is a roof top. It features a large, cantilevered shed. It shows an eclectic language with modernist interior details. The station is located in an urbanised area as a result of the arrival of the train in Vilafranca. There are sheds and loading and unloading docks. It has a connection with the warehouses on Comerç Street. The railway area is of great formal and historical interest. The provisional station was built in 1865, the date of the train’s first arrival in Vilafranca (inland line from Martorell to Tarragona). The inauguration of the definitive station did not take place until 1911.

    1911

  • 1912

  • 1910 - 1915

  • 1915 - 1916

  • Bridge of the Ymbern Colony

    Vicente Pons

    Bridge of the Ymbern Colony

    Bridge which is 85 meters long, of very fine craftsmanship and monumental appearance — a quality especially conferred by the entrance arch, built with hewn stone blocks that form a composition of perfect architectural lines. It has six semicircular arches, each 14 meters wide, framed in brick. On both sides we can see a balustrade which matches the style of the canal’s railing. The pavement is asphalt, with sidewalks on either side. In 1920, construction began on this stone bridge, sponsored by the Calvet company. It is the only bridge in the entire Torelló area that withstood the 1940 flood, although the abutments on the north side were damaged when they were undermined and later repaired by the Ymbern company. Until the Borgonyà bridge was built in 1957, all traffic between Torelló and the Pyrenean counties had to pass through this point.

    1920 - 1922

  • Cotxeres Metro

    autoria desconeguda

    1922

  • Vallcarca Viaduct

    Eduard Ferrés i Puig, Lluís Homs i Moncusí, Miquel Pascual i Tintorer

    Vallcarca Viaduct

    Bridge with a slab deck that spans the difference in level of the old Vallcarca stream, now the Avinguda del Hospital Militar, which ran between the Coll and Putxet hills. Since 1923, it has been the main access road to the Coll neighbourhood via Plaça de Mons and Avinguda Argentina, both for road and pedestrian traffic. For the time, it was a fairly advanced engineering work, as the structure was made of concrete reinforced with iron, a technique that made it possible to cement a complex work set in the banks of a stream. The supporting elements are covered with stone and exposed brick, forming semicircular balconies at the top, like a belvedere. In the space between the dividing walls there are relief decorations representing the coat of arms of Catalonia and Sant Jordi flanked by winged lions; above the railing decorated with geometric coffered ceilings there are also pinnacles in the Sezession style.

    1917 - 1923

  • 1920 - 1923

  • Gelida Cable Car

    Santiago Rubió i Tudurí

    The collective transport system called the Funi was inaugurated on November 1, 1924, with the aim of connecting the train station and the industrial area with the old quarter. The promoter of the idea was priest Jaume Via and Josep Rosell i Massana. The work was directed by Santiago Rubió i Tudurí, engineer of the Tibidabo cable car. Upper and lower station are still to be preserved. It was mainly used by paper mill workers, train passengers and residents of the Sant Salvador neighbourhood. The fundamental data are: Length of the route: 860 metres. Maximum slope: 22%. Difference in level between stations: 103 metres. Travel time: 8 minutes. Traction cable length: 935 metres. The cable has a diameter of 29.5 millimetres and slides over a set of 103 pairs of pulleys. On September 19, 1920, the Funicular de Gelida, SA company was established. In 1926 the Funi carried approximately 100,000 passengers. It has become one of the most emblematic elements of Gelida.

    1924

  • 1926

  • 1925 - 1930

  • 1931

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