Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum
Suggestions

Suggestion box

Request the image

We kindly invite you to help us improve the dissemination of Catalan architecture through this space. Here you can propose works and provide or amend information on authors, photographers and their work, along with adding comments. The Documentary Commission will analyze all data. Please do only fill in the fields you deem necessary to add or amend the information.

The Arxiu Històric del Col·legi d'Arquitectes de Catalunya is one of the most important documentation centers in Europe, which houses the professional collections of more than 180 architects whose work is fundamental to understanding the history of Catalan architecture. By filling this form, you can request digital copies of the documents for which the Arxiu Històric del Col·legi d'Arquitectes de Catalunya manages the exploitation of the author's rights, as well as those in the public domain. Once the application has been made, the Arxiu Històric del Col·legi d'Arquitectes de Catalunya will send you an approximate budget, which varies in terms of each use and purpose.

Detail:

* If the memory has known authorship or rights, cite them in the field above 'Comments' .

Remove * If the photographs has known authorship or rights, cite them in the field above 'Comments'.
You can attach up to 5 files of up to 10 MB each.

Informació bàsica de protecció de dades

Responsable del tractament: Col·legi d Arquitectes de Catalunya 'COAC'
Finalitat del tractament: Tramitar la sol·licitud de còpies digitals dels documents dels quals l’Arxiu Històric del COAC gestiona els drets d'explotació dels autors, a més d'aquells que es trobin en domini públic.
Legitimació del tractament: El seu consentiment per tractar les seves dades personals.
Destinatari de cessions o transferències: El COAC no realitza cessions o transferències internacionals de dades personals.
Drets de les persones interessades: Accedir, rectificar i suprimir les seves dades, així com, l’exercici d’altres drets conforme a l’establert a la informació addicional.
Informació addicional: Pot consultar la informació addicional i detallada sobre protecció de dades en aquest enllaç

Awarded
Cataloged
Disappeared
All works
  • Park Hotel

    Antoni de Moragas i Gallissà

    Park Hotel

    The project responds to a program for a small hotel located in front of the Barcelona França Station. The solution proposes different treatments to the part of the building that faces the narrow streets and the part facing the avenue. The result is the addition of two completely different bodies. The body facing the avenue is wider, the enclosure is glazed, and the pillars and girders are visible. The back body is a wall structure that houses individual rooms. The staircase concentrates all the vertical dynamism by means of a continuous railing that spirals up to the top floor.

    1950 - 1954

  • Enmasa Factory

    Robert Terradas i Via

    Enmasa Factory

    The location of this factory on the outskirts of the city allows the free arrangement of the volumes and the incorporation of outdoor space as one of the most important elements of this project. The availability of large free zones makes the volumes of the factory become visual limits rather than physical objects and a dynamic component is introduced into the outer space. The building expresses its own constructive vocation to develop its language, avoiding the widespread use of plaster that hid the construction in most of the buildings prior to World War II. The program is organised around two types of buildings. The offices are distributed along some linear buildings, made of concrete, which extend in various directions, configuring the entrances, streets and squares of the entire industrial complex, in a much more varied and dynamic way than in the traditional urban space. The workshops take up a much lighter warehouse, built with a metallic structure on which the saw teeth rest. It illuminates the interior space evenly.

    1950 - 1957

  • 1954 - 1957

  • 1956 - 1958

  • 1958

  • CYT Dwellings

    Francesc Mitjans Miró

    CYT Dwellings

    This corner block is made up of three buildings between partitions and has a commercial porch on the ground floor that reinforces the unitary and compact image of a building separated from the ground by pilotis. In the upper volume, the horizontal composition of the railings, the edges of the slabs and the rectangular frame that frames the building and assumes the depth of the porch stand out. The dominant material of the façade is glass, which is usually associated with office buildings but which in this case introduces a technological component, linked to the idea of the machine for living. The author solves the ventilation through practicable windows, alternated with fixed glasses and places a series of galleries in staggered, which are used as terraces and which generate dynamism in the composition of the façade. The solar protection of these voids is resolved by tilting awnings. The material and volumetric forcefulness does not prevent this building from having a balanced scale and proportions in relation to its surroundings. The porch on the ground floor expands the space on the commercial sidewalk, while the trees on the central promenade sift and humanise the radical nature of this proposal.
  • Pallars Residential Street Block

    Martorell-Bohigas, Oriol Bohigas i Guardiola, Josep Maria Martorell i Codina

    Pallars Residential Street Block

    The building responds to the purpose of rationalising social housing based on the Cerdà square. The standard block contains four houses, with a small open space in the middle that serves the bedrooms. Each block is clearly separated from the neighbouring block by a cut that contains the staircase and the laundry. The apartment’s main model consists of two corridors, one for the bedrooms and the other one for the kitchen and the lavatories. The complex, containing a ground floor and 5 additional floors, creates a rhythmic façade thanks to the difference in the bodies’ volumes. The project takes care of all the work scales at the same time: from the minimum housing standards to the control of the urban shape.

    1955 - 1959

  • Liceo Cinema and Bar

    Antoni de Moragas i Gallissà

    Liceo Cinema and Bar

    Built at the end of the 50s, on the same site where the old Liceo cinema was (1914-1956). The building was projected on a rather irregular plot, a consequence of the urban evolution of the place. It is for this reason that the architect opted for a layout based on placing the projection room at full height enveloped by an "L"-shaped volume, where the rest of the elements of the program, such as a bar, meeting rooms, offices, a service area, different warehouses and vertical communications. This arrangement solved all the requirements in an optimal and elegant way. From fitting a magnificent projection room, with more than 1500 seats distributed between the audience and the floor; by allowing and making the different accesses and circulations within the building compatible, avoiding the conflict between the bar, social centre and the cinema; until managing to generate a perfect acoustic cushion between the screening room and the noisy Sants Streets. As it could not be otherwise, the result is a complex building with an organic plant resulting from the various interrelationships of the program. What stood out was a 32m long bar, which could be separated with several mobile panels in order to be able to work as a bar and a cinema at the same time. Unfortunately, and for some years now, little remains of the original project; beyond the façade of abstract composition characteristic of modern language, and the bar that has been cut and modified. The screening room is preserved, although disused and quite battered, without seats and with substantial modifications. The building is currently occupied by a dance school, a gym and an appliance store.

    1956 - 1959

  • 1958 - 1959

  • Faculty of Law of the UB

    Giráldez - López Iñigo - Subías Arquitectes, Guillermo Giráldez Dávila, Pedro López Iñigo, Xavier Subías i Fages

    Faculty of Law of the UB

    The configuration of the building adopts clarity and economy based on the short term imposed by the drafting of the project and its construction. Discrimination between teaching and representative purposes is reflected in the composition of two bodies. The body of the classroom, with two floors, is located concurrently to Diagonal Avenue, with three courtyards in the centre. The body that houses the administrative and study purposes has five floors and is located in a perpendicular direction. The ground floor, which only contains classrooms at the back, communicates both bodies in a single circulation space. The structure of the whole building, made of laminated steel, forms a regular module of 6.20 x 3.84 metres, which doubles in the rooms that require more surface. The building applies constructive economy criteria that renew the guidelines applied in Catalonia by the first generation of modern architects.
  • 1959

  • 1958 - 1960

  • 1960

  • Headquarters of Gustavo Gili Publishers

    Francesc Bassó i Birulés, Joaquim Gili i Moros

    Headquarters of Gustavo Gili Publishers

    The new headquarters of the Gustavo Gili publishing house occupy the inner courtyard of a block of houses in the Eixample distract, usually full of basements for garages, warehouses and similar uses. As it is a highly atomised programme that required numerous easements, the building is divided into three clearly differentiated bodies. The central body houses the commercial and technical offices. This body faces the entrance garden, from where it is accessed through a double-height lobby, the only space with clearly visible architectural connotations. The body on the left houses the management area and its outbuildings. The body on the right is intended for storage and packaging, and is clearly separated from the previous two. The structure forms a grid independent of the enclosures and adopts a different module in each of the bodies, which appear differentiated in the solution of the roof.

    1954 - 1961

  • UB School of Business Studies

    Francesc Bassó i Birulés, Francisco Javier Carvajal Ferrer, Rafael García de Castro Peña

    UB School of Business Studies

    The project addresses the location of a large university faculty within the framework of the urban planning created by Diagonal Avenue and the emergence of the architectural modernity of those years. The program is distributed according to the structural easements. The large classrooms and the function hall are located on the ground floor, in order to avoid vertical mechanical movements. These spaces receive light zenithally through spherical skylights. The smallest and most scattered rooms are housed in a longitudinal block of five floors, with a regular and modulated structure: 12 metres of light from façade to façade, and modules of 3 metres in transverse direction, which generate a repeated window in both ends. The large surface taken up by the ground floor is attenuated by light courtyards located between the classrooms and the corridors, which organise all the circulations through an annular configuration.

    1955 - 1961

  • Dwellings Johann Sebastian Bach 7

    José Antonio Coderch de Sentmenat, Manuel Valls i Vergés

    Dwellings Johann Sebastian Bach 7

    The building responds to a program of four apartments per floor of about 200 square meters, in an urban area arranged in isolated blocks and separated by a minimum distance. Coderch takes care of the housing unit’s study and composes a building with two symmetry axes. The block has two equal façades that face the street and the back garden, and two side façades which are also the same. In the layout of the house, all the main rooms – including the bedrooms and bathrooms – are supported by the exterior enclosures, leaving the kitchen and the service rooms in relation to a central inner courtyard. Main and service traffic are well discriminated against, and they only cross at the entrance. The dining room and the living room have a gallery that combines sliding glass, folding awnings and fixed blinds in a lighting and ventilation device which is superimposed on the structure.

    1957 - 1961

  • 1958 - 1961

  • Calvet Apartment Building

    Martorell-Bohigas, Oriol Bohigas i Guardiola, Josep Maria Martorell i Codina

    Calvet Apartment Building

    The purpose of this project is the construction of a Limited-Rent building, Group 1, comprising 15 dwellings on the upper floors, a commercial unit on the ground floor, and basement levels housing the building’s shared services (central heating and coal store). The ground floor also contains the residential entrance and one dwelling. The main characteristics of the building are as follows: The basement and ground-floor structure is of mixed construction, consisting of brick load-bearing walls combined with reinforced concrete columns and beams. The structure of the remaining floors is formed by brick walls and floors made up of concrete joists with ceramic infill blocks. Interior floor finishes consist of hydraulic mosaic tiles, with terrazzo flooring in the entrance hall and staircases. Walls are plastered and painted with distemper. Ceilings are finished with reed lath and plaster, painted with distemper. Bathrooms, kitchens and utility rooms are tiled with 15 × 15 cm ceramic wall tiles to full height. Sanitary fittings are first-quality porcelain. The electrical installation is concealed, run in Bergman conduit, with first-quality bakelite switches, sockets and bells. A power distribution network is also provided. Cooking appliances are of a mixed gas and coal type, except in the ground-floor and attic dwellings, which have a more reduced programme and are equipped with gas cookers only. A central heating system is installed, with boiler and coal store located in the basement. A passenger lift and a goods lift are provided, supplied and installed by a reputable specialist company. Gas and cold-water installations are concealed and executed in lead pressure pipes of diameters required by the utility companies. Each dwelling is equipped with a domestic hot water system using electric water heaters of 100 litres and 25 litres capacity (except in the attic and ground-floor dwelling, where 15-litre units are installed), with a concealed galvanised steel distribution network. In compliance with Article 100 of the current building regulations, individual mailboxes for correspondence are installed in the entrance hall, in accordance with the applicable standards. Façade openings are fitted with metal joinery, and solid wall sections are clad with high-temperature fired ceramic tiles. The building is intended for the sale of individual dwellings.

Bústia suggeriments

Ajuda’ns a millorar el web i el seu contingut. Proposa’ns obres, aporta o esmena informació sobre obres, autors i fotògrafs, o comenta’ns el què penses. Participa!